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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” (2024)

Corpus Christi Watershed · July 4, 2024

OW FAR CAN YOU take your parish’s music program? Building on the success of last year’s conference, Colorado Sacred Music Conference (2024) will continue to explore ways of building a successful music program grounded in the truth and beauty of the Catholic tradition. This year, we’re excited to welcome acclaimed composer KEVIN ALLEN, who will share with us his philosophy on church music. Kevin will focus his discussion on sacred polyphony: why it’s uniquely suited to the liturgy, and how we can incorporate it into our own music programs. The conference will include a Mass on both days, along with rehearsal time to provide the music for the sacred liturgy.

*  Colorado Sacred Music Conference
9905 Foothills Canyon Blvd.
Highlands Ranch, Colorado
7-8 August 2024

To learn more and register today, click this link.

Highlights

(1) Sacred Polyphony • Learn the role of polyphony in the treasury of the Church’s sacred music, how to sing it effectively, and how to (gradually) incorporate into your music program.
(2) Two beautiful sung Masses that include practical resources for English Propers and chanting the Mass Ordinary.
(3) Practical instruction on rehearsal techniques, improving the sound of your choir, and tips for programming music based on your singers abilities while being faithful to the Church’s expectations.
(4) Breakout Sessions • Kevin Allen will offer two sessions on composition, and our organists will offer two organ sessions (beginner and advanced).
(5) Expanded Clergy Track • A special track for clergy will include instruction in singing the Mass dialogues, how to introduce better music to your parish, and building strong relationships between pastors and musicians. Learn more about the Clergy Track.
(6) A valuable panel discussion involving faculty and clergy to answer relevant questions of participants.

2024 Faculty

Kevin Allen is highly regarded as a composer of opera, chamber, and orchestral music. He has also developed a unique reputation as a composer of church music for the Roman Rite. Mr. Allen’s works, sacred and secular, have been performed in churches and concert halls throughout the United States and Europe. Founding director of the Collins Consort, the American Composer’s Project, and the Schola Immaculata, Mr. Allen serves as choirmaster of the Monastery of the Holy Cross in Chicago.

Diana Corliss has largely focused on sacred music, choral conducting, and voice instruction. In her current position, she has developed a music program that is faithful to the Church’s tradition while remaining approachable and sensitive to the pastoral needs of the parish. She currently directs two ensembles, the Choir of Saint Mark and the Saint Mark Chamber Choir. Also an active composer and arranger, holds a Masters of Music in Vocal Pedagogy and Performance from Westminster Choir College in Princeton, New Jersey.

Charles Nolen currently serves as the Director of Sacred Music and Organist at Saint John Vianney Seminary as well as Specialist In Liturgical Music for the Archdiocese of Denver. Dr. Nolen holds a Bachelor of Arts degree in Music from Rhodes College, a Master of Music degree in Organ Performance from the University of Memphis, and a Doctorate in Sacred Music from the Graduate Theological Foundation. Charles lives with his wife and three teenagers in South Aurora.

Heather Monagle serves as organist at Saint Mark Catholic Church in Highlands Ranch, Colorado. She earned a Bachelor of Arts in Music from the University of Colorado at Boulder.

Patrick Torsell serves as associate organist for Our Lady of Mount Carmel Catholic Church (Littleton, Colorado) and plays occasionally at the CATHEDRAL BASILICA OF THE IMMACULATE CONCEPTION. In the past, he has directed many choirs. Patrick cherishes his family life with his wife, Elizabeth, and his two beloved children.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Colorado Sacred Music Conference Last Updated: July 6, 2024

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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