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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reader Feedback” • 29 April 2024

Corpus Christi Watershed · April 29, 2024

Jeff Ostrowski Writes: “We love receiving messages from readers. The following email—from a lady named Charlotte—came in response to an article about wedding prices posted on 19 April 2024. The document I posted seems to have been welcome; it was downloaded more than 1,240 times. I never know which posts will be of interest to our readers; e.g. I wish I could get 1,240 people to watch the (free) 51-minute introduction to my seminar.”

The following came from Charlotte M.
[We usually redact names for anonymity’s sake.]

EAR JEFFREY: Thanks so much for your recent article about wedding prices. I loathe playing at weddings. The compensation is always too low for what we’re asked to do. Our parish only suggests $125 per musician (accompanist or cantor) which is minuscule considering my husband and I paid our musicians $100 each nearly 20 years ago! I’m not paid any salary for my services on Sunday, despite accompanying two Masses most weekends. Plus, I direct a children’s choir. No musician in our parish (and probably our archdiocese) is paid, despite the many, many hours we put in. But seeing your suggested payments makes me realize I could ask for more. Perhaps I will even get brave enough someday to ask for a small stipend for my regular Sunday work. Weddings I loathe … mainly because it’s all about the bride’s “perfect day”, and I don’t think a single wedding has happened without at least one inappropriate song request (despite my lengthy standard email full of suggestions and YouTube links to more appropriate material). I’m left as the “bad guy” when I refuse such requests. I attend an Ordinary Form parish, meaning most people who get married here do not have a serious attachment to our faith (I’m sorry to report). To top it all off, I frequently am forced to “chase down” couples for payment, although I like your idea of them paying 30 days in advance.

Funerals, on the other hand, I love. They are, in a sense, no less time-consuming for me, but it’s time I spend joyfully. The most common scenario is that, sadly, the children and grandchildren of the deceased are no longer practicing their faith, but having a funeral Mass was important to their loved one. I take the time to walk them through the Mass and what music is available to them to pick. When they are at a genuine loss for what to pick, I will ask questions to get to know their mom/dad/grandparents and ask about what kinds of things they had at home: Did they have a favourite Rosary? A statute of Mary? What kind of art did they display (sometimes gives clues to a devotion to a saint, etc.)? I can usually zero in on hymns that will light up their face and have meaning. It’s a journey I love walking with them. Plus, I am always paid on time and sometimes find extra in the envelope … so that’s a nice change! I really enjoy this type of post in which you share the nitty-gritty of the mechanics of how you do your job. A lot of us either make it up as we go along, or inherit a system of “well, that’s how it’s always been”—which is frustrating to say the least! Now that my busy season for my paying job is coming to an end for another year—I do admin work for my local performing arts festival, because as many musicians know, it’s hard to have “playing music” as your only job!—I might actually have time to devote to your seminar! Thanks for your organization and may God bless you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: August 5, 2024

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Is it not true that prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death?”

— The Vatican’s chief liturgist from 2014-2021, Interview with Edw. Pentin (23-Sep-2019)

Recent Posts

  • “Translating the Bible” • Msgr. Ronald Knox (1953)
  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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