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Views from the Choir Loft

Hymn Experiment • “Does This Work?”

Jeff Ostrowski · January 13, 2023

N AN INTERNET FORUM a few weeks ago, the editor of a Catholic hymnal was bragging about his product. In particular, the editor was bragging about SATB voice settings in his book. Please don’t ask me the person’s name; I’m not going to reveal that. One of the members asked him a straightforward question: “How are the singers supposed to sing the final verse in harmony?” [The hymnal in question was the type of book that had final verses printed at the bottom.] The editor’s response was: “Let me do some research, and I’ll get back to you.”

Cringeworthy Situation • I suppose each of us has a pet peeve. Mine is when church music products are produced (and sold) by individuals with no real-life experience. Think of it! This person was bragging about his harmonies—but he’d never seen how this stuff works in real life. To him, it was like a game, or (as my dad would say) it was “academic.” When asked the most elementary question, he was totally stumped. If memory serves, his exact words were: “Gee, I never thought about that before.” The situation was truly cringeworthy. Sadly, many who produce choral music scores have never stood in front of a choir in real life.

A Better Solution • Our choirs use the Brébeuf Hymnal because the SATB choral supplement deliberately and meticulously notates each verse in a brilliant and powerful way. It gives both conductor and organist mind-blowing freedom … and once you experience it, you’ll never look back.

Hymn Experiment • Because of this freedom, we were able to try an experiment the other day. We sang the first half of each stanza in unison, then added SATB voice parts at the halfway mark. What do you think?

M To access this hymn’s media in the Brébeuf Portal, click here.

For the sake of comparison, here’s the same hymn sung in a more “conventional” manner:

Epiphany Hymn In Latin • I’ve mentioned in the past a project I’m engaged in: viz. creating “Latin versions” for hymns in the Brébeuf Catholic Hymnal. I’ve created many of these, but I need to find an organized way to add them to the website. These are designed for choirs forbidden to sing in English. Here’s my recent setting of Hostis Herodes Impie, by the fifth-century poet Sedulius:

*  PDF Download • Brébeuf Extension for Number 17
—Please Note: These are different harmonies than what is found in the Brébeuf Hymnal

I could write volumes and volumes about this ancient hymn. Suffice it to say that it’s very famous. (It’s a perfect fit for the feast of the Baptism of the Lord.)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Baptism of the Lord, Brebeuf Extension Series, SATB Hymn Epiphany, SATB voice parts, Sedulius Epiphany Hymn Last Updated: January 28, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I have a great quarrel on with Dom Mocquereau over a very stiff book of his which we have translated & which a stupid American woman wants to be adapted to her understanding & terminology. It will be a little difficult to persuade the dear old man, for the lady is going to pay the piper. Truly money is at the root of all evils!”

— Dame Laurentia (talking about Justine Ward)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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