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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sacred Time” Framed on our Wall

Veronica Moreno · January 2, 2023

UR LITURGICAL CALENDAR is now on the wall. But our hearts are somber to know that our dear Pope Benedict XVI has died. The lighthearted mood of this post reflects late Advent, before any news of the illness of our Pope Emeritus, as we basked in the glow of soon to be opened gifts and tamale feasts.

Pope Benedict was on my mind, since my husband had offered words from The Spirit of the Liturgy, from 2000. That year seems so far away, but it’s only a blink of an eye. Memento mori. Requiem æternam dona eis, Domine.

Our hero is dead; let us pray for his soul.

An Advent Purchase • In late November, my husband rushed to interrupt me with an urgent request to discuss a purchase. Wives probably understand my eye-roll hesitation when faced with this situation.

Reader, he had a good idea. It was a liturgical calendar he saw on Twitter.

OwenCyclops Twitter post about Liturgical Calendar

We ordered it, it arrived, and it has brought us great joy to walk by and gaze at it.

Cardinal Ratzinger on “Sacred Time” • I asked my husband to find some quotes to help me with this blog post, because to be honest, words are not enough to convey its beauty. You really must see it.  So instead of me pathetically attempting to describe it, I turn to the words of Pope Emeritus (then Joseph Cardinal Ratzinger) from his 2000 book, The Spirit of the Liturgy, in the chapter called “Sacred Time.”  The words in bold are my emphasis.

As we begin to consider the significance of sacred time in the structure of Christian liturgy, we must remember all that we said…about the significance of time and space in Christian worship. All time is God’s time. When the eternal Word assumed human existence at his Incarnation, he also assumed temporality. He drew time into the sphere of eternity. Christ is himself the bridge between time and eternity…In the Word incarnate, who remains man forever, the presence of eternity with time becomes bodily and concrete.

All time is God’s time. On the other hand, as we saw above, the time of the Church is a “between” time, between the shadow and the reality, and so its special structure demands a sign, a time specially chosen and designated to draw time as a whole into the hands of God…But now there is no escaping the question: What is time?

Cardinal Ratzinger proceeds to give us a sort of mental break here, before he continues, “Needless to say, this is not the place to plumb the depths of this question, which has exercised the minds of all the great thinkers of history.”

To which I say phew and thank you for that tiny pause, because this here homeschooling mother hasn’t delved THAT deep into cosmic physics with the children yet!

He continues:

However, a few hints at an answer are imperative if the contact of the liturgy with time is to be properly understood. The first thing to say is that time is a cosmic reality.

The orbiting of the sun by the earth (or, as the ancients thought, of the earth by the sun) gives existence the rhythm that we call time – from hour to hour, from morning to evening and evening to morning, from spring through summer and autumn to winter. In addition to this rhythm of the sun there is the shorter rhythm of the moon – from its slow growth to its disappearance with the new moon and the new beginning. The two rhythms have created two measures, which appear in the history of culture in various combinations. Both show how much man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars. The course of the sun and the moon leaves its mark on his life.

People Didn’t Understand? • It hurts to remember that Cardinal Ratzinger was once Pope, to see his recent pictures and remember that his time has left a mark on my own life. (I saw him offer Mass in Rome once!) Further along the chapter, he mentions this very liturgical calendar, before the reforms after Vatican II:

The liturgical calendar used before the postconciliar reforms contained a strange transferal of the seasons, a use which, of course, had long eluded people’s understanding and was interpreted in a much too superficial way.

I add to our Pope Emeritus to say, “if people had calendars like this one back then, maybe they would have understood better.” Take a look.

Merry Christmas Season!

detail of OwenCyclops Liturgical Calendar

detail from Liturgical Calendar by OwenCyclops

detail from Liturgical Calendar by owen cyclops

Liturgical Calendar by OwenCyclops

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: liturgical calendar Last Updated: January 3, 2023

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

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