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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sacred Time” Framed on our Wall

Veronica Moreno · January 2, 2023

UR LITURGICAL CALENDAR is now on the wall. But our hearts are somber to know that our dear Pope Benedict XVI has died. The lighthearted mood of this post reflects late Advent, before any news of the illness of our Pope Emeritus, as we basked in the glow of soon to be opened gifts and tamale feasts.

Pope Benedict was on my mind, since my husband had offered words from The Spirit of the Liturgy, from 2000. That year seems so far away, but it’s only a blink of an eye. Memento mori. Requiem æternam dona eis, Domine.

Our hero is dead; let us pray for his soul.

An Advent Purchase • In late November, my husband rushed to interrupt me with an urgent request to discuss a purchase. Wives probably understand my eye-roll hesitation when faced with this situation.

Reader, he had a good idea. It was a liturgical calendar he saw on Twitter.

OwenCyclops Twitter post about Liturgical Calendar

We ordered it, it arrived, and it has brought us great joy to walk by and gaze at it.

Cardinal Ratzinger on “Sacred Time” • I asked my husband to find some quotes to help me with this blog post, because to be honest, words are not enough to convey its beauty. You really must see it.  So instead of me pathetically attempting to describe it, I turn to the words of Pope Emeritus (then Joseph Cardinal Ratzinger) from his 2000 book, The Spirit of the Liturgy, in the chapter called “Sacred Time.”  The words in bold are my emphasis.

As we begin to consider the significance of sacred time in the structure of Christian liturgy, we must remember all that we said…about the significance of time and space in Christian worship. All time is God’s time. When the eternal Word assumed human existence at his Incarnation, he also assumed temporality. He drew time into the sphere of eternity. Christ is himself the bridge between time and eternity…In the Word incarnate, who remains man forever, the presence of eternity with time becomes bodily and concrete.

All time is God’s time. On the other hand, as we saw above, the time of the Church is a “between” time, between the shadow and the reality, and so its special structure demands a sign, a time specially chosen and designated to draw time as a whole into the hands of God…But now there is no escaping the question: What is time?

Cardinal Ratzinger proceeds to give us a sort of mental break here, before he continues, “Needless to say, this is not the place to plumb the depths of this question, which has exercised the minds of all the great thinkers of history.”

To which I say phew and thank you for that tiny pause, because this here homeschooling mother hasn’t delved THAT deep into cosmic physics with the children yet!

He continues:

However, a few hints at an answer are imperative if the contact of the liturgy with time is to be properly understood. The first thing to say is that time is a cosmic reality.

The orbiting of the sun by the earth (or, as the ancients thought, of the earth by the sun) gives existence the rhythm that we call time – from hour to hour, from morning to evening and evening to morning, from spring through summer and autumn to winter. In addition to this rhythm of the sun there is the shorter rhythm of the moon – from its slow growth to its disappearance with the new moon and the new beginning. The two rhythms have created two measures, which appear in the history of culture in various combinations. Both show how much man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars. The course of the sun and the moon leaves its mark on his life.

People Didn’t Understand? • It hurts to remember that Cardinal Ratzinger was once Pope, to see his recent pictures and remember that his time has left a mark on my own life. (I saw him offer Mass in Rome once!) Further along the chapter, he mentions this very liturgical calendar, before the reforms after Vatican II:

The liturgical calendar used before the postconciliar reforms contained a strange transferal of the seasons, a use which, of course, had long eluded people’s understanding and was interpreted in a much too superficial way.

I add to our Pope Emeritus to say, “if people had calendars like this one back then, maybe they would have understood better.” Take a look.

Merry Christmas Season!

detail of OwenCyclops Liturgical Calendar

detail from Liturgical Calendar by OwenCyclops

detail from Liturgical Calendar by owen cyclops

Liturgical Calendar by OwenCyclops

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: liturgical calendar Last Updated: January 3, 2023

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”

— ‘Pope St. Pius V (Quo Primum, 1570)’

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  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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