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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Put Out into the Deep”

Richard J. Clark · November 14, 2024

HE ARCHDIOCESE of Boston has long awaited the installation of a new Archbishop. Historically, it is exceedingly rare for an Archbishop to reach their 80th birthday without a successor being named. Such was the case with His Eminence Cardinal Sean P. O’Malley, OFM, Cap. who turned 80 in June of 2024. On August 5, 2024, Pope Francis named Bishop Richard Garth Henning Tenth Bishop and Seventh Archbishop of Boston. His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023. This surprise may indeed be spiritually providential.

Archbishop Henning’s Mass of Installation was held on October 31, 2024 at the Cathedral of the Holy Cross.  (To view the Mass program click here.) For the occasion I composed a choral work based on his episcopal motto, Put Out into the Deep. It is composed for SATB choir, organ, and assembly. Optional brass quintet and timpani make an appearance only on the final refrain.

The text is from Luke 5: 1, 3-8, 10-11 (Luke 5:1-11 is the Gospel for the Fifth Sunday in Ordinary Time, Year C). The baritone solos, composed especially for Taras Leschishin, alternate with SATB choir serving as “narrators” of the story. This is rendered with a balance of proclaiming the word and expressive text painting. Musical metaphors include an unusual octave leap downward in the refrain melody.

I OFFER THE SCORE FOR FREE; I have no intention to make money from this. It wouldn’t be much anyway!

*  PDF Download • Put Out into the Deep (MUSICAL SCORE)
—For Assembly, SATB Choir, Organ, Brass Quintet, and Timpani.

NOTE ON THE BROADCAST: Broadcast live on The Catholic TV Network, one can get a good sense of the score from here. The music is occasionally interrupted by prerecorded interviews with Archbishop Richard G. Henning. Commentary during televised Masses of such importance is not unusual. However, this was an ingenious alternate approach that allowed viewers to get to know Archbishop Henning a bit better. It was also quite fitting this piece was the backdrop to his words.

SAINT PETER OFTEN WEARS his heart out on his sleeve particularly in his best and worst moments. Peter is blunt and says what is on his mind. He also is known to change his mind. This is certainly one such story. Peter and fishermen pull up their boats to hear Jesus preach. Jesus tells them to “Put out into the deep.” Peter argues with Jesus that they “toiled all night and caught nothing.” They do as Jesus says, and the boats are overflowing with fish to the point of sinking.

Peter’s reaction is fascinating. Instead of delight at an enormous catch and a big payday, Peter recoils in shame and humility: “Depart from me, for I am a sinful man, O Lord.” However, this is perhaps one of Saint Peter’s most heartfelt moments. He sees the inner truth of his being, unworthy to be in Jesus’ presence.

Yet, Jesus called upon Peter to be the rock upon which to built his Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 14, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

I feel the greatest destroyer of peace today is abortion, because it is a direct war, a direct killing—direct murder by the mother herself. And we read in the Scripture, for God says very clearly: “Even if a mother could forget her child, I will not forget you: I have carved you in the palm of my hand.”

— Mother Theresa (11 Dec 1979)

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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