• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Unsolved Mysteries” • What Happened To This Institute?

Jeff Ostrowski · October 11, 2024

HE IMPRESSIVE collection of vernacular plainsong propers known as The O’Fallon Propers was published in the 1960s by SAINT MARY’S INSTITUTE in O’Fallon, Missouri. But what exactly was “SAINT MARY’S INSTITUTE”—and who was in charge of it? From what I can tell, the motherhouse for the Sisters of the Most Precious Blood was located in O’Fallon (just west of St. Louis, Missouri). The SAINT MARY’S INSTITUTE seems to have been intimately connected with Dom Ermin Vitry, OSB, who was born on 22 December 1884 in Lobbes, a village in Belgium. Vitry entered religious life at the magnificent Maredsous Abbey in 1902, one year before the sacred music legislation of Pope Saint Pius X was issued in 1903.1

Dom Ermin Vitry • Dom Ermin Vitry was ordained a Benedictine priest in 1907. At the LEMMENSINSTITUUT, he studied organ with the legendary Edgar Tinel (d. 1912). The Benedictines sent him from Belgium to the United States where he served as director of music for the SAINT MARY’S INSTITUTE—but sources disagree vis-à-vis the precise years this took place. For the record, Monsignor Martin B. Hellriegel served as chaplain for the O’Fallon sisters from 1918-1940. Vitry and Hellriegel knew each other.

The Institute • One source says: “As choir director, Dom Ermin taught the Sisters an appreciation of sacred liturgical music through Gregorian Chant.” In a (very brief) biography of Dom Vitry published in 1988, Monsignor Francis P. Schmitt insinuates that Vitry was the driving force behind what would become the O’Fallon Propers. Monsignor Schmitt wrote: “I am no enthusiast for English chant, never have been. But I recognize a legitimate place for it…” He then went on to say:

“The late Dom Ermin Vitry and the recently deceased Charles Dreisoerner (either of whom forgot more about Gregorian than most pundits I encounter these days will ever know) both felt that, in some measure, the preservation of Gregorian as the song of the faithful, the saving of it from a second and final death, depended upon a viable vernacular use.”

Mysterious • Some people believe that Monsignor Hellriegel was the actual composer of The O’Fallon Propers. One thing is certain: its 483 pages must have been in production for many years before its publication in 1964. I would welcome any information about what remains of SAINT MARY’S INSTITUTE or the Sisters of the Most Precious Blood in O’Fallon.

Here’s a photograph of Dom Ermin Vitry taken circa 1935:

1 This motu proprio was known as “Inter Pastoralis Officii Sollicitudines.” Some people also refer to it by the Italian name: “Tra Le Sollecitudini.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Dom Ermin Vitry, Inter pastoralis officii Pius X, Monsignor Francis P Schmitt, Monsignor Martin B. Hellriegel, O'Fallon Missouri Mass Propers, O’Fallon Propers in Plainsong, Sisters of the Most Precious Blood, The O’Fallon Propers, Tra le sollecitudini, Tra Le Sollecitudini Motu Proprio Last Updated: October 11, 2024

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up