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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Natalia’s Message • “Hymn Verses Written Out!”

Jeff Ostrowski · August 24, 2023

NE OF THE CRUELEST things you can do to anyone is … ignore them. Obviously, I’m not talking about every situation. For example, I’m currently having issues with my email service. As a result, I’m unable to respond to certain people who sent me messages. That’s not “ignoring”—because there’s nothing I can do about it. [A friend of mine who’s brilliant at technology is on the case, so everything should be fixed soon.] What I’m talking about is when a homeless person needs assistance but everyone walking by pretends not to notice. I will continue this discussion below.

A Film About Hymn Verses! • I don’t work for SOPHIA INSTITUTE PRESS, but my friends do. Moreover—along with several authors who contribute to this blog—my musical compositions were chosen to be included in the Brébeuf Hymnal. I have been assisting SOPHIA with production of several explanatory videos. Here’s an example:

Here’s the direct URL link.

Heart of the Matter • I like that video, because it gets to the heart of the matter. When I was first hired as a church musician, I remember how the parish used books from one of the “big publishers.” These books used the standard method of notating each hymn. Usually, they would only notate the first two or three verses—the rest being printed at the bottom of the page, without any musical notes above them. Since I was responsible for five (5) Masses each Sunday, sometimes I had to serve as organist and cantor simultaneously. I didn’t want to sing only the first two verses, so I spent hours writing out the additional verses using SIBELIUS. This was also necessary if the choir wanted to break into SATB on the final verse.

Lazy Typesetting • I can understand why publishers “stack” verses. It saves them tons of work! But if the music is difficult or unfamiliar, it doesn’t work in real life for volunteer singers. Moreover, it doesn’t work when the organist also serves as cantor. The only way to “solve” this problem is by singing the same hymns over and over again—month after month, year after year—so the organist can memorize the harmonization (and some of the lyrics). If somebody has sung a hymn since childhood, they probably have the lyrics memorized. Believe it or not, I’ve encountered many musicians (!) who feel that if they have lyrics memorized, that means everybody in the congregation also has those same lyrics memorized. (I am not kidding!)

Here’s an example of what I’m talking about:

Seeking Answers! • The Brébeuf Hymnal solves the problem by notating each verse, the same way the ANTIPHONALE ROMANUM (1949) notated each verse. For years, I have tried to figure out how other musicians get around these issues. So far, I’ve been unable to get any answers. When I probe, I’m often ignored. I suspect this is the reason why so few Catholic Churches have volunteer choirs capable of singing SATB well. Choirmasters in such a situation should immediately obtain the Brébeuf Hymnal. We have used it at my parish for five years, and what a difference it has made!

“Ignoring” (1 of 3) • Suppose a child in elementary school challenged Albert Einstein (d. 1955) to debate him vis-à-vis quantum mechanics. If the child receives no response, that doesn’t mean Einstein is too cowardly to debate. In reality, it would be absurd for Einstein to debate physics with a child in elementary school. Sometimes “ignoring” is fully appropriate.

“Ignoring” (2 of 3) • Let’s take another case. A few years ago, a colleague (who considers himself a great church musician) sent me an email. In one of my articles, I’d mentioned that I can’t stand hearing wrong notes. Therefore, when I began my career it was necessary for me to write out—using SIBELIUS—each verse of a hymn if I were simultaneously serving as cantor & organist. My correspondent told me: “Jeff, you’re clearly a deficient musician. We are trained to play and sing stacked verses without any problems whatsoever. I can do it in my sleep.” My suspicion was this particular musician sang the same hymns over and over again, meaning he’d basically memorized each verse. Therefore, I responded to him: “Would you’d be willing to give me a demonstration? Let’s open a zoom session, and I’ll send you a piece with stacked verses. For somebody like you, this will be a piece of cake, right?” I never heard from him again.

“Ignoring” (3 of 3) • A few years back, I received an unsolicited email accusing me of certain things. For example, I was informed that a statement I’d made during one of my talks was “duplicitous.” I took the time to respond with five (5) specific points, asking this person to explain—in light of those five points—why he thinks I was duplicitous. His answer (which I still have) was: “I no longer wish to discuss this matter.” Do you see why I find the ignoring technique frustrating?

When it comes to the subject of ignoring, we saw this (sadly) with the promulgation of TRADITIONIS CUSTODES. After its release, some bishops chose to persecute certain Catholics under the pretense of “being faithful to liturgical norms.” They seemed to contradict Canon Law, which says the salvation of the souls is the highest law. Allowing school concerts (for example) in the parish church while forbidding the Sacrifice of the Mass causes tremendous scandal to the faithful. Moreover, these are the same bishops who simply ignore serious liturgical questions when it suits them. For instance, when those same bishops are asked by priests why they don’t follow certain liturgical norms—yet follow TRADITIONIS CUSTODES rigidly—they have no answer … so they ignore the inquiry. If those bishops wanted to be faithful to liturgical norms, they would obey the mandates of Vatican II. But they often don’t, and give no explanation. For example, the Second Vatican Council solemnly declared: “the Latin language is to be retained by clerics in the divine office” (except for individual cases). I could enumerate many other liturgical norms which bishops disobey. If you write them letters asking why, don’t be surprised when you get ignored.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Eliminate Stacked Hymn Verses Last Updated: November 8, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

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