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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

New Hymn By Father Dylan Schrader

Jeff Ostrowski · December 10, 2023

N THE BIBLE when they were near the region of Cesarea Philippi, our Savior asked His disciples: “Whom do men say the Son of man is?” Featured in the Brébeuf Hymnal is a priest named FATHER DYLAN SCHRADER, who wrote several new hymn texts. (Actually, it would be more accurate to say “translations” of ancient hymns.) I wanted to know more about Father Schrader, so I asked my friend who was in the seminary alongside him. Here’s what he told me:

Father Schrader is a brilliant Latinist and incredibly gifted person. Working with Father Samuel Weber at the seminary, Father Schrader came up with a hymn for Saint Juan Diego (in the HYMNAL FOR THE HOURS). Father Schrader has a gift that allows him to teach others in a remarkable way. Indeed, he helped teach the seminarians the Mass of our Lady (“Salve Sancta Parens”) in Gregorian Chant, as well as the REQUIEM (“Missa pro defunctis”). Something notable he has done was to provide—for the first time in history—English translations for Notitiæ Responses from the Vatican. Father Schrader attended a high school seminary (which are not as abundant as they once were in this country) and graduated as a junior, allowing him to enter major seminary a year early. When I was a transitional Deacon, he helped me write—in Lingua Latina, the Church’s official language—my petition to the bishop to be ordained. I would not have been able to do that without his assistance. He has created a website called “Ipsissima Verba.” Born in Berkeley, Father Schrader grew up in Hannibal, Missouri and was ordained a priest for the Diocese of Jefferson City in 2010. Father Schrader holds a Ph.D. in systematic theology from the Catholic University of America. He has written and translated books and articles on theology, liturgy, and the Latin language. Father Schrader is active on Twitter.

His Hymn Text • Below is one of the original contributions by Father Dylan Schrader found in the Brébeuf Catholic Hymnal. It’s a translation of PANGE LINGUA GLORIOSI, a 6th-century hymn by Bishop Fortunatus which served as the basis for the famous setting by Saint Thomas Aquinas:

To access this hymn’s media in the Brébeuf Portal, click here.

That’s not an easy hymn to sing a cappella but my volunteer choir attempted it. If you think it’s easy, please send me a recording of your choir singing it!

New Generation Of Priests • In 1644, the Jesuit missionaries at Sainte Marie had an unexpected visitor. Father Francis Bressani came, who had been tortured by the Iroquois earlier that year. He had been ransomed by the Dutch and sent by them back to France. That very summer (!) he had made the harrowing journey to Quebec, rejoining the missions. Father Brébeuf gazed with reverence at the scars on Father Bressani’s face, neck, legs, and arms and observed that some of his fingers were missing, while others had been chewed to stubs. Father Paul Ragueneau said, expressing the mind of the missionaries: “His mutilated hands have made him a better preacher than we, and have served more than all our tongues to give a better conception than ever of the truths of our Faith to our Huron Christians.” It was on that occasion, when a Christian Huron remarked: “If there were not a Paradise, could there be found men who would walk through the fires and the flames of the Iroquois in order to draw us from hell and lead us to Heaven?” I can’t help but remember those words when I observe faithful priests alive today. These are men who have given up everything. These are men who have rejected the insidious and unrelenting temptations in the United States. Indeed, beginning in the late 1980s, it became impossible to even turn on a television sent in the United States without viewing commercials which were (basically) “soft porn” and tempted men against the Holy Virtue of Purity. Furthermore, these men are faithful to Jesus Christ in spite of daily scandals from church leaders.

Here’s a photograph of Father Dylan Schrader which I found online:

If anyone has high-resolution pictures of him celebrating Mass, please send them my way.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Father Dylan Schrader Last Updated: December 10, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

This was first breach in the walls of a fortress, centuries old, stoutly built, strong and robust, but no longer capable of responding to the spiritual needs of the age. [N.B. the “fortress” is a liturgy which nourished countless great saints.]

— Annibale Bugnini (19 March 1966)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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