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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bouyer on Liturgical Reform: “More intolerant and fussy than anything we’ve ever known.”

Corpus Christi Watershed · November 25, 2024

Father Louis Bouyer (a famous theologian
and close friend of Pope Saint Paul VI)
initially felt gung-ho about the 1960s
liturgical reforms—but when he saw
the results, he changed his mind.
He wrote as follows in 1968:

HE MOST PARADOXICAL point of the situation is this: at the moment we have lost all sense of authority! We are witnessing a kind of neo-clericalism, both lay and clerical, come alive again. It is more limited, more intolerant and more fussy than anything we had ever known before. A typical example is that of liturgical Latin. Explicitly, the Council upheld the principle of keeping this traditional language in the Western liturgy, although it opened the door to the broadest exceptions whenever pastoral needs would require a more or less extensive use of the vernacular. Yet a large percentage of the clergy who until then could not have even conceived that the people’s language would receive a place (except in the proclamation of the Word of God) immediately jumped from one extreme to the other and no longer wanted a word of Latin to be heard in the church. “It is now the laity’s time to speak,” it seems, but on this point as on all others, only the condition that they keep docilely repeating what they are told.

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say! (Which is all the more curious since they are asking precisely for what the Council recommended.) But the Council has a broad back. Three-quarters of the time its name is brought up, people are not appealing to its decisions or exhortations but to an individual episcopal statement, in no way ratified by the assembly (when they are not bringing up what some theologian or some two-bit writer without mandate wanted to see the Council approve) and even a supposed “development” of the Council, even when this development in question contradicts it word for word.

[…]

There would be too much to say on this subject. Perhaps in no other area is there a greater distance (and even formal opposition) between what the Council worked out and what we actually have. Under the pretext of “adapting” the liturgy, people have simply forgotten that it is and can only be the traditional expression of the Christian mystery in all its spring-like fullness. I have perhaps spent the greater part of my priestly life in attempting to explain it. […] But as for me, “the night is coming, where no one can work any more.” [Jn 9:4]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Louis Bouyer Oratorian Priest Last Updated: November 25, 2024

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“By no means would I offer the counsel that Mass be celebrated in languages other than Latin.”

— Archbishop Dwyer (one of the Vatican II fathers)

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