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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Memoriam • Dr. William Mahrt

Fr. David Friel · January 2, 2025

T THE VERY START of this Jubilee year, we mourn the passing of Dr. William Mahrt, who died late in the afternoon of January 1, 2025. One of the world’s foremost authorities on Gregorian chant, Dr. Mahrt was a tremendous teacher whose depth of scholarship was matched by his greatness of soul. Dr. Mahrt’s writings in musicology, especially within the realm of Gregorian chant, are truly magisterial. Readers of the CMAA’s Sacred Music journal will remember Bill’s insightful and pithy editorials in each issue, almost always bearing a one- or two-word title. His reviews of repertoire in the same journal show forth his unparalleled mastery of chant and polyphony. The 2012 reworking of a number of earlier articles into the book The Musical Shape of the Liturgy was a great gift for a new generation of men and women who are dedicated, like Bill, to promoting the Church’s treasury of sacred music at the parish level.

This is one of the most remarkable things about Bill’s professional life: although he was ever the scholar, he was never removed from the demands of actual liturgical praxis. He led a successful career as a professor at Stanford University (his alma mater), and he also led the St. Ann Choir week-by-week in rehearsal and at Sunday Mass in Palo Alto continuously for more than fifty years. Bill was no ivory tower academic, but a brilliant and faithful man who had tasted heaven in the chants of the Church and who ardently shared his knowledge and love for sacred music with his fellow parishioners and musicians.

Numerous times, I heard Dr. Mahrt give lectures and presentations on sacred music, always learning something from what he taught. Occasionally, while participating together in various conferences, I had the chance to share a meal with him, which always felt like sitting at the feet of a (very humble) master. On a few occasions, I also had the imposing task of presenting papers on musical topics in his presence, during the course of which I cited one or more of his works. I will never forget his kindness and encouragement to me on those occasions.

Dr. Mahrt’s death is a real loss for his family and for so many others who came to love him for his gentleness and generosity, as well as his erudition and accomplishments.

AINT PAUL describes the way in which the Holy Spirit manifests Himself in human souls: “The fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control” (Galatians 5:22-23). According to this standard, Bill was a man very much filled with the Holy Spirit.

We pray that Dr. Mahrt may soon sing alongside the angels and saints as part of the heavenly choir. Requiescat in pace!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, New Liturgical Movement Blog, William Mahrt Gregorian Chant Last Updated: January 2, 2025

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The Princess of the Palatinate once described German Protestantism to Louis XIV with this formula: “In our country, everyone makes up his own little religion.” Every priest, or almost every priest, is at this point today. All the faithful have to say is “Amen.” They are still blessed when the pastor’s religion does not change every Sunday, at the whim of his reading, the foolery he has seen others at, or at his own pure fancy.

— Professor Louis Bouyer (1968)

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