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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Does “Christmas” End?

Corpus Christi Watershed · January 11, 2025

An email message from Father J. Haley.
[We usually redact names for anonymity’s sake.]

EAR CCW TEAM: In the first paragraph of this article, Jeff Ostrowski provided a screenshot from the USCCB website which he claimed was false. However, I believe (though I could be wrong) the USCCB website is correct. Sunday would be the First Sunday in Ordinary Time, however it is superseded by the Feast of the Baptism of the Lord. I think that’s why it’s set off in parentheses. The following day is Monday of the First Week in Ordinary Time. The prayers of the Mass for the first Sunday in Ordinary Time are used on ferias during the week.

The following is Jeff Ostrowski’s response:
[This response was posted on 11 January 2025.]

The Word “After” • My understanding is that “Ordinary Time” begins once the feast of the BAPTISM OF THE LORD has concluded. In the 1970 calendar, Epiphanytide is a subset of Christmastide (“Tempus Nativitatis”). The official rubrics say: A feria II post hanc dominicam usque ad feriam III ante Quadragesimam decurrit tempus «per annum». Translated into English, that means:

The «per annum» season runs from the Monday after the Baptism of the Lord until the Tuesday before Ash Wednesday.

In terms of whether the 1st Sunday of Ordinary Time is “replaced” by the feast of the BAPTISM OF THE LORD, my understanding is that’s technically incorrect or imprecise. The season of «per annum» begins after the BAPTISM OF THE LORD. Indeed, the “Ordinary Time” headers of the Sacramentary only begin after the feast of the BAPTISM OF THE LORD.

They Were Confused • Father Louis Bouyer (the one responsible for coming up with EUCHARISTIC PRAYER NO. 2) famously wrote as follows about the changes made to the calendar:

“I prefer to say nothing, or little, about the new calendar, the handiwork of a trio of maniacs who suppressed, with no good reason, Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piggledy, all based on notions of their own devising! Because these three hotheads obstinately refused to change anything in their work and because the pope wanted to finish up quickly to avoid letting the chaos get out of hand, their project, however insane, was accepted!”

Lauren Pristas, in her excellent book published by BLOOMSBURY in 2013, confirms that the reformers themselves were confused about when the season of Christmas should end:

The Correct Answer • So when does the Christmas season really end? Various people online have different theories. Perhaps the most common answer is 2 February—the feast of Candlemas—but that theory has problems; e.g. the season of SEPTUAGESIMA (if memory serves) can begin before 2 February. If one were to invent a time machine and travel back to the Middle Ages, our ancestors would most likely laugh at the question of when the Christmas season “ends.” That’s not how they thought about such matters. They didn’t delineate seasons in a rigid way—as if such matters were “black and white.” However, the church musician is responsible for choosing (some) music, and it’s important for us to realize the feast of the BAPTISM OF THE LORD is part of the Christmas season. Ordinary time begins after the BAPTISM OF THE LORD has ended.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Baptism of the Lord, CCWatershed Feedback, Louis Bouyer Oratorian Priest, Reader Feedback Corpus Christi Watershed Last Updated: January 11, 2025

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

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  • “Sanctus VIII” • Organ Accompaniment

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