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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Sacred Time” Framed on our Wall

Veronica Moreno · January 2, 2023

UR LITURGICAL CALENDAR is now on the wall. But our hearts are somber to know that our dear Pope Benedict XVI has died. The lighthearted mood of this post reflects late Advent, before any news of the illness of our Pope Emeritus, as we basked in the glow of soon to be opened gifts and tamale feasts.

Pope Benedict was on my mind, since my husband had offered words from The Spirit of the Liturgy, from 2000. That year seems so far away, but it’s only a blink of an eye. Memento mori. Requiem æternam dona eis, Domine.

Our hero is dead; let us pray for his soul.

An Advent Purchase • In late November, my husband rushed to interrupt me with an urgent request to discuss a purchase. Wives probably understand my eye-roll hesitation when faced with this situation.

Reader, he had a good idea. It was a liturgical calendar he saw on Twitter.

OwenCyclops Twitter post about Liturgical Calendar

We ordered it, it arrived, and it has brought us great joy to walk by and gaze at it.

Cardinal Ratzinger on “Sacred Time” • I asked my husband to find some quotes to help me with this blog post, because to be honest, words are not enough to convey its beauty. You really must see it.  So instead of me pathetically attempting to describe it, I turn to the words of Pope Emeritus (then Joseph Cardinal Ratzinger) from his 2000 book, The Spirit of the Liturgy, in the chapter called “Sacred Time.”  The words in bold are my emphasis.

As we begin to consider the significance of sacred time in the structure of Christian liturgy, we must remember all that we said…about the significance of time and space in Christian worship. All time is God’s time. When the eternal Word assumed human existence at his Incarnation, he also assumed temporality. He drew time into the sphere of eternity. Christ is himself the bridge between time and eternity…In the Word incarnate, who remains man forever, the presence of eternity with time becomes bodily and concrete.

All time is God’s time. On the other hand, as we saw above, the time of the Church is a “between” time, between the shadow and the reality, and so its special structure demands a sign, a time specially chosen and designated to draw time as a whole into the hands of God…But now there is no escaping the question: What is time?

Cardinal Ratzinger proceeds to give us a sort of mental break here, before he continues, “Needless to say, this is not the place to plumb the depths of this question, which has exercised the minds of all the great thinkers of history.”

To which I say phew and thank you for that tiny pause, because this here homeschooling mother hasn’t delved THAT deep into cosmic physics with the children yet!

He continues:

However, a few hints at an answer are imperative if the contact of the liturgy with time is to be properly understood. The first thing to say is that time is a cosmic reality.

The orbiting of the sun by the earth (or, as the ancients thought, of the earth by the sun) gives existence the rhythm that we call time – from hour to hour, from morning to evening and evening to morning, from spring through summer and autumn to winter. In addition to this rhythm of the sun there is the shorter rhythm of the moon – from its slow growth to its disappearance with the new moon and the new beginning. The two rhythms have created two measures, which appear in the history of culture in various combinations. Both show how much man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars. The course of the sun and the moon leaves its mark on his life.

People Didn’t Understand? • It hurts to remember that Cardinal Ratzinger was once Pope, to see his recent pictures and remember that his time has left a mark on my own life. (I saw him offer Mass in Rome once!) Further along the chapter, he mentions this very liturgical calendar, before the reforms after Vatican II:

The liturgical calendar used before the postconciliar reforms contained a strange transferal of the seasons, a use which, of course, had long eluded people’s understanding and was interpreted in a much too superficial way.

I add to our Pope Emeritus to say, “if people had calendars like this one back then, maybe they would have understood better.” Take a look.

Merry Christmas Season!

detail of OwenCyclops Liturgical Calendar

detail from Liturgical Calendar by OwenCyclops

detail from Liturgical Calendar by owen cyclops

Liturgical Calendar by OwenCyclops

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: liturgical calendar Last Updated: January 3, 2023

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

Recent Posts

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  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)

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