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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Five Ways to Celebrate the Octave of Pentecost

Daniel Tucker · April 23, 2023

RIOR TO THE ISSUANCE of the Missal of Pope Paul VI in 1970, the three major feasts of the Church’s liturgical year – Christmas, Easter, and Pentecost – were all celebrated by means of an octave. These feasts were full of such joy that their celebration could not be contained by one day alone, hence it overflowed into the “octave”: a period of eight consecutive days (the first being the principal feast) which were all celebrated as though they were the feast itself.

The Novus Ordo Mass retains the Octave of Christmas (Dec 25-Jan 1, culminating in the Solemnity of Mary, Mother of God) and the Octave of Easter (culminating every year in Divine Mercy Sunday, even though the particular date of Easter depends on the moon); but, curiously, it has suppressed the Octave of Pentecost. (There is a well-known story, though it has never been confirmed, of Pope Paul VI walking into the sacristy on the Monday after Pentecost. Seeing green vestments instead of red and thinking that the sacristan had made a mistake, so the story goes, the master of ceremonies had to remind the pontiff that it was he himself who had abolished the Octave of Pentecost by promulgating the new missal, thus causing His Holiness to weep.)

Some Catholics will still get to enjoy an official Pentecost Octave, which is observed by the faithful who worship according to the 1962 missal, as well as by former Anglicans who came into the Church through the Personal Ordinariate of the Chair of St. Peter and use the Divine Worship missal promulgated in 2015. But for most Novus Ordo-going Catholics, myself included, the Octave of Pentecost is no longer officially part of the Church’s liturgical calendar. This doesn’t mean, however, that we can’t mark this sacred time between Pentecost and Trinity Sunday by means of our own private devotions and prayers. Here are five fitting ideas for extending the joy of Pentecost throughout the week:

1) Make a special effort to attend Mass on the Monday and Tuesday after Pentecost, which used to be holy days of obligation. This practice is still noted in the 2011 Roman Missal, which remarks that “where the Monday or Tuesday after Pentecost are days on which the faithful are obliged or accustomed to attend Mass, the Mass of Pentecost Sunday may be repeated, or a Mass of the Holy Spirit may be said” (see the end of the Pentecost Sunday rubrics). Since 2018, the Monday after Pentecost is now the obligatory feast of Mary Mother of the Church, but votive Masses of the Holy Spirit may be said on any other days in the week following Pentecost where no other Masses take precedence.

2) Sing a Pentecost chant, such as the Veni creator Spiritus or the Veni sancte Spiritus, as part of your own private or family prayers each day.

3) Renew your baptismal promises as a family and sprinkle yourselves with holy water, asking the Holy Spirit to stir up in you the graces and charisms that He gave you in Baptism and sealed in you in Confirmation.

4) Pray for the unification of all Christians into the one, holy, catholic, and apostolic Church that Jesus founded, which “subsists in the Catholic Church…governed by the successor of Peter and by the Bishops in communion with him” (Lumen gentium 8). Ask that the Holy Spirit, the “spirit of Truth” (John 14:17), would continue to lead all who share the name of Christian into the one sheepfold of Christ so that there can be “one flock and one shepherd” (John 10:16).

5) Use selections of the Catechism of the Catholic Church as spiritual reading, fodder for mental prayer, or a source of catechetical discussion around the family dinner table. I particularly recommend paragraphs 687-747 on the Holy Spirit and His role in the life of the Church, which you could break up for prayer or discussion this way:
Pentecost Sunday: paragraphs 687-690, on the Holy Spirit and His joint mission with the Son;
Monday after Pentecost: paragraphs 691-701, on the symbols of the Holy Spirit;
Tuesday after Pentecost: paragraphs 702-710, on the hidden and preparatory work of the Spirit in the Old Covenant;
Wednesday after Pentecost: paragraphs 711-716, on the proximate prophecies of the coming Messiah and His Spirit;
Thursday after Pentecost: paragraphs 717-726, on the Holy Spirit’s role in the lives of St. John the Baptist and the Blessed Virgin Mary;
Friday after Pentecost: paragraphs 727-730, on the Holy Spirit’s role in the life of Christ;
Saturday after Pentecost: paragraphs 731-741, on the Holy Spirit’s role in the life of the Church;
Trinity Sunday: paragraphs 742-747, the “In Brief” overview that summarizes everything you will have prayed with and learned about.

In the meantime, I wish you a prayerful and blessed Easter season. Praised be Jesus Christ!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 23, 2023

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

It would be contrary to the Constitution to decree or even to hint that sung celebrations, especially of the Mass, should be in Latin.

— Annibale Bugnini attacking “Sacrosanctum Concilium” (§36)

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  • Pipe Organ “Answers” in Plainsong?

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