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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” (2024)

Corpus Christi Watershed · July 4, 2024

OW FAR CAN YOU take your parish’s music program? Building on the success of last year’s conference, Colorado Sacred Music Conference (2024) will continue to explore ways of building a successful music program grounded in the truth and beauty of the Catholic tradition. This year, we’re excited to welcome acclaimed composer KEVIN ALLEN, who will share with us his philosophy on church music. Kevin will focus his discussion on sacred polyphony: why it’s uniquely suited to the liturgy, and how we can incorporate it into our own music programs. The conference will include a Mass on both days, along with rehearsal time to provide the music for the sacred liturgy.

*  Colorado Sacred Music Conference
9905 Foothills Canyon Blvd.
Highlands Ranch, Colorado
7-8 August 2024

To learn more and register today, click this link.

Highlights

(1) Sacred Polyphony • Learn the role of polyphony in the treasury of the Church’s sacred music, how to sing it effectively, and how to (gradually) incorporate into your music program.
(2) Two beautiful sung Masses that include practical resources for English Propers and chanting the Mass Ordinary.
(3) Practical instruction on rehearsal techniques, improving the sound of your choir, and tips for programming music based on your singers abilities while being faithful to the Church’s expectations.
(4) Breakout Sessions • Kevin Allen will offer two sessions on composition, and our organists will offer two organ sessions (beginner and advanced).
(5) Expanded Clergy Track • A special track for clergy will include instruction in singing the Mass dialogues, how to introduce better music to your parish, and building strong relationships between pastors and musicians. Learn more about the Clergy Track.
(6) A valuable panel discussion involving faculty and clergy to answer relevant questions of participants.

2024 Faculty

Kevin Allen is highly regarded as a composer of opera, chamber, and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. Founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata, Mr. Allen serves as choirmaster of the Monastery of the Holy Cross in Chicago.

Diana Corliss has largely focused on sacred music, choral conducting, and voice instruction. In her current position, she has developed a music program that is faithful to the Church’s tradition while remaining approachable and sensitive to the pastoral needs of the parish. She currently directs two ensembles, the Choir of Saint Mark and the Saint Mark Chamber Choir. Also an active composer and arranger, holds a Masters of Music in Vocal Pedagogy and Performance from Westminster Choir College in Princeton, New Jersey.

Charles Nolen currently serves as the Director of Sacred Music and Organist at Saint John Vianney Seminary as well as Specialist In Liturgical Music for the Archdiocese of Denver. Dr. Nolen holds a Bachelor of Arts degree in Music from Rhodes College, a Master of Music degree in Organ Performance from the University of Memphis, and a Doctorate in Sacred Music from the Graduate Theological Foundation. Charles lives with his wife and three teenagers in South Aurora.

Heather Monagle serves as organist at Saint Mark Catholic Church in Highlands Ranch, Colorado. She earned a Bachelor of Arts in Music from the University of Colorado at Boulder.

Patrick Torsell serves as associate organist for Our Lady of Mount Carmel Catholic Church (Littleton, Colorado) and plays occasionally at the CATHEDRAL BASILICA OF THE IMMACULATE CONCEPTION. In the past, he has directed many choirs. Patrick cherishes his family life with his wife, Elizabeth, and his two beloved children.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colorado Sacred Music Conference Last Updated: July 6, 2024

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President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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