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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Unanswered Questions on the Liturgy of the Hours

Daniel Tucker · July 24, 2023

N MY LAST POST, I shared a digest of the latest news from the USCCB regarding the forthcoming revised translation of the Liturgy of the Hours. In this post, I’d like to pose some lingering questions about the finer details of the project that, as far as I’m aware, have not been definitively settled by the editors and publishers who will be tasked with making the new editions.

1) Stanza Length

In the current editions of the breviary, stanzas of the Psalms and canticles are of wildly varying line lengths. Usually somewhere between two and seven lines – and not always an even number, either! I sincerely hope that the editors of the revised editions will partition the texts of the Psalms and canticles into stanzas that are a standard (e.g. four-line) length, or that at the very least always have an even number of lines. This would greatly facilitate the chanting of the Office in common, since the two antiphonal sides or choirs would be able to point the texts and alternate stanzas in a more predictable and equitable way.

2) Psalm Prayers

The Psalm prayers which follow each of the Psalms (at least in American editions of the breviary, though not in, for example, those of United Kingdom), composed during the post-conciliar revision of the Liturgy of the Hours, are not the most effective resourcement project that the council fathers ever undertook. That they are something of a novelty when viewed from the perspective of the Latin tradition as a whole does not make them inherently bad (after all, everything was new once), but besides this they are viewed by many as being of dubious theological import or emphasis, and also something of a distraction within the text, considering that they are entirely optional. These prayers might be better relegated to an appendix in the forthcoming edition.

3) Artwork

As the saying goes, de gustibus non est disputandum – “in matters of taste, there can be no disputes.” Having said that, the stick-figure line art from the 1970s does nothing (at least as far as my own taste is concerned) to raise my heart, mind, and soul to the beauty of God Who is Beauty itself. Many editions of the recently revised Roman Missal (2011) have rightly replaced such drawings with prints of truly beautiful paintings that have long been a part of the heritage of Catholic artwork and devotional imagery, or with newly-commissioned artwork that draws on that same rich patrimony. I hope that the publishers of the revised breviaries will take this same tack again, adorning them with artwork that is suitably dignified, “evoking and glorifying, in faith and adoration, the transcendent mystery of God [and] the surpassing invisible beauty of truth and love visible in Christ” (CCC 2502).

What hopes do you have for the new editions of the breviary? Leave comment on Corpus Christi Watershed’s Facebook page, or shoot me an email!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 24, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

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  • “Our Father” • Musical Setting?

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