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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Put Out into the Deep”

Richard J. Clark · November 14, 2024

HE ARCHDIOCESE of Boston has long awaited the installation of a new Archbishop. Historically, it is exceedingly rare for an Archbishop to reach their 80th birthday without a successor being named. Such was the case with His Eminence Cardinal Sean P. O’Malley, OFM, Cap. who turned 80 in June of 2024. On August 5, 2024, Pope Francis named Bishop Richard Garth Henning Tenth Bishop and Seventh Archbishop of Boston. His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023. This surprise may indeed be spiritually providential.

Archbishop Henning’s Mass of Installation was held on October 31, 2024 at the Cathedral of the Holy Cross.  (To view the Mass program click here.) For the occasion I composed a choral work based on his episcopal motto, Put Out into the Deep. It is composed for SATB choir, organ, and assembly. Optional brass quintet and timpani make an appearance only on the final refrain.

The text is from Luke 5: 1, 3-8, 10-11 (Luke 5:1-11 is the Gospel for the Fifth Sunday in Ordinary Time, Year C). The baritone solos, composed especially for Taras Leschishin, alternate with SATB choir serving as “narrators” of the story. This is rendered with a balance of proclaiming the word and expressive text painting. Musical metaphors include an unusual octave leap downward in the refrain melody.

I OFFER THE SCORE FOR FREE; I have no intention to make money from this. It wouldn’t be much anyway!

*  PDF Download • Put Out into the Deep (MUSICAL SCORE)
—For Assembly, SATB Choir, Organ, Brass Quintet, and Timpani.

NOTE ON THE BROADCAST: Broadcast live on The Catholic TV Network, one can get a good sense of the score from here. The music is occasionally interrupted by prerecorded interviews with Archbishop Richard G. Henning. Commentary during televised Masses of such importance is not unusual. However, this was an ingenious alternate approach that allowed viewers to get to know Archbishop Henning a bit better. It was also quite fitting this piece was the backdrop to his words.

SAINT PETER OFTEN WEARS his heart out on his sleeve particularly in his best and worst moments. Peter is blunt and says what is on his mind. He also is known to change his mind. This is certainly one such story. Peter and fishermen pull up their boats to hear Jesus preach. Jesus tells them to “Put out into the deep.” Peter argues with Jesus that they “toiled all night and caught nothing.” They do as Jesus says, and the boats are overflowing with fish to the point of sinking.

Peter’s reaction is fascinating. Instead of delight at an enormous catch and a big payday, Peter recoils in shame and humility: “Depart from me, for I am a sinful man, O Lord.” However, this is perhaps one of Saint Peter’s most heartfelt moments. He sees the inner truth of his being, unworthy to be in Jesus’ presence.

Yet, Jesus called upon Peter to be the rock upon which to built his Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 14, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

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  • PDF Download • “Atténde Dómine”
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  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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