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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Updates on the Liturgy of the Hours

Daniel Tucker · June 16, 2023

INCE 2012, the International Commission on English in the Liturgy (ICEL) has been working on creating a new English-language edition of the Liturgy of the Hours. This new translation is intended to correspond more closely to the official Latin text, as well as to include revisions to the texts and liturgical calendar that have been made since the publication of the current English-language edition. Excitingly, this new edition is also slated to include Latin and English versions of the original, ancient hymns for the Liturgy of the Hours, such as those written by St. Ambrose, St. Gregory the Great, and others.

At this week’s plenary assembly of the United States Conference of Catholic Bishops (USCCB), Bp. Steven J. Lopes (Bishop of the Personal Ordinariate of the Chair of St. Peter and Chairman of the USCCB Committee on Divine Worship) gave an update on the project that liturgy nerds like me have long been waiting for! You can click on the embedded video to watch his presentation to the USCCB (beginning at the 50-minute mark), but I have also summarized the main points (and the results of the voting) below:

Bp. Steven J. Lopes presents on the progress of the re-translation of the Liturgy of the Hours.
  • The liturgical texts for the memorial of St. Faustina Kowalska were approved today by exactly two-thirds of the Latin-rite bishops (the minimum needed for the vote to pass, but no more!).
  • ICEL recommends that the text of the doxology be regularized to match the one that all Catholics know from the rosary (“Glory be to the Father…and ever shall be, world without end, Amen”). In my opinion, this is an excellent idea that will save on the awkward stumbling that new pray-ers experience with the current breviary translation (“Glory to the Father…and will be forever, Amen”).
  • The USCCB Committee for Divine Worship proposes that the hours be called by their official Latin names (Lauds, Vespers, Compline, etc.) – another excellent development. Bp. Lopes notes that “this ecclesiastical terminology is not difficult – it’s well-known – and it reinforces the ideas that this is not some generic ‘Morning Prayer’ but it is in fact the Church’s prayer.”
  • The USCCB committee also intends to include in-text the Latin texts of the Benedictus, Magnificat, and Nunc Dimittis, especially for the purpose of facilitating the chanting of these canticles – hooray!
  • The forthcoming edition is planned to be published in four volumes (not five as some have supposed). Bp. Timothy Doherty of Lafayette-in-Indiana suggested that someone with some graphic design expertise make sure that the text of these volumes is not microscopic! And I for one hope that the publishers of the new edition will include some truly beautiful artwork (like that which has been included in some printings of the 2011 Missale Romanum), rather than the alarming Easter Island-looking totem statues that adorn some of the current books.
  • The new hymnal for the Liturgy of the Hours, published by GIA (which, believe it or not, stands for Gregorian Institute of America!), will be available for sale starting next month (July 2023).
  • Proper readings for new saints, especially for the second reading of the Office of Readings, have been compiled in a collaborative effort between the Holy See and the postulators for the various causes. Bp. Lopes promises that these will be an especially beautiful addition to the breviary: for example, “a letter from St. Damien describing his experience among the lepers on Molokai,” “a letter from Bl. Miguel Pro talking about his aspiration to join the ranks of the martyrs,” etc.
  • In sum: the process of re-translating the Liturgy of the Hours is finally nearing its conclusion! The bishops have been approving bits and pieces of the translations over the past 10+ years as ICEL has systematically been producing them. God-willing, all of the component texts will have been voted on (and hopefully approved) by the USCCB by June 2024, at which point they will be sent off to the Vatican for approval, and we might have our hands on new breviaries by 2026!
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: June 16, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“As late as 1834, British society had many restrictions on any person not adhering to the Anglican church. For example, Roman Catholics could not attend a university, serve on a city council, be a member of Parliament, serve in the armed forces, or even serve on a jury.”

— Regarding the Church of Henry VIII

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