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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Unanswered Questions on the Liturgy of the Hours

Daniel Tucker · July 24, 2023

N MY LAST POST, I shared a digest of the latest news from the USCCB regarding the forthcoming revised translation of the Liturgy of the Hours. In this post, I’d like to pose some lingering questions about the finer details of the project that, as far as I’m aware, have not been definitively settled by the editors and publishers who will be tasked with making the new editions.

1) Stanza Length

In the current editions of the breviary, stanzas of the Psalms and canticles are of wildly varying line lengths. Usually somewhere between two and seven lines – and not always an even number, either! I sincerely hope that the editors of the revised editions will partition the texts of the Psalms and canticles into stanzas that are a standard (e.g. four-line) length, or that at the very least always have an even number of lines. This would greatly facilitate the chanting of the Office in common, since the two antiphonal sides or choirs would be able to point the texts and alternate stanzas in a more predictable and equitable way.

2) Psalm Prayers

The Psalm prayers which follow each of the Psalms (at least in American editions of the breviary, though not in, for example, those of United Kingdom), composed during the post-conciliar revision of the Liturgy of the Hours, are not the most effective resourcement project that the council fathers ever undertook. That they are something of a novelty when viewed from the perspective of the Latin tradition as a whole does not make them inherently bad (after all, everything was new once), but besides this they are viewed by many as being of dubious theological import or emphasis, and also something of a distraction within the text, considering that they are entirely optional. These prayers might be better relegated to an appendix in the forthcoming edition.

3) Artwork

As the saying goes, de gustibus non est disputandum – “in matters of taste, there can be no disputes.” Having said that, the stick-figure line art from the 1970s does nothing (at least as far as my own taste is concerned) to raise my heart, mind, and soul to the beauty of God Who is Beauty itself. Many editions of the recently revised Roman Missal (2011) have rightly replaced such drawings with prints of truly beautiful paintings that have long been a part of the heritage of Catholic artwork and devotional imagery, or with newly-commissioned artwork that draws on that same rich patrimony. I hope that the publishers of the revised breviaries will take this same tack again, adorning them with artwork that is suitably dignified, “evoking and glorifying, in faith and adoration, the transcendent mystery of God [and] the surpassing invisible beauty of truth and love visible in Christ” (CCC 2502).

What hopes do you have for the new editions of the breviary? Leave comment on Corpus Christi Watershed’s Facebook page, or shoot me an email!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 24, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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