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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Updates on the Liturgy of the Hours

Daniel Tucker · June 16, 2023

INCE 2012, the International Commission on English in the Liturgy (ICEL) has been working on creating a new English-language edition of the Liturgy of the Hours. This new translation is intended to correspond more closely to the official Latin text, as well as to include revisions to the texts and liturgical calendar that have been made since the publication of the current English-language edition. Excitingly, this new edition is also slated to include Latin and English versions of the original, ancient hymns for the Liturgy of the Hours, such as those written by St. Ambrose, St. Gregory the Great, and others.

At this week’s plenary assembly of the United States Conference of Catholic Bishops (USCCB), Bp. Steven J. Lopes (Bishop of the Personal Ordinariate of the Chair of St. Peter and Chairman of the USCCB Committee on Divine Worship) gave an update on the project that liturgy nerds like me have long been waiting for! You can click on the embedded video to watch his presentation to the USCCB (beginning at the 50-minute mark), but I have also summarized the main points (and the results of the voting) below:

Bp. Steven J. Lopes presents on the progress of the re-translation of the Liturgy of the Hours.
  • The liturgical texts for the memorial of St. Faustina Kowalska were approved today by exactly two-thirds of the Latin-rite bishops (the minimum needed for the vote to pass, but no more!).
  • ICEL recommends that the text of the doxology be regularized to match the one that all Catholics know from the rosary (“Glory be to the Father…and ever shall be, world without end, Amen”). In my opinion, this is an excellent idea that will save on the awkward stumbling that new pray-ers experience with the current breviary translation (“Glory to the Father…and will be forever, Amen”).
  • The USCCB Committee for Divine Worship proposes that the hours be called by their official Latin names (Lauds, Vespers, Compline, etc.) – another excellent development. Bp. Lopes notes that “this ecclesiastical terminology is not difficult – it’s well-known – and it reinforces the ideas that this is not some generic ‘Morning Prayer’ but it is in fact the Church’s prayer.”
  • The USCCB committee also intends to include in-text the Latin texts of the Benedictus, Magnificat, and Nunc Dimittis, especially for the purpose of facilitating the chanting of these canticles – hooray!
  • The forthcoming edition is planned to be published in four volumes (not five as some have supposed). Bp. Timothy Doherty of Lafayette-in-Indiana suggested that someone with some graphic design expertise make sure that the text of these volumes is not microscopic! And I for one hope that the publishers of the new edition will include some truly beautiful artwork (like that which has been included in some printings of the 2011 Missale Romanum), rather than the alarming Easter Island-looking totem statues that adorn some of the current books.
  • The new hymnal for the Liturgy of the Hours, published by GIA (which, believe it or not, stands for Gregorian Institute of America!), will be available for sale starting next month (July 2023).
  • Proper readings for new saints, especially for the second reading of the Office of Readings, have been compiled in a collaborative effort between the Holy See and the postulators for the various causes. Bp. Lopes promises that these will be an especially beautiful addition to the breviary: for example, “a letter from St. Damien describing his experience among the lepers on Molokai,” “a letter from Bl. Miguel Pro talking about his aspiration to join the ranks of the martyrs,” etc.
  • In sum: the process of re-translating the Liturgy of the Hours is finally nearing its conclusion! The bishops have been approving bits and pieces of the translations over the past 10+ years as ICEL has systematically been producing them. God-willing, all of the component texts will have been voted on (and hopefully approved) by the USCCB by June 2024, at which point they will be sent off to the Vatican for approval, and we might have our hands on new breviaries by 2026!
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 16, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“When there are women members, the choir’s place is to be outside the sanctuary.”

— “Musicam Sacram” (5 March 1967)

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