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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bouyer on Liturgical Reform: “More intolerant and fussy than anything we’ve ever known.”

Corpus Christi Watershed · November 25, 2024

Father Louis Bouyer (a famous theologian
and close friend of Pope Saint Paul VI)
initially felt gung-ho about the 1960s
liturgical reforms—but when he saw
the results, he changed his mind.
He wrote as follows in 1968:

HE MOST PARADOXICAL point of the situation is this: at the moment we have lost all sense of authority! We are witnessing a kind of neo-clericalism, both lay and clerical, come alive again. It is more limited, more intolerant and more fussy than anything we had ever known before. A typical example is that of liturgical Latin. Explicitly, the Council upheld the principle of keeping this traditional language in the Western liturgy, although it opened the door to the broadest exceptions whenever pastoral needs would require a more or less extensive use of the vernacular. Yet a large percentage of the clergy who until then could not have even conceived that the people’s language would receive a place (except in the proclamation of the Word of God) immediately jumped from one extreme to the other and no longer wanted a word of Latin to be heard in the church. “It is now the laity’s time to speak,” it seems, but on this point as on all others, only the condition that they keep docilely repeating what they are told.

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say! (Which is all the more curious since they are asking precisely for what the Council recommended.) But the Council has a broad back. Three-quarters of the time its name is brought up, people are not appealing to its decisions or exhortations but to an individual episcopal statement, in no way ratified by the assembly (when they are not bringing up what some theologian or some two-bit writer without mandate wanted to see the Council approve) and even a supposed “development” of the Council, even when this development in question contradicts it word for word.

[…]

There would be too much to say on this subject. Perhaps in no other area is there a greater distance (and even formal opposition) between what the Council worked out and what we actually have. Under the pretext of “adapting” the liturgy, people have simply forgotten that it is and can only be the traditional expression of the Christian mystery in all its spring-like fullness. I have perhaps spent the greater part of my priestly life in attempting to explain it. […] But as for me, “the night is coming, where no one can work any more.” [Jn 9:4]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Louis Bouyer Oratorian Priest Last Updated: November 25, 2024

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“The priest coming nearer to the faithful; communicating with them; praying and singing with them and therefore standing at the pulpit; saying the COLLECT, the EPISTLE, and the GOSPEL in their language; the priest singing in the divine traditional melodies—the Kyrie, the Gloria, the Credo—with the faithful: these are so many good reforms that give back to that part of the Mass its true finality.”

— Archbishop Marcel Lefebvre (1965) praising vernacular readings at Mass

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