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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” (2024)

Corpus Christi Watershed · July 4, 2024

OW FAR CAN YOU take your parish’s music program? Building on the success of last year’s conference, Colorado Sacred Music Conference (2024) will continue to explore ways of building a successful music program grounded in the truth and beauty of the Catholic tradition. This year, we’re excited to welcome acclaimed composer KEVIN ALLEN, who will share with us his philosophy on church music. Kevin will focus his discussion on sacred polyphony: why it’s uniquely suited to the liturgy, and how we can incorporate it into our own music programs. The conference will include a Mass on both days, along with rehearsal time to provide the music for the sacred liturgy.

*  Colorado Sacred Music Conference
9905 Foothills Canyon Blvd.
Highlands Ranch, Colorado
7-8 August 2024

To learn more and register today, click this link.

Highlights

(1) Sacred Polyphony • Learn the role of polyphony in the treasury of the Church’s sacred music, how to sing it effectively, and how to (gradually) incorporate into your music program.
(2) Two beautiful sung Masses that include practical resources for English Propers and chanting the Mass Ordinary.
(3) Practical instruction on rehearsal techniques, improving the sound of your choir, and tips for programming music based on your singers abilities while being faithful to the Church’s expectations.
(4) Breakout Sessions • Kevin Allen will offer two sessions on composition, and our organists will offer two organ sessions (beginner and advanced).
(5) Expanded Clergy Track • A special track for clergy will include instruction in singing the Mass dialogues, how to introduce better music to your parish, and building strong relationships between pastors and musicians. Learn more about the Clergy Track.
(6) A valuable panel discussion involving faculty and clergy to answer relevant questions of participants.

2024 Faculty

Kevin Allen is highly regarded as a composer of opera, chamber, and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. Founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata, Mr. Allen serves as choirmaster of the Monastery of the Holy Cross in Chicago.

Diana Corliss has largely focused on sacred music, choral conducting, and voice instruction. In her current position, she has developed a music program that is faithful to the Church’s tradition while remaining approachable and sensitive to the pastoral needs of the parish. She currently directs two ensembles, the Choir of Saint Mark and the Saint Mark Chamber Choir. Also an active composer and arranger, holds a Masters of Music in Vocal Pedagogy and Performance from Westminster Choir College in Princeton, New Jersey.

Charles Nolen currently serves as the Director of Sacred Music and Organist at Saint John Vianney Seminary as well as Specialist In Liturgical Music for the Archdiocese of Denver. Dr. Nolen holds a Bachelor of Arts degree in Music from Rhodes College, a Master of Music degree in Organ Performance from the University of Memphis, and a Doctorate in Sacred Music from the Graduate Theological Foundation. Charles lives with his wife and three teenagers in South Aurora.

Heather Monagle serves as organist at Saint Mark Catholic Church in Highlands Ranch, Colorado. She earned a Bachelor of Arts in Music from the University of Colorado at Boulder.

Patrick Torsell serves as associate organist for Our Lady of Mount Carmel Catholic Church (Littleton, Colorado) and plays occasionally at the CATHEDRAL BASILICA OF THE IMMACULATE CONCEPTION. In the past, he has directed many choirs. Patrick cherishes his family life with his wife, Elizabeth, and his two beloved children.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colorado Sacred Music Conference Last Updated: July 6, 2024

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Custom preserves many things in liturgy after their first reason has ceased.”

— Father Adrian Fortescue (writing in 1916)

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