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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” (2024)

Corpus Christi Watershed · July 4, 2024

OW FAR CAN YOU take your parish’s music program? Building on the success of last year’s conference, Colorado Sacred Music Conference (2024) will continue to explore ways of building a successful music program grounded in the truth and beauty of the Catholic tradition. This year, we’re excited to welcome acclaimed composer KEVIN ALLEN, who will share with us his philosophy on church music. Kevin will focus his discussion on sacred polyphony: why it’s uniquely suited to the liturgy, and how we can incorporate it into our own music programs. The conference will include a Mass on both days, along with rehearsal time to provide the music for the sacred liturgy.

*  Colorado Sacred Music Conference
9905 Foothills Canyon Blvd.
Highlands Ranch, Colorado
7-8 August 2024

To learn more and register today, click this link.

Highlights

(1) Sacred Polyphony • Learn the role of polyphony in the treasury of the Church’s sacred music, how to sing it effectively, and how to (gradually) incorporate into your music program.
(2) Two beautiful sung Masses that include practical resources for English Propers and chanting the Mass Ordinary.
(3) Practical instruction on rehearsal techniques, improving the sound of your choir, and tips for programming music based on your singers abilities while being faithful to the Church’s expectations.
(4) Breakout Sessions • Kevin Allen will offer two sessions on composition, and our organists will offer two organ sessions (beginner and advanced).
(5) Expanded Clergy Track • A special track for clergy will include instruction in singing the Mass dialogues, how to introduce better music to your parish, and building strong relationships between pastors and musicians. Learn more about the Clergy Track.
(6) A valuable panel discussion involving faculty and clergy to answer relevant questions of participants.

2024 Faculty

Kevin Allen is highly regarded as a composer of opera, chamber, and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. Founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata, Mr. Allen serves as choirmaster of the Monastery of the Holy Cross in Chicago.

Diana Corliss has largely focused on sacred music, choral conducting, and voice instruction. In her current position, she has developed a music program that is faithful to the Church’s tradition while remaining approachable and sensitive to the pastoral needs of the parish. She currently directs two ensembles, the Choir of Saint Mark and the Saint Mark Chamber Choir. Also an active composer and arranger, holds a Masters of Music in Vocal Pedagogy and Performance from Westminster Choir College in Princeton, New Jersey.

Charles Nolen currently serves as the Director of Sacred Music and Organist at Saint John Vianney Seminary as well as Specialist In Liturgical Music for the Archdiocese of Denver. Dr. Nolen holds a Bachelor of Arts degree in Music from Rhodes College, a Master of Music degree in Organ Performance from the University of Memphis, and a Doctorate in Sacred Music from the Graduate Theological Foundation. Charles lives with his wife and three teenagers in South Aurora.

Heather Monagle serves as organist at Saint Mark Catholic Church in Highlands Ranch, Colorado. She earned a Bachelor of Arts in Music from the University of Colorado at Boulder.

Patrick Torsell serves as associate organist for Our Lady of Mount Carmel Catholic Church (Littleton, Colorado) and plays occasionally at the CATHEDRAL BASILICA OF THE IMMACULATE CONCEPTION. In the past, he has directed many choirs. Patrick cherishes his family life with his wife, Elizabeth, and his two beloved children.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colorado Sacred Music Conference Last Updated: July 6, 2024

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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