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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Wonderful Woman Eviscerates The Argument Of An Infamous Liturgical Radical

Jeff Ostrowski · May 6, 2024

N THAT CLASSIC spiritual work by Thomas à Kempis (Imitation Of Christ) we read: “Seek, child, to do the will of others rather than your own.” This was not the view taken by FATHER GODFREY DIEKMANN, whom some consider the most radical of all the 1960s reformers. In opposition to Thomas à Kempis, Diekmann believed that he knew better than all the saints of the last 1,200 years. Diekmann had a deep hatred for the immemorial tradition of the church and ardently desired extensive changes to the traditional liturgy.1

In A Nutshell • Since few have time to read long articles these days, let me summarize: (a) Father Diekmann believed all the saints over the last 1,200 years—as well as the fathers of the Second Vatican Council—were dead wrong about the liturgy; (b) Diekmann’s main argument was that it was impossible for anyone to become fluent in more than one language. To give just one example, on 14 November 1963 (according to Cardinal Antonelli’s diary):

“The Conciliar Commission on the Sacred Liturgy met at 5:30 p.m. in the Aula of the Sacred Congregation of Rites. Cardinal Larraona presided. […] Father Diekmann opposed the retention of Latin in the Collects. […] The President then intervened and asked the Commission to bear in mind that only 108 of the Council Fathers had approved the use of the vernacular in the Collects. He called on the Commission to respect the wishes of the Council…”

In a private letter shortly afterwards, Father Diekmann wrote:

“Even Wagner spoke up for keeping the collect in Latin! […] We argued violently … I was so mad I could spit. Wagner, Martinmort, not honest.”

Is Diekmann Correct? • Remember that Diekmann was born in Roscoe, Minnesota, and spent the rest of his life in Minnesota. People from the Midwest (like myself) often find it hard to believe anybody could know more than one language. But if Father Godfrey Diekmann had taken the time to meet someone from Belgium, he’d have discovered that most Belgians are fully fluent in at least three languages. Communication with Belgians can be annoying because they sometimes switch languages in the middle of a sentence. It’s not uncommon for people from Africa to speak three languages. The same is true for people from the Philippines. Indeed, Monsignor Robert A. Skeris (a priest from Wisconsin) was fluent in eight languages.

The Choir I Direct • The choir I direct is quite a mixture. One choir member is a U.S. Marshall. Another is unemployed. Two members earned doctorates from major universities. Several members are from Africa. One member is a ‘platinum’ artist. Some members brought their education to a close after high school. About 50% of the members of my choir are fully fluent in English and Spanish.

Jeff Is Deficient • Most of my colleagues here at Corpus Christi Watershed are fluent in at least two languages. Today I will feature just one of them. My colleague, VERONICA MORENO is a homeschooling mother of five (5) children who also volunteers her “free” time to tutor—each day (!)—her legally blind niece. She recently published two blog articles: one in English, and one in Spanish. In spite of the fact that Father Diekmann thought of himself as very, very, very much more clever than all the saints of the last 1,200 years, Veronica’s ability to speak two languages fluently eviscerates his argument.

Summary • To summarize, Father Godfrey Diekmann believed himself to be much smarter than all the saints who lived over the last 1,200 years. In reality, Diekmann was dead wrong. The church was wise to promote (and honor) a lingua sacra for the public worship Almighty God. The Congregation of Rites (23 July 1964) reminded us:

At Vatican II “the great majority of the Fathers approved the various dispositions concerning a wider use of the vernacular precisely because of the existence of that first paragraph [Sacrosanctum Concilium §1] which ensured substantial preservation of the Latin, apart from a few particular cases (salvo jure particulari), such as the concession made to China.”

1 All this is described in a biography (or perhaps a hagiography) of Diekmann by Sister Kathleen Hughes, published by Diekmann’s monastery. So much for objectivity! Indeed, in a letter dated 3 March 1964, Father Godfrey Diekmann—who was ostensibly a Benedictine monk—accidentally said the quiet part out loud, asking: “What young candidate for the priesthood would ever consider the monastic life if there is even a possibility of having to spend three hours a day praying or singing the Office in Latin?”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Godfrey Diekmann Last Updated: May 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The production of this book was too far advanced for notice to be taken of the new translation of the Hebrew psalter into Latin by the professor of the Biblical Institute at Rome. The Holy Father’s permission to use it in the divine office when properly adapted for the purpose will prove a welcome boon.”

— Father Cuthbert Lattey (15 Nov. 1944)

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  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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