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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Put Out into the Deep”

Richard J. Clark · November 14, 2024

HE ARCHDIOCESE of Boston has long awaited the installation of a new Archbishop. Historically, it is exceedingly rare for an Archbishop to reach their 80th birthday without a successor being named. Such was the case with His Eminence Cardinal Sean P. O’Malley, OFM, Cap. who turned 80 in June of 2024. On August 5, 2024, Pope Francis named Bishop Richard Garth Henning Tenth Bishop and Seventh Archbishop of Boston. His appointment was somewhat unexpected as he was installed as Bishop of Providence in May of 2023. This surprise may indeed be spiritually providential.

Archbishop Henning’s Mass of Installation was held on October 31, 2024 at the Cathedral of the Holy Cross.  (To view the Mass program click here.) For the occasion I composed a choral work based on his episcopal motto, Put Out into the Deep. It is composed for SATB choir, organ, and assembly. Optional brass quintet and timpani make an appearance only on the final refrain.

The text is from Luke 5: 1, 3-8, 10-11 (Luke 5:1-11 is the Gospel for the Fifth Sunday in Ordinary Time, Year C). The baritone solos, composed especially for Taras Leschishin, alternate with SATB choir serving as “narrators” of the story. This is rendered with a balance of proclaiming the word and expressive text painting. Musical metaphors include an unusual octave leap downward in the refrain melody.

I OFFER THE SCORE FOR FREE; I have no intention to make money from this. It wouldn’t be much anyway!

*  PDF Download • Put Out into the Deep (MUSICAL SCORE)
—For Assembly, SATB Choir, Organ, Brass Quintet, and Timpani.

NOTE ON THE BROADCAST: Broadcast live on The Catholic TV Network, one can get a good sense of the score from here. The music is occasionally interrupted by prerecorded interviews with Archbishop Richard G. Henning. Commentary during televised Masses of such importance is not unusual. However, this was an ingenious alternate approach that allowed viewers to get to know Archbishop Henning a bit better. It was also quite fitting this piece was the backdrop to his words.

SAINT PETER OFTEN WEARS his heart out on his sleeve particularly in his best and worst moments. Peter is blunt and says what is on his mind. He also is known to change his mind. This is certainly one such story. Peter and fishermen pull up their boats to hear Jesus preach. Jesus tells them to “Put out into the deep.” Peter argues with Jesus that they “toiled all night and caught nothing.” They do as Jesus says, and the boats are overflowing with fish to the point of sinking.

Peter’s reaction is fascinating. Instead of delight at an enormous catch and a big payday, Peter recoils in shame and humility: “Depart from me, for I am a sinful man, O Lord.” However, this is perhaps one of Saint Peter’s most heartfelt moments. He sees the inner truth of his being, unworthy to be in Jesus’ presence.

Yet, Jesus called upon Peter to be the rock upon which to built his Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: November 14, 2024

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

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