Views from the Choir Loft

Anybody Want This Prayer?

Jeff Ostrowski · October 16, 2024

EVERAL WEEKS AGO, I posted on social media a photograph of the splendid prayer my choir says whenever we meet for rehearsal (or sing at Mass). It’s an abridged form of the “daily offering” composed by RAFAEL CARDINAL MERRY DEL VAL, who served as Secretary of State for Pope Saint Pius X. The English translation is by Monsignor Robert A. Skeris (a famous theologian and polyglot). A bunch of people contacted me, asking me how they could obtain a copy. If you earnestly desire this beautiful canvas, send an email to jeff@ccwatershed.org with the words “Cardinal Merry Del Val” in the subject line. I’ll reply to your email, explaining how it can be purchased.

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He Composed Music • RAFAEL CARDINAL MERRY DEL VAL was a musician & composer. Indeed, several of his compositions are still sung at the Vatican. Believe it or not, he was made a MONSIGNOR while still a seminarian.

Update: (26 October 2024) • Someone who ordered a copy from us writes as follows: “I just picked mine up last night and my oh my is it great! Thank you so much! Please consider doing things like this again in the future. I will wholeheartedly support it!”

Fun Fact • If memory serves, Cardinal Merry Del Val was born into a royal family. I don’t know anyone with a longer name. His full name is: Rafael María José Pedro Francisco Borja Domingo Gerardo de la Santísima Trinidad Merry del Val y Zulueta.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Music List” • 19th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.

—Jeff Ostrowski

This Sunday’s Communion Antiphon

This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.

—Jeff Ostrowski

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed