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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” (2024)

Corpus Christi Watershed · July 4, 2024

OW FAR CAN YOU take your parish’s music program? Building on the success of last year’s conference, Colorado Sacred Music Conference (2024) will continue to explore ways of building a successful music program grounded in the truth and beauty of the Catholic tradition. This year, we’re excited to welcome acclaimed composer KEVIN ALLEN, who will share with us his philosophy on church music. Kevin will focus his discussion on sacred polyphony: why it’s uniquely suited to the liturgy, and how we can incorporate it into our own music programs. The conference will include a Mass on both days, along with rehearsal time to provide the music for the sacred liturgy.

*  Colorado Sacred Music Conference
9905 Foothills Canyon Blvd.
Highlands Ranch, Colorado
7-8 August 2024

To learn more and register today, click this link.

Highlights

(1) Sacred Polyphony • Learn the role of polyphony in the treasury of the Church’s sacred music, how to sing it effectively, and how to (gradually) incorporate into your music program.
(2) Two beautiful sung Masses that include practical resources for English Propers and chanting the Mass Ordinary.
(3) Practical instruction on rehearsal techniques, improving the sound of your choir, and tips for programming music based on your singers abilities while being faithful to the Church’s expectations.
(4) Breakout Sessions • Kevin Allen will offer two sessions on composition, and our organists will offer two organ sessions (beginner and advanced).
(5) Expanded Clergy Track • A special track for clergy will include instruction in singing the Mass dialogues, how to introduce better music to your parish, and building strong relationships between pastors and musicians. Learn more about the Clergy Track.
(6) A valuable panel discussion involving faculty and clergy to answer relevant questions of participants.

2024 Faculty

Kevin Allen is highly regarded as a composer of opera, chamber, and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. Founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata, Mr. Allen serves as choirmaster of the Monastery of the Holy Cross in Chicago.

Diana Corliss has largely focused on sacred music, choral conducting, and voice instruction. In her current position, she has developed a music program that is faithful to the Church’s tradition while remaining approachable and sensitive to the pastoral needs of the parish. She currently directs two ensembles, the Choir of Saint Mark and the Saint Mark Chamber Choir. Also an active composer and arranger, holds a Masters of Music in Vocal Pedagogy and Performance from Westminster Choir College in Princeton, New Jersey.

Charles Nolen currently serves as the Director of Sacred Music and Organist at Saint John Vianney Seminary as well as Specialist In Liturgical Music for the Archdiocese of Denver. Dr. Nolen holds a Bachelor of Arts degree in Music from Rhodes College, a Master of Music degree in Organ Performance from the University of Memphis, and a Doctorate in Sacred Music from the Graduate Theological Foundation. Charles lives with his wife and three teenagers in South Aurora.

Heather Monagle serves as organist at Saint Mark Catholic Church in Highlands Ranch, Colorado. She earned a Bachelor of Arts in Music from the University of Colorado at Boulder.

Patrick Torsell serves as associate organist for Our Lady of Mount Carmel Catholic Church (Littleton, Colorado) and plays occasionally at the CATHEDRAL BASILICA OF THE IMMACULATE CONCEPTION. In the past, he has directed many choirs. Patrick cherishes his family life with his wife, Elizabeth, and his two beloved children.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colorado Sacred Music Conference Last Updated: July 6, 2024

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

[Speaking about the Silent Canon, with audible “per ómnia”] — “So in all such cases it is usual for the otherwise silent celebrant occasionally to sing a clause aloud, to show how far he has arrived.”

— Father Fortescue (pages 313-314) • “A Study of the Roman Liturgy”

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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