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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Rhythm Wars • “Jeff’s First Response to Patrick” (12 Nov 2022)

Jeff Ostrowski · November 12, 2022

M  Gregorian Rhythm Wars contains all
M  previous installments of our series.

ECAUSE OUR TOPIC is massive and sprawling, some repetition will be unavoidable. (I beg our readers to tolerate it.) However, my dear Mr. Williams, I think you would agree we must repudiate the politician’s habit of giving “non-answers” to each other’s questions, reverting instead to our talking points. The readers will become bored if we talk past each other. When our exchange ends, I hope I’ll be able to say: “Patrick Williams believes XYZ.” I’m not promising I’ll agree—but I seek to learn what you believe.

(#1) “Low-Hanging Fruit” • Mr. Williams, you cite a 16 May 2015 article in which I wrote: “It’s not forbidden to sing from ancient manuscripts […] and this was done by the Sistine Chapel during papacy of Pius X.”

My Response: My intention—in spite of what some people claim—is not to condemn anyone’s performance practice. My intention is to prove: (a) There is an official edition, which has its own rhythm; (b) The “Pothier Style” is, broadly speaking, the same way Catholics sang for 700+ years.

(#2) “Low-Hanging Fruit” • Mr. Williams, you wrote: “I challenge you to show where Dom Mocquereau claimed that the primitive and universal rhythmic tradition was lost due to mass hallucination. As far as I can tell, the claim of ‘mass hallucination’ is a straw man of my colleague’s own creation.”

My Response: I don’t claim Mocquereau said such a thing verbatim. In that sentence, I was attempting to give a summary of what people like Dom Mocquereau believe. They claim—unless I’m very much mistaken—there was once a universal rhythmic tradition that was ‘forgotten’ or ‘abandoned’ or ‘messed up’ circa 1050AD, yet the same scribes who ‘forgot’ or ‘abandoned’ or ‘messed up’ that universal rhythmic tradition transmitted the pitches with incredible accuracy.

(#3) “Low-Hanging Fruit” • Mr. Williams, you said you don’t see where the 2022 USCCB Newsletter says “Gregorian chants of Mass parts and Propers must be taken from the pre-Conciliar Graduale Romanum.”

My Response: I was merely attempting to emphasize that—even now—the USCCB liturgical committee ‘promotes’ or ‘endorses’ or ‘doesn’t consign to oblivion’ the Editio Vaticana. As you know the 1970 ORDO CANTUS MISSAE doesn’t have any plainsong of its own (except the occasional aberration). Rather, it directs the user to Abbat Pothier’s Editio Vaticana—a.k.a. “the greatest, most spectacular, most powerful, most sublime, catastrophically-breathtaking edition of plainsong ever created.”

OU HAVE SEEN, Mr. Williams, how I’ve answered three of your questions without obfuscation. I’ve not yet responded to all your assertions, but I’m confused why you wrote two separate articles—001 + 002—whereas I tried to narrow the discussion to what I deemed “our specimen.” For the sake of our readers, I beg you: slow down. Let’s take one thing at a time! I challenge you to be restrained in your next article, and deal with the following. You wrote on the CCW facebook page:

“I pointed out Jeff’s misreading of Chartres 47. Two more of his examples, 3823auvergne|1119 and 1132Limoges|1085, write four longs at the beginning of propitiatio, the exact opposite of what he claims. He also claimed that the flex (clivis) at iniquitates is identical with the two at propitiatio in 1087cluniacensem|1087, StMaur|1079, and 857noyon|1057. They sure don’t look identical to me! Examine and judge for yourself.”

Patrick, I feel your astute observations are worthy of a thoughtful response—which I’ll now provide.

To remind everybody what we’re discussing, “our specimen” comes from the the INTROIT for the 22nd Sunday after Pentecost. [Ordinary Form: 28th Sunday in Ordinary Time.] Specifically, we’re talking about the word propitiátio shown here:

* Let me be absolutely clear: It’s easy to verify that none of the 20+ diastematic manuscripts I cited in my inaugural article have an elogation on those instances of the “flex” by comparing other words in the same chant of the same manuscript (such as observáveris or iniquitátes) or a different chant from the same manuscript. Needless to say, sometimes it’s necessary to turn to the next folio or scroll up (or down) the page to find an apples-to-apples comparison. You correctly point out I goofed by implying iniquitátes is the only word that proves this. I apologize for that—and I’m sure it won’t be the last typo I make! Even Father Fortescue sometimes made typos. But that tiny goof does not change my argument one iota. As I demonstrate below, if iniquitátes doesn’t work in a particular example, simply look to a different word … such as observáveris. These examples will make it clear:

In direct response to your assertion (above), I stand by what I said about 1087cluniacensem|1087. Please help me understand how you can doubt what is clearly shown here:

In direct response to your assertion (above), I stand by what I said about StMaur|1079. Please help me understand how you can doubt what is clearly shown here:

In direct response to your assertion (above), I stand by what I said about 857noyon|1057. Please help me understand how you can doubt what is clearly shown here:

In direct response to your assertion (above), I stand by what I said about 3823auvergne|1119. Please help me understand how you can doubt what is clearly shown here:

In direct response to your assertion (above), I stand by what I said about 1132Limoges|1085. Please help me understand how you can doubt what is clearly shown here:

Mr. Williams, I ask you to directly respond to the following two (2) questions:

11 November A • I have now demonstrated I was correct about the examples (3823auvergne|1119 • 1132Limoges|1085 • 1087cluniacensem|1087 • StMaur|1079 • 857noyon|1057), whereas you said I was wrong about those examples. Do you admit that none of those examples show an elongation on “our specimen” How many manuscripts, Mr. Williams, did I present in my first article? Wasn’t the number close to thirty? Shall I go through all thirty manuscripts in the same way I went through the ones shown above?

11 November B • Mr. Williams, you have accused me of “misreading” 47chartres|957. You claim the notes I’ve indicated (below) with green arrows should be elongated:

Question: What evidence do you have demonstrating that I’m wrong? Don’t say: “Cardine says so.” After all, many of Cardine’s assertions have been discredited. I’m asking for evidence. Can you please provide some?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Gregorian Rhythm Wars Last Updated: December 6, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Glorious among virgins, high above the stars, thou dost nourish at thy breast as a child him who created thee.” (Fortunatus)

— English translation by Dr. Adrian Fortescue (d. 1923)

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