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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Absolute Key to a Healthy and “Renewed” Choir

Jeff Ostrowski · March 3, 2023

HE SACRED SCRIPTURE (Psalm 103:30) says: “Thou shalt send forth thy spirit, and they shall be created: and thou shalt renew the face of the earth.” Monsignor Knox translates this as: “Then thou sendest forth thy spirit, and there is fresh creation; thou dost repeople the face of earth.” What does it mean for something to be “renewed?” Certainly there are many correct answers. Our Blessed Lord Himself describes a type of “renewal” in John 12:14. Our children keep guinea pigs, which are marvelous examples of God’s creation. I say this because every animal, every plant, every amoeba, every speck of air, every cell, and every organ in our body is a testament to God the creator. 1 Guinea pigs were created in a certain way—indeed, a perfect way—which has allowed their species to survive since their creation in spite of how defenseless, fragile, and innocent they are.

Keeping Choirs “Renewed” • Many people approached me after last year’s Sacred Music Symposium and gave me feedback I found flattering. They said: “Everything you said was so valuable, we wish you just talked the entire week without stopping.” Since people found my advice inspiring, this year I will speak about recruiting choir members and keeping choirs happy, vibrant, healthy, and renewed. After all, it’s not enough to recruit—the conscientious choirmaster must keep each member engaged. Put another way, choirs must constantly be renewed.

A Small Preview • Obviously, I’m not going to type out my entire presentation here. But I will give you a little ‘hint’ about a theme I will emphasize very much: musical diversity. When we have rehearsal, we don’t do one piece the entire time. We begin with a set of unvarying “rituals.” Then we usually divide the rehearsal into different parts: Renaissance polyphony, plainsong, sectionals, announcements, contemporary polyphony, and so forth. One thing my singers absolutely love is learning SATB parts to the hymns in the Brébeuf Catholic Hymnal.

We are learning the following hymn by Father Frederick William Faber (d. 1863) in SATB:

M To access this hymn’s media in the Brébeuf Portal, click here.

Stuttgart Hymn • We are using Lenten verses for the STUTTGART HYMN. I probably sound like a broken record … but the choir members really enjoy the soprano descant and SATB parts on the various verses:

*  PDF Download • LENT VERSES

*  Mp3 Download • Live Recording (during rehearsal)

Conclusion • There’s something fresh and magical about these Brébeuf melodies. Choir members find them invigorating, fun, and renewing. Those who have never stood before a choir in real life might consider it “easy” to sing SATB hymns. The truth is, the conscientious choirmaster must work with the Tenor and Bass parts for a considerable stretch of time to achieve perfection.

1 We know that the (unthinkably complex) human eye, for example, is not a result of “luck” or evolution. Nor is the human reproductive system. Nor are human lungs. Nor is the human digestive track. Nor is the growth of a human inside the mother, requiring no outside air until the moment of birth. And so forth, and so on.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Stuttgart Hymn Last Updated: March 8, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

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