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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Unanswered Questions on the Liturgy of the Hours

Daniel Tucker · July 24, 2023

N MY LAST POST, I shared a digest of the latest news from the USCCB regarding the forthcoming revised translation of the Liturgy of the Hours. In this post, I’d like to pose some lingering questions about the finer details of the project that, as far as I’m aware, have not been definitively settled by the editors and publishers who will be tasked with making the new editions.

1) Stanza Length

In the current editions of the breviary, stanzas of the Psalms and canticles are of wildly varying line lengths. Usually somewhere between two and seven lines – and not always an even number, either! I sincerely hope that the editors of the revised editions will partition the texts of the Psalms and canticles into stanzas that are a standard (e.g. four-line) length, or that at the very least always have an even number of lines. This would greatly facilitate the chanting of the Office in common, since the two antiphonal sides or choirs would be able to point the texts and alternate stanzas in a more predictable and equitable way.

2) Psalm Prayers

The Psalm prayers which follow each of the Psalms (at least in American editions of the breviary, though not in, for example, those of United Kingdom), composed during the post-conciliar revision of the Liturgy of the Hours, are not the most effective resourcement project that the council fathers ever undertook. That they are something of a novelty when viewed from the perspective of the Latin tradition as a whole does not make them inherently bad (after all, everything was new once), but besides this they are viewed by many as being of dubious theological import or emphasis, and also something of a distraction within the text, considering that they are entirely optional. These prayers might be better relegated to an appendix in the forthcoming edition.

3) Artwork

As the saying goes, de gustibus non est disputandum – “in matters of taste, there can be no disputes.” Having said that, the stick-figure line art from the 1970s does nothing (at least as far as my own taste is concerned) to raise my heart, mind, and soul to the beauty of God Who is Beauty itself. Many editions of the recently revised Roman Missal (2011) have rightly replaced such drawings with prints of truly beautiful paintings that have long been a part of the heritage of Catholic artwork and devotional imagery, or with newly-commissioned artwork that draws on that same rich patrimony. I hope that the publishers of the revised breviaries will take this same tack again, adorning them with artwork that is suitably dignified, “evoking and glorifying, in faith and adoration, the transcendent mystery of God [and] the surpassing invisible beauty of truth and love visible in Christ” (CCC 2502).

What hopes do you have for the new editions of the breviary? Leave comment on Corpus Christi Watershed’s Facebook page, or shoot me an email!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 24, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

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