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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Memoriam • Dr. William Mahrt

Fr. David Friel · January 2, 2025

T THE VERY START of this Jubilee year, we mourn the passing of Dr. William Mahrt, who died late in the afternoon of January 1, 2025. One of the world’s foremost authorities on Gregorian chant, Dr. Mahrt was a tremendous teacher whose depth of scholarship was matched by his greatness of soul. Dr. Mahrt’s writings in musicology, especially within the realm of Gregorian chant, are truly magisterial. Readers of the CMAA’s Sacred Music journal will remember Bill’s insightful and pithy editorials in each issue, almost always bearing a one- or two-word title. His reviews of repertoire in the same journal show forth his unparalleled mastery of chant and polyphony. The 2012 reworking of a number of earlier articles into the book The Musical Shape of the Liturgy was a great gift for a new generation of men and women who are dedicated, like Bill, to promoting the Church’s treasury of sacred music at the parish level.

This is one of the most remarkable things about Bill’s professional life: although he was ever the scholar, he was never removed from the demands of actual liturgical praxis. He led a successful career as a professor at Stanford University (his alma mater), and he also led the St. Ann Choir week-by-week in rehearsal and at Sunday Mass in Palo Alto continuously for more than fifty years. Bill was no ivory tower academic, but a brilliant and faithful man who had tasted heaven in the chants of the Church and who ardently shared his knowledge and love for sacred music with his fellow parishioners and musicians.

Numerous times, I heard Dr. Mahrt give lectures and presentations on sacred music, always learning something from what he taught. Occasionally, while participating together in various conferences, I had the chance to share a meal with him, which always felt like sitting at the feet of a (very humble) master. On a few occasions, I also had the imposing task of presenting papers on musical topics in his presence, during the course of which I cited one or more of his works. I will never forget his kindness and encouragement to me on those occasions.

Dr. Mahrt’s death is a real loss for his family and for so many others who came to love him for his gentleness and generosity, as well as his erudition and accomplishments.

AINT PAUL describes the way in which the Holy Spirit manifests Himself in human souls: “The fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control” (Galatians 5:22-23). According to this standard, Bill was a man very much filled with the Holy Spirit.

We pray that Dr. Mahrt may soon sing alongside the angels and saints as part of the heavenly choir. Requiescat in pace!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, New Liturgical Movement Blog, William Mahrt Gregorian Chant Last Updated: January 2, 2025

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Every medicine does not suit every stage of sickness; because the tonic given to those who are recovering from fever would be hurtful to them if given while yet in their feverish condition. So likewise Baptism and Penance are as purgative medicines, given to take away the fever of sin; whereas this sacrament [the Sanctissimum] is a medicine given to strengthen, and it ought not to be given except to them who are quit of sin.”

— Saint Thomas Aquinas Re: the EUCHARIST

Recent Posts

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  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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