• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • “Put Out into the Deep”

Richard J. Clark · November 14, 2024

HE ARCHDIOCESE of Boston has long awaited the installation of a new Archbishop. Historically, it is exceedingly rare for an Archbishop to reach their 80th birthday without a successor being named. Such was the case with His Eminence Cardinal Sean P. O’Malley, OFM, Cap. who turned 80 in June of 2024. On August 5, 2024, Pope Francis named Bishop Richard Garth Henning Tenth Bishop and Seventh Archbishop of Boston. His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023. This surprise may indeed be spiritually providential.

Archbishop Henning’s Mass of Installation was held on October 31, 2024 at the Cathedral of the Holy Cross.  (To view the Mass program click here.) For the occasion I composed a choral work based on his episcopal motto, Put Out into the Deep. It is composed for SATB choir, organ, and assembly. Optional brass quintet and timpani make an appearance only on the final refrain.

The text is from Luke 5: 1, 3-8, 10-11 (Luke 5:1-11 is the Gospel for the Fifth Sunday in Ordinary Time, Year C). The baritone solos, composed especially for Taras Leschishin, alternate with SATB choir serving as “narrators” of the story. This is rendered with a balance of proclaiming the word and expressive text painting. Musical metaphors include an unusual octave leap downward in the refrain melody.

I OFFER THE SCORE FOR FREE; I have no intention to make money from this. It wouldn’t be much anyway!

*  PDF Download • Put Out into the Deep (MUSICAL SCORE)
—For Assembly, SATB Choir, Organ, Brass Quintet, and Timpani.

NOTE ON THE BROADCAST: Broadcast live on The Catholic TV Network, one can get a good sense of the score from here. The music is occasionally interrupted by prerecorded interviews with Archbishop Richard G. Henning. Commentary during televised Masses of such importance is not unusual. However, this was an ingenious alternate approach that allowed viewers to get to know Archbishop Henning a bit better. It was also quite fitting this piece was the backdrop to his words.

SAINT PETER OFTEN WEARS his heart out on his sleeve particularly in his best and worst moments. Peter is blunt and says what is on his mind. He also is known to change his mind. This is certainly one such story. Peter and fishermen pull up their boats to hear Jesus preach. Jesus tells them to “Put out into the deep.” Peter argues with Jesus that they “toiled all night and caught nothing.” They do as Jesus says, and the boats are overflowing with fish to the point of sinking.

Peter’s reaction is fascinating. Instead of delight at an enormous catch and a big payday, Peter recoils in shame and humility: “Depart from me, for I am a sinful man, O Lord.” However, this is perhaps one of Saint Peter’s most heartfelt moments. He sees the inner truth of his being, unworthy to be in Jesus’ presence.

Yet, Jesus called upon Peter to be the rock upon which to built his Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 14, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

Recent Posts

  • Bach’s Psychotically Awesome Walking Bassline
  • A Simple Way to Utilize Handbells
  • Fulton J. Sheen • “24-Hour Catechism”
  • “Reminder” — Month of January (2026)
  • Hymn Translation • “Was Dr. John Mason Neale the Greatest of All Time?”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.