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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Wonderful Woman Eviscerates The Argument Of An Infamous Liturgical Radical

Jeff Ostrowski · May 6, 2024

N THAT CLASSIC spiritual work by Thomas à Kempis (Imitation Of Christ) we read: “Seek, child, to do the will of others rather than your own.” This was not the view taken by FATHER GODFREY DIEKMANN, whom some consider the most radical of all the 1960s reformers. In opposition to Thomas à Kempis, Diekmann believed that he knew better than all the saints of the last 1,200 years. Diekmann had a deep hatred for the immemorial tradition of the church and ardently desired extensive changes to the traditional liturgy.1

In A Nutshell • Since few have time to read long articles these days, let me summarize: (a) Father Diekmann believed all the saints over the last 1,200 years—as well as the fathers of the Second Vatican Council—were dead wrong about the liturgy; (b) Diekmann’s main argument was that it was impossible for anyone to become fluent in more than one language. To give just one example, on 14 November 1963 (according to Cardinal Antonelli’s diary):

“The Conciliar Commission on the Sacred Liturgy met at 5:30 p.m. in the Aula of the Sacred Congregation of Rites. Cardinal Larraona presided. […] Father Diekmann opposed the retention of Latin in the Collects. […] The President then intervened and asked the Commission to bear in mind that only 108 of the Council Fathers had approved the use of the vernacular in the Collects. He called on the Commission to respect the wishes of the Council…”

In a private letter shortly afterwards, Father Diekmann wrote:

“Even Wagner spoke up for keeping the collect in Latin! […] We argued violently … I was so mad I could spit. Wagner, Martinmort, not honest.”

Is Diekmann Correct? • Remember that Diekmann was born in Roscoe, Minnesota, and spent the rest of his life in Minnesota. People from the Midwest (like myself) often find it hard to believe anybody could know more than one language. But if Father Godfrey Diekmann had taken the time to meet someone from Belgium, he’d have discovered that most Belgians are fully fluent in at least three languages. Communication with Belgians can be annoying because they sometimes switch languages in the middle of a sentence. It’s not uncommon for people from Africa to speak three languages. The same is true for people from the Philippines. Indeed, Monsignor Robert A. Skeris (a priest from Wisconsin) was fluent in eight languages.

The Choir I Direct • The choir I direct is quite a mixture. One choir member is a U.S. Marshall. Another is unemployed. Two members earned doctorates from major universities. Several members are from Africa. One member is a ‘platinum’ artist. Some members brought their education to a close after high school. About 50% of the members of my choir are fully fluent in English and Spanish.

Jeff Is Deficient • Most of my colleagues here at Corpus Christi Watershed are fluent in at least two languages. Today I will feature just one of them. My colleague, VERONICA MORENO is a homeschooling mother of five (5) children who also volunteers her “free” time to tutor—each day (!)—her legally blind niece. She recently published two blog articles: one in English, and one in Spanish. In spite of the fact that Father Diekmann thought of himself as very, very, very much more clever than all the saints of the last 1,200 years, Veronica’s ability to speak two languages fluently eviscerates his argument.

Summary • To summarize, Father Godfrey Diekmann believed himself to be much smarter than all the saints who lived over the last 1,200 years. In reality, Diekmann was dead wrong. The church was wise to promote (and honor) a lingua sacra for the public worship Almighty God. The Congregation of Rites (23 July 1964) reminded us:

At Vatican II “the great majority of the Fathers approved the various dispositions concerning a wider use of the vernacular precisely because of the existence of that first paragraph [Sacrosanctum Concilium §1] which ensured substantial preservation of the Latin, apart from a few particular cases (salvo jure particulari), such as the concession made to China.”

1 All this is described in a biography (or perhaps a hagiography) of Diekmann by Sister Kathleen Hughes, published by Diekmann’s monastery. So much for objectivity! Indeed, in a letter dated 3 March 1964, Father Godfrey Diekmann—who was ostensibly a Benedictine monk—accidentally said the quiet part out loud, asking: “What young candidate for the priesthood would ever consider the monastic life if there is even a possibility of having to spend three hours a day praying or singing the Office in Latin?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Godfrey Diekmann Last Updated: May 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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  • Fulton J. Sheen • “24-Hour Catechism”
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