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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sacred Time” Framed on our Wall

Veronica Moreno · January 2, 2023

UR LITURGICAL CALENDAR is now on the wall. But our hearts are somber to know that our dear Pope Benedict XVI has died. The lighthearted mood of this post reflects late Advent, before any news of the illness of our Pope Emeritus, as we basked in the glow of soon to be opened gifts and tamale feasts.

Pope Benedict was on my mind, since my husband had offered words from The Spirit of the Liturgy, from 2000. That year seems so far away, but it’s only a blink of an eye. Memento mori. Requiem æternam dona eis, Domine.

Our hero is dead; let us pray for his soul.

An Advent Purchase • In late November, my husband rushed to interrupt me with an urgent request to discuss a purchase. Wives probably understand my eye-roll hesitation when faced with this situation.

Reader, he had a good idea. It was a liturgical calendar he saw on Twitter.

OwenCyclops Twitter post about Liturgical Calendar

We ordered it, it arrived, and it has brought us great joy to walk by and gaze at it.

Cardinal Ratzinger on “Sacred Time” • I asked my husband to find some quotes to help me with this blog post, because to be honest, words are not enough to convey its beauty. You really must see it.  So instead of me pathetically attempting to describe it, I turn to the words of Pope Emeritus (then Joseph Cardinal Ratzinger) from his 2000 book, The Spirit of the Liturgy, in the chapter called “Sacred Time.”  The words in bold are my emphasis.

As we begin to consider the significance of sacred time in the structure of Christian liturgy, we must remember all that we said…about the significance of time and space in Christian worship. All time is God’s time. When the eternal Word assumed human existence at his Incarnation, he also assumed temporality. He drew time into the sphere of eternity. Christ is himself the bridge between time and eternity…In the Word incarnate, who remains man forever, the presence of eternity with time becomes bodily and concrete.

All time is God’s time. On the other hand, as we saw above, the time of the Church is a “between” time, between the shadow and the reality, and so its special structure demands a sign, a time specially chosen and designated to draw time as a whole into the hands of God…But now there is no escaping the question: What is time?

Cardinal Ratzinger proceeds to give us a sort of mental break here, before he continues, “Needless to say, this is not the place to plumb the depths of this question, which has exercised the minds of all the great thinkers of history.”

To which I say phew and thank you for that tiny pause, because this here homeschooling mother hasn’t delved THAT deep into cosmic physics with the children yet!

He continues:

However, a few hints at an answer are imperative if the contact of the liturgy with time is to be properly understood. The first thing to say is that time is a cosmic reality.

The orbiting of the sun by the earth (or, as the ancients thought, of the earth by the sun) gives existence the rhythm that we call time – from hour to hour, from morning to evening and evening to morning, from spring through summer and autumn to winter. In addition to this rhythm of the sun there is the shorter rhythm of the moon – from its slow growth to its disappearance with the new moon and the new beginning. The two rhythms have created two measures, which appear in the history of culture in various combinations. Both show how much man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars. The course of the sun and the moon leaves its mark on his life.

People Didn’t Understand? • It hurts to remember that Cardinal Ratzinger was once Pope, to see his recent pictures and remember that his time has left a mark on my own life. (I saw him offer Mass in Rome once!) Further along the chapter, he mentions this very liturgical calendar, before the reforms after Vatican II:

The liturgical calendar used before the postconciliar reforms contained a strange transferal of the seasons, a use which, of course, had long eluded people’s understanding and was interpreted in a much too superficial way.

I add to our Pope Emeritus to say, “if people had calendars like this one back then, maybe they would have understood better.” Take a look.

Merry Christmas Season!

detail of OwenCyclops Liturgical Calendar

detail from Liturgical Calendar by OwenCyclops

detail from Liturgical Calendar by owen cyclops

Liturgical Calendar by OwenCyclops

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: liturgical calendar Last Updated: January 3, 2023

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

Recent Posts

  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”

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