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Views from the Choir Loft

Natalia’s Message • “Hymn Verses Written Out!”

Jeff Ostrowski · August 24, 2023

NE OF THE CRUELEST things you can do to anyone is … ignore them. Obviously, I’m not talking about every situation. For example, I’m currently having issues with my email service. As a result, I’m unable to respond to certain people who sent me messages. That’s not “ignoring”—because there’s nothing I can do about it. [A friend of mine who’s brilliant at technology is on the case, so everything should be fixed soon.] What I’m talking about is when a homeless person needs assistance but everyone walking by pretends not to notice. I will continue this discussion below.

A Film About Hymn Verses! • I don’t work for SOPHIA INSTITUTE PRESS, but my friends do. Moreover—along with several authors who contribute to this blog—my musical compositions were chosen to be included in the Brébeuf Hymnal. I have been assisting SOPHIA with production of several explanatory videos. Here’s an example:

Here’s the direct URL link.

Heart of the Matter • I like that video, because it gets to the heart of the matter. When I was first hired as a church musician, I remember how the parish used books from one of the “big publishers.” These books used the standard method of notating each hymn. Usually, they would only notate the first two or three verses—the rest being printed at the bottom of the page, without any musical notes above them. Since I was responsible for five (5) Masses each Sunday, sometimes I had to serve as organist and cantor simultaneously. I didn’t want to sing only the first two verses, so I spent hours writing out the additional verses using SIBELIUS. This was also necessary if the choir wanted to break into SATB on the final verse.

Lazy Typesetting • I can understand why publishers “stack” verses. It saves them tons of work! But if the music is difficult or unfamiliar, it doesn’t work in real life for volunteer singers. Moreover, it doesn’t work when the organist also serves as cantor. The only way to “solve” this problem is by singing the same hymns over and over again—month after month, year after year—so the organist can memorize the harmonization (and some of the lyrics). If somebody has sung a hymn since childhood, they probably have the lyrics memorized. Believe it or not, I’ve encountered many musicians (!) who feel that if they have lyrics memorized, that means everybody in the congregation also has those same lyrics memorized. (I am not kidding!)

Here’s an example of what I’m talking about:

Seeking Answers! • The Brébeuf Hymnal solves the problem by notating each verse, the same way the ANTIPHONALE ROMANUM (1949) notated each verse. For years, I have tried to figure out how other musicians get around these issues. So far, I’ve been unable to get any answers. When I probe, I’m often ignored. I suspect this is the reason why so few Catholic Churches have volunteer choirs capable of singing SATB well. Choirmasters in such a situation should immediately obtain the Brébeuf Hymnal. We have used it at my parish for five years, and what a difference it has made!

“Ignoring” (1 of 3) • Suppose a child in elementary school challenged Albert Einstein (d. 1955) to debate him vis-à-vis quantum mechanics. If the child receives no response, that doesn’t mean Einstein is too cowardly to debate. In reality, it would be absurd for Einstein to debate physics with a child in elementary school. Sometimes “ignoring” is fully appropriate.

“Ignoring” (2 of 3) • Let’s take another case. A few years ago, a colleague (who considers himself a great church musician) sent me an email. In one of my articles, I’d mentioned that I can’t stand hearing wrong notes. Therefore, when I began my career it was necessary for me to write out—using SIBELIUS—each verse of a hymn if I were simultaneously serving as cantor & organist. My correspondent told me: “Jeff, you’re clearly a deficient musician. We are trained to play and sing stacked verses without any problems whatsoever. I can do it in my sleep.” My suspicion was this particular musician sang the same hymns over and over again, meaning he’d basically memorized each verse. Therefore, I responded to him: “Would you’d be willing to give me a demonstration? Let’s open a zoom session, and I’ll send you a piece with stacked verses. For somebody like you, this will be a piece of cake, right?” I never heard from him again.

“Ignoring” (3 of 3) • A few years back, I received an unsolicited email accusing me of certain things. For example, I was informed that a statement I’d made during one of my talks was “duplicitous.” I took the time to respond with five (5) specific points, asking this person to explain—in light of those five points—why he thinks I was duplicitous. His answer (which I still have) was: “I no longer wish to discuss this matter.” Do you see why I find the ignoring technique frustrating?

When it comes to the subject of ignoring, we saw this (sadly) with the promulgation of TRADITIONIS CUSTODES. After its release, some bishops chose to persecute certain Catholics under the pretense of “being faithful to liturgical norms.” They seemed to contradict Canon Law, which says the salvation of the souls is the highest law. Allowing school concerts (for example) in the parish church while forbidding the Sacrifice of the Mass causes tremendous scandal to the faithful. Moreover, these are the same bishops who simply ignore serious liturgical questions when it suits them. For instance, when those same bishops are asked by priests why they don’t follow certain liturgical norms—yet follow TRADITIONIS CUSTODES rigidly—they have no answer … so they ignore the inquiry. If those bishops wanted to be faithful to liturgical norms, they would obey the mandates of Vatican II. But they often don’t, and give no explanation. For example, the Second Vatican Council solemnly declared: “the Latin language is to be retained by clerics in the divine office” (except for individual cases). I could enumerate many other liturgical norms which bishops disobey. If you write them letters asking why, don’t be surprised when you get ignored.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Eliminate Stacked Hymn Verses Last Updated: November 8, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Taking into account the “barrenness of the times” and the fact that Father Francisco Guerrero is scarcely able to feed his choirboys, the chapter decides (by a close vote) to give him money to buy new robes, surplices, and caps for his six young charges.

— Resolution: 14 February 1562

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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