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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Colorado Sacred Music Conference” August 9-10 (2023) • Highlands Ranch, CO

Patrick Torsell · June 2, 2023

RUTH, BEAUTY, AND GOODNESS: the Transcendentals. The underpinnings of any faithful Catholic music program. Some parishes are blessed to have long-established sacred music programs with Gregorian Chant scholas, polyphonic choirs, professional organists, and well credentialed directors. For these lucky few, the support and resources are there to make building on the Transcendentals second nature. But what about the ordinary parish musician? The budding accompanist who desires to develop his/her skills? The cantor who wants to be more prayerful when chanting? The parish priest who desires beautiful sacred music at his church? The seminarian who wants to understand what the Church expects of sacred music programs? They all want a faithful and quality sacred music program. But how do they learn about the Transcendentals? The Church’s instruction and legislation on sacred music? The practical application of these ideas? How do they learn to chant? To encourage congregational participation? A wonderful opportunity to learn will be offered in Colorado with the 2023 Colorado Sacred Music Conference, a first in what will hopefully become an annual event.

Conference Overview • On August 9th & 10th, Diana Corliss, in conjunction pastor Fr. Greg Bierbaum, will host the 2023 Colorado Sacred Music Conference at St. Mark Catholic Church in Highlands Ranch, CO.  The intensive, two-day conferencewill immerse attendees in the foundations of building up a parish music program. The conference offers something for church musicians and clergy of all backgrounds, whether your music program currently sings Gregorian Chant or contemporary music, or any combination in between. The primary aim is to introduce directors, musicians, accompanists, singers, clergy, and seminarians to Catholic sacred traditions and relevant practical musical knowledge, and provide a fantastic networking opportunity with fellow Catholic musicians. Programming will include:

  • Understanding the powerful role of beauty in our spirituality and what the Church teaches about sacred music in the Mass.o How to build a sacred music repertoire based on the Three Transcendentals of Truth, Beauty, and Goodness.
  • Learning basic voice pedagogy, including: Improving the sound of your choir through a theological and holistic approach to vocal technique, and helping your choir to grow in skills like sight-reading, key familiarization, and tuning.
  • The fundamentals of Gregorian chant.
  • Basic and advanced accompaniment techniques.
  • The opportunity to sing a variety of sacred music for Mass and Vespers.
  • Breakout sessions for clergy and seminarians on the integral role of music in the Mass and how to become more confident singing particular Mass parts.
  • Conversations about the joys, challenges, and questions that arise in music ministry.

Conference Faculty • Our conference faculty includes keynote instructor: Dr. Jennifer Donnelson-Nowicka, Associate Professor and Director of Sacred Music at St. Patrick’s Seminary in Menlo Park, CA; Diana Corliss, Director of Sacred Music and Liturgy Coordinator at St. Mark Catholic Church in Highlands Ranch, CO; Richard Wheeler, Director of Music at Our Lady of Mt. Carmel Catholic Church in Littleton, CO; and Patrick Torsell, Associate Organist at Our Lady of Mt. Carmel, Littleton, and Staff Substitute Organist at the Cathedral Basilica of the Immaculate Conception, Denver, CO. VIP speakers and Mass Celebrants include Bishop James Golka of Colorado Springs and Fr. Greg Bierbaum of St. Mark, Highlands Ranch.

For the full schedule and registration details, visit:

*  https://stmark.regfox.com/2023-colorado-sacred-music-conference

Author’s Note • While my professional life has brought me back to a full-time role in the ski resort industry in Colorado, I’m thrilled to remain active in the world of sacred music, and honored to be a part of this conference! Since moving back to CO in 2020, I’ve returned to Our Lady of Mt. Carmel (FSSP) in Littleton, CO as an associate organist, and fill in as a substitute director as needed. I’ve also joined the staff at the Cathedral Basilica of the Immaculate Conception in Denver, CO as a substitute organist where I have the joy & privilege of playing the magnificent and mighty French-style Kimball-Morel organ in a stellar acoustic. I also sing tenor (and occasional countertenor) for Gaudium Verum, a Denver-based professional liturgical choir.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gaudium Verum Denver Liturgical Choir, Patrick Torsell Organist Last Updated: June 3, 2023

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About Patrick Torsell

Patrick Torsell is a staff substitute organist at the Cathedral Basilica of the Immaculate Conception in Denver, CO, and associate organist at Our Lady of Mt. Carmel (FSSP), Littleton, CO—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That is the university Fulton J. Sheen went to, as well as Dr. Myrna Keough.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed

Random Quote

It is frightful even to think there are children, victims of abortion, who will never see the light of day.

— Pope Francis (13 January 2014)

Recent Posts

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  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”

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