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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Updates on the Liturgy of the Hours

Daniel Tucker · June 16, 2023

INCE 2012, the International Commission on English in the Liturgy (ICEL) has been working on creating a new English-language edition of the Liturgy of the Hours. This new translation is intended to correspond more closely to the official Latin text, as well as to include revisions to the texts and liturgical calendar that have been made since the publication of the current English-language edition. Excitingly, this new edition is also slated to include Latin and English versions of the original, ancient hymns for the Liturgy of the Hours, such as those written by St. Ambrose, St. Gregory the Great, and others.

At this week’s plenary assembly of the United States Conference of Catholic Bishops (USCCB), Bp. Steven J. Lopes (Bishop of the Personal Ordinariate of the Chair of St. Peter and Chairman of the USCCB Committee on Divine Worship) gave an update on the project that liturgy nerds like me have long been waiting for! You can click on the embedded video to watch his presentation to the USCCB (beginning at the 50-minute mark), but I have also summarized the main points (and the results of the voting) below:

Bp. Steven J. Lopes presents on the progress of the re-translation of the Liturgy of the Hours.
  • The liturgical texts for the memorial of St. Faustina Kowalska were approved today by exactly two-thirds of the Latin-rite bishops (the minimum needed for the vote to pass, but no more!).
  • ICEL recommends that the text of the doxology be regularized to match the one that all Catholics know from the rosary (“Glory be to the Father…and ever shall be, world without end, Amen”). In my opinion, this is an excellent idea that will save on the awkward stumbling that new pray-ers experience with the current breviary translation (“Glory to the Father…and will be forever, Amen”).
  • The USCCB Committee for Divine Worship proposes that the hours be called by their official Latin names (Lauds, Vespers, Compline, etc.) – another excellent development. Bp. Lopes notes that “this ecclesiastical terminology is not difficult – it’s well-known – and it reinforces the ideas that this is not some generic ‘Morning Prayer’ but it is in fact the Church’s prayer.”
  • The USCCB committee also intends to include in-text the Latin texts of the Benedictus, Magnificat, and Nunc Dimittis, especially for the purpose of facilitating the chanting of these canticles – hooray!
  • The forthcoming edition is planned to be published in four volumes (not five as some have supposed). Bp. Timothy Doherty of Lafayette-in-Indiana suggested that someone with some graphic design expertise make sure that the text of these volumes is not microscopic! And I for one hope that the publishers of the new edition will include some truly beautiful artwork (like that which has been included in some printings of the 2011 Missale Romanum), rather than the alarming Easter Island-looking totem statues that adorn some of the current books.
  • The new hymnal for the Liturgy of the Hours, published by GIA (which, believe it or not, stands for Gregorian Institute of America!), will be available for sale starting next month (July 2023).
  • Proper readings for new saints, especially for the second reading of the Office of Readings, have been compiled in a collaborative effort between the Holy See and the postulators for the various causes. Bp. Lopes promises that these will be an especially beautiful addition to the breviary: for example, “a letter from St. Damien describing his experience among the lepers on Molokai,” “a letter from Bl. Miguel Pro talking about his aspiration to join the ranks of the martyrs,” etc.
  • In sum: the process of re-translating the Liturgy of the Hours is finally nearing its conclusion! The bishops have been approving bits and pieces of the translations over the past 10+ years as ICEL has systematically been producing them. God-willing, all of the component texts will have been voted on (and hopefully approved) by the USCCB by June 2024, at which point they will be sent off to the Vatican for approval, and we might have our hands on new breviaries by 2026!
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 16, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

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