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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Updates on the Liturgy of the Hours

Daniel Tucker · June 16, 2023

INCE 2012, the International Commission on English in the Liturgy (ICEL) has been working on creating a new English-language edition of the Liturgy of the Hours. This new translation is intended to correspond more closely to the official Latin text, as well as to include revisions to the texts and liturgical calendar that have been made since the publication of the current English-language edition. Excitingly, this new edition is also slated to include Latin and English versions of the original, ancient hymns for the Liturgy of the Hours, such as those written by St. Ambrose, St. Gregory the Great, and others.

At this week’s plenary assembly of the United States Conference of Catholic Bishops (USCCB), Bp. Steven J. Lopes (Bishop of the Personal Ordinariate of the Chair of St. Peter and Chairman of the USCCB Committee on Divine Worship) gave an update on the project that liturgy nerds like me have long been waiting for! You can click on the embedded video to watch his presentation to the USCCB (beginning at the 50-minute mark), but I have also summarized the main points (and the results of the voting) below:

Bp. Steven J. Lopes presents on the progress of the re-translation of the Liturgy of the Hours.
  • The liturgical texts for the memorial of St. Faustina Kowalska were approved today by exactly two-thirds of the Latin-rite bishops (the minimum needed for the vote to pass, but no more!).
  • ICEL recommends that the text of the doxology be regularized to match the one that all Catholics know from the rosary (“Glory be to the Father…and ever shall be, world without end, Amen”). In my opinion, this is an excellent idea that will save on the awkward stumbling that new pray-ers experience with the current breviary translation (“Glory to the Father…and will be forever, Amen”).
  • The USCCB Committee for Divine Worship proposes that the hours be called by their official Latin names (Lauds, Vespers, Compline, etc.) – another excellent development. Bp. Lopes notes that “this ecclesiastical terminology is not difficult – it’s well-known – and it reinforces the ideas that this is not some generic ‘Morning Prayer’ but it is in fact the Church’s prayer.”
  • The USCCB committee also intends to include in-text the Latin texts of the Benedictus, Magnificat, and Nunc Dimittis, especially for the purpose of facilitating the chanting of these canticles – hooray!
  • The forthcoming edition is planned to be published in four volumes (not five as some have supposed). Bp. Timothy Doherty of Lafayette-in-Indiana suggested that someone with some graphic design expertise make sure that the text of these volumes is not microscopic! And I for one hope that the publishers of the new edition will include some truly beautiful artwork (like that which has been included in some printings of the 2011 Missale Romanum), rather than the alarming Easter Island-looking totem statues that adorn some of the current books.
  • The new hymnal for the Liturgy of the Hours, published by GIA (which, believe it or not, stands for Gregorian Institute of America!), will be available for sale starting next month (July 2023).
  • Proper readings for new saints, especially for the second reading of the Office of Readings, have been compiled in a collaborative effort between the Holy See and the postulators for the various causes. Bp. Lopes promises that these will be an especially beautiful addition to the breviary: for example, “a letter from St. Damien describing his experience among the lepers on Molokai,” “a letter from Bl. Miguel Pro talking about his aspiration to join the ranks of the martyrs,” etc.
  • In sum: the process of re-translating the Liturgy of the Hours is finally nearing its conclusion! The bishops have been approving bits and pieces of the translations over the past 10+ years as ICEL has systematically been producing them. God-willing, all of the component texts will have been voted on (and hopefully approved) by the USCCB by June 2024, at which point they will be sent off to the Vatican for approval, and we might have our hands on new breviaries by 2026!
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 16, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

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    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The translator desires in conclusion to protest that if, (which he hopes and believes is not the case,) either the translation itself, or the footnotes, should contain anything which a faithful Catholic ought not to have written, he has written such passage inadvertently.”

— John Crichton-Stuart (27 June 1879)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
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  • PDF Download • “Hymn for 2 Voices”

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