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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Relics of Father Brébeuf Touring the United States!

Jeff Ostrowski · February 29, 2024

ATHER NICHOLAS NELSON kindly alerted me to an article in the National Catholic Register explaining that the holy relics of Saint Jean de Brébeuf are currently touring the United States. As the article puts it: “The skull of Saint Jean de Brébeuf, packed in a Volkswagen manned by three Jesuit priests, is slowly making its way across the USA.” The tour will end in New York City on 6 March 2024. The relics of his fellow missionaries, Saint Gabriel Lalemant (d. 17 March 1649) and Saint Charles Garnier (d. 7 December 1649), travel along with his skull.

25 March • If you open the Brébeuf Catholic Hymnal and look on page 921—incidentally, one of the book’s most beautiful pages—you can learn why 25 March is a very special day in the life of Father Brébeuf. In honor of this RELIC VOYAGE I’ve decided to give 25% off my 10-hour seminar (Secrets of the Conscientious Choirmaster) until 25 March 2024:

*  Seminar • SECRETS OF THE CONSCIENTIOUS CHOIRMASTER

Coupon Code •  Anyone who uses the secret coupon code (“SAVE25”) will instantly save 25% on that seminar until 25 March 2024.

Excerpt from the Life of Saint John Brébeuf:

N THE MORNING of March 20 the Jesuits at Sainte-Marie received full confirmation of the Iroquois retreat. They had heard too of the fate of Brébeuf and Lalemant, and the missionary Father Jacques Bonin was sent with seven armed Frenchmen to Saint Ignace to recover their bodies. The party passed through Saint Louis, where the ground was strewn with uncounted dead Hurons and Iroquois. On to Saint Ignace they continued, where all was gruesome silence and death. Among the ashes of the burned-out cabins charred corpses were scattered, and they came upon the blackened, mutilated body of Brébeuf. The mangled remains of Lalemant they found with the tortured Hurons a short distance away. Tenderly Father Bonin and his companions lifted the two bodies on stretchers of bark and carried them the six miles to Sainte-Marie. They were laid side by side on the floor of the living room. Priests, brothers, donnés, and workmen gazed at them with awe and lovingly examined them. Father Bonin knelt for two hours by the body of Gabriel, who had been his dearest friend, and kissed the wounds as he would the relics of a saint. “They are the relics of the love of God which alone triumphs in the death of martyrs,” exclaimed Father Ragueneau.

The missionaries had learned—from a few Hurons who had escaped the holocaust at Saint Ignace—details of the torture and death of Brébeuf and Lalemant. Confirmation now was before their eyes. The bodies of Brébeuf and Lalemant were cleansed and clothed in priestly vestments and placed in roughhewn boxes. Through the night they reposed before the Blessed Sacrament. “We buried these precious relics,” relates Father Ragueneau, “on Sunday, March 21, with so much consolation and such tender feelings of devotion in all who were present at the obsequies that I know none who did not desire rather than fear a similar death, and who did not regard himself as blessed to live in a place where, perhaps a few days from then, God would accord him the grace of shedding on a similar occasion both his blood and his life. Not one of us could force himself to pray to God for them, as if they had any need of prayer. On the contrary, our spirits were carried up toward Heaven where, we had no doubt, their souls resided. Be this as it may, I pray to God that he fulfill in us His Will, even to death, as He has done toward them.”

Father Jean de Brébeuf was fifty-six when he gave his body to the Iroquois and his soul to God. With heavy heart Father Ragueneau wrote to his superior in France, telling the loss of their ablest missionary. When Brébeuf first set foot in Huronia twenty-three years before, he recalled, there was not a Christian in that extensive territory. Since that day nearly seven thousand had been baptized, and to Brébeuf more than to any other that long line of conversions must be credited.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: February 29, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)

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