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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Updates on the Liturgy of the Hours

Daniel Tucker · June 16, 2023

INCE 2012, the International Commission on English in the Liturgy (ICEL) has been working on creating a new English-language edition of the Liturgy of the Hours. This new translation is intended to correspond more closely to the official Latin text, as well as to include revisions to the texts and liturgical calendar that have been made since the publication of the current English-language edition. Excitingly, this new edition is also slated to include Latin and English versions of the original, ancient hymns for the Liturgy of the Hours, such as those written by St. Ambrose, St. Gregory the Great, and others.

At this week’s plenary assembly of the United States Conference of Catholic Bishops (USCCB), Bp. Steven J. Lopes (Bishop of the Personal Ordinariate of the Chair of St. Peter and Chairman of the USCCB Committee on Divine Worship) gave an update on the project that liturgy nerds like me have long been waiting for! You can click on the embedded video to watch his presentation to the USCCB (beginning at the 50-minute mark), but I have also summarized the main points (and the results of the voting) below:

Bp. Steven J. Lopes presents on the progress of the re-translation of the Liturgy of the Hours.
  • The liturgical texts for the memorial of St. Faustina Kowalska were approved today by exactly two-thirds of the Latin-rite bishops (the minimum needed for the vote to pass, but no more!).
  • ICEL recommends that the text of the doxology be regularized to match the one that all Catholics know from the rosary (“Glory be to the Father…and ever shall be, world without end, Amen”). In my opinion, this is an excellent idea that will save on the awkward stumbling that new pray-ers experience with the current breviary translation (“Glory to the Father…and will be forever, Amen”).
  • The USCCB Committee for Divine Worship proposes that the hours be called by their official Latin names (Lauds, Vespers, Compline, etc.) – another excellent development. Bp. Lopes notes that “this ecclesiastical terminology is not difficult – it’s well-known – and it reinforces the ideas that this is not some generic ‘Morning Prayer’ but it is in fact the Church’s prayer.”
  • The USCCB committee also intends to include in-text the Latin texts of the Benedictus, Magnificat, and Nunc Dimittis, especially for the purpose of facilitating the chanting of these canticles – hooray!
  • The forthcoming edition is planned to be published in four volumes (not five as some have supposed). Bp. Timothy Doherty of Lafayette-in-Indiana suggested that someone with some graphic design expertise make sure that the text of these volumes is not microscopic! And I for one hope that the publishers of the new edition will include some truly beautiful artwork (like that which has been included in some printings of the 2011 Missale Romanum), rather than the alarming Easter Island-looking totem statues that adorn some of the current books.
  • The new hymnal for the Liturgy of the Hours, published by GIA (which, believe it or not, stands for Gregorian Institute of America!), will be available for sale starting next month (July 2023).
  • Proper readings for new saints, especially for the second reading of the Office of Readings, have been compiled in a collaborative effort between the Holy See and the postulators for the various causes. Bp. Lopes promises that these will be an especially beautiful addition to the breviary: for example, “a letter from St. Damien describing his experience among the lepers on Molokai,” “a letter from Bl. Miguel Pro talking about his aspiration to join the ranks of the martyrs,” etc.
  • In sum: the process of re-translating the Liturgy of the Hours is finally nearing its conclusion! The bishops have been approving bits and pieces of the translations over the past 10+ years as ICEL has systematically been producing them. God-willing, all of the component texts will have been voted on (and hopefully approved) by the USCCB by June 2024, at which point they will be sent off to the Vatican for approval, and we might have our hands on new breviaries by 2026!
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 16, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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