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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mass and Motets

Veronica Brandt · March 18, 2023

When we were starting a schola at Lawson, a retired priest gave me a copy of this little booklet, Mass and Motets for Mixed Voices, By Polyphonic Masters. This was printed by The Advocate Press, 143-151 a’Beckett Street, Melbourne, Australia. I had assumed it was an Australian compilation, but someone has found parallels with offerings by Kalmus, which I haven’t been able to confirm. Then I noticed the German notes in a few places.

It was printed before printing publishing dates was a thing, so I’m guessing it’s about 1940-ish.

In the past, I had sung from photocopies from this booklet with different choirs, without knowing the source. So many pieces are familiar, I look forward to getting to know the remainder.

Someone asked me to scan it, but if Kalmus is selling it, then maybe that’s not the best. Also, it’s quite a cramped typesetting to shoe-horn as much music as possible into 32 pages. Also, the pieces are available elsewhere on the internet, all except the Gloria from Antonio Lotti’s Missa Brevis for 4 voices in C. The booklet calls it Missa (dorisch), but Lotti’s Masses get many mixed up names in different editions.

So, here are all the pieces with links.

  • Missa (dorisch) – Mass and Motets includes the Gloria, but this link doesn’t.
  • Adoramus Te Clemens non Papa
  • Adoramus Te Francesco Rosselli
  • Ave Regina Caelorum Antonio Lotti
  • Ave Verum Wolfgang Amadeus Mozart
  • Cantate Domino Giuseppe Pitoni
  • Christus Factus Est Felice Anerio
  • Ecce, quomodo moritur, Jacob Handl Gallus
  • Hodie nobis coelorum Rex Giovanni Bernardino Nanino
  • In nomine Jesu Jacob Handl Gallus
  • Istorum est Claudio Casciolini
  • Jesu, dulcis memoria Tomás Luis de Victoria
  • O bone Jesu Marco Antonio Ingegneri
  • O Domine Jesu Christe Giovanni Pierluigi da Palestrina
  • O Jesu Christe Rinaldo del Mel
  • O Redemptor Giovanni Pierluigi da Palestrina
  • O vos omnes Giovanni Croce
  • Popule meus Tomás Luis de Victoria
  • Regina Caeli Antonio Lotti
  • Tantum Ergo Giovanni Matteo Asola
  • Tantum Ergo Palestrina? – printed in the English Hymnal Clearer pdf from Musescore
  • Veni sancte Spiritus Sethus Calvisius
  • Veni Creator Spiritus Claudio Casciolini

And here are some photos:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 18, 2023

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.”

— Pope Saint Paul VI (15 August 1966)

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