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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Put Out into the Deep”

Richard J. Clark · November 14, 2024

HE ARCHDIOCESE of Boston has long awaited the installation of a new Archbishop. Historically, it is exceedingly rare for an Archbishop to reach their 80th birthday without a successor being named. Such was the case with His Eminence Cardinal Sean P. O’Malley, OFM, Cap. who turned 80 in June of 2024. On August 5, 2024, Pope Francis named Bishop Richard Garth Henning Tenth Bishop and Seventh Archbishop of Boston. His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023. This surprise may indeed be spiritually providential.

Archbishop Henning’s Mass of Installation was held on October 31, 2024 at the Cathedral of the Holy Cross.  (To view the Mass program click here.) For the occasion I composed a choral work based on his episcopal motto, Put Out into the Deep. It is composed for SATB choir, organ, and assembly. Optional brass quintet and timpani make an appearance only on the final refrain.

The text is from Luke 5: 1, 3-8, 10-11 (Luke 5:1-11 is the Gospel for the Fifth Sunday in Ordinary Time, Year C). The baritone solos, composed especially for Taras Leschishin, alternate with SATB choir serving as “narrators” of the story. This is rendered with a balance of proclaiming the word and expressive text painting. Musical metaphors include an unusual octave leap downward in the refrain melody.

I OFFER THE SCORE FOR FREE; I have no intention to make money from this. It wouldn’t be much anyway!

*  PDF Download • Put Out into the Deep (MUSICAL SCORE)
—For Assembly, SATB Choir, Organ, Brass Quintet, and Timpani.

NOTE ON THE BROADCAST: Broadcast live on The Catholic TV Network, one can get a good sense of the score from here. The music is occasionally interrupted by prerecorded interviews with Archbishop Richard G. Henning. Commentary during televised Masses of such importance is not unusual. However, this was an ingenious alternate approach that allowed viewers to get to know Archbishop Henning a bit better. It was also quite fitting this piece was the backdrop to his words.

SAINT PETER OFTEN WEARS his heart out on his sleeve particularly in his best and worst moments. Peter is blunt and says what is on his mind. He also is known to change his mind. This is certainly one such story. Peter and fishermen pull up their boats to hear Jesus preach. Jesus tells them to “Put out into the deep.” Peter argues with Jesus that they “toiled all night and caught nothing.” They do as Jesus says, and the boats are overflowing with fish to the point of sinking.

Peter’s reaction is fascinating. Instead of delight at an enormous catch and a big payday, Peter recoils in shame and humility: “Depart from me, for I am a sinful man, O Lord.” However, this is perhaps one of Saint Peter’s most heartfelt moments. He sees the inner truth of his being, unworthy to be in Jesus’ presence.

Yet, Jesus called upon Peter to be the rock upon which to built his Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 14, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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