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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

5 Ways to Make Your Music Program More Marian

Daniel Tucker · August 9, 2022

Detail of a window at Notre Dame de Bon Secour, Montreal.
HE CHURCH RIGHTLY PROMOTES Marian devotion in a special way during the months of May and October, but the accompanying flurry of articles on Marian devotion usually comes too late to be implemented in time for these special months. Rather than wait for an especially Marian month, I wanted to share these five tips for making your parish music program more Marian now, during early August, when music directors are busily planning and preparing to kick off a new year of choral and/or school music programming after the summer recess.

St. Louis de Montfort notes that entrusting ourselves and all of our actions to Mary is “the surest, the easiest, the shortest and the most perfect means of going to Jesus Christ” (True Devotion to Mary I.3.2), who Himself deigned to be born of the Blessed Virgin Mary for the sake of our salvation. With that end in mind, here are five ways to start incorporating (think about that word – one could just as easily say incarnating!) more Marian devotion into the life or your parish or school choir.

1. Open or close your rehearsals with a Marian prayer.

More than anything else, prayer has to be the lifeblood of our work as church musicians. We ought to be praying for and with the members of our ensembles, both corporately and individually. And we can foster this culture of prayer particularly by utilizing the treasury of Marian prayers offered to us by the Church. Consider:

  • Opening your rehearsal with a few moments to share prayer requests and a collective Hail Mary for those intentions.
  • Leading your choir in the ancient prayer Sub tuum praesidium (“We fly to thy protection, O Holy Mother of God…”) as an act of intercession for those members who are absent due to travel or illness.
  • Closing your rehearsal with a Memorare (“Remember, O most gracious Virgin Mary…”) for the various intentions expressed earlier, for the health and safety of the members of your choir and their families, for the fruitfulness of your work as liturgical musicians, etc.

2. Teach your choir to sing the seasonal Marian antiphons.

Push for the singing of the Marian antiphons at Mass (perhaps they would make a good substitute for a recessional hymn), but teach them to your choristers whether you will sing them at Mass or not. The investment of a few precious minutes of rehearsal time will be well worth your choristers’ knowing these melodies by heart for the rest of their lives (especially if they are children).

  • Alma Redemptoris Mater (used from Advent I to Candlemas)
  • Ave Regina Caelorum (used from Candlemas until the Easter Vigil)
  • Regina Caeli (used from the Easter Vigil until Pentecost)
  • Salve Regina (used from Pentecost until Advent I)

BONUS • Jeff Ostrowsky, president of Corpus Christi Watershed, recently published this huge article on the Salve Regina.

3. Promote the Five First Saturdays devotion.

Our Lady of Fatima promised to assist at the hour of death with the graces necessary for salvation all those who devoutly undertake the following practices on the first Saturdays of five consecutive months:

  • Make a sacramental Confession (within a week before or after, if not on the first Saturday itself)
  • Receive Holy Communion in a state of grace (preferably, but not necessarily, within the context of a Mass)
  • Recite five decades of the Most Holy Rosary
  • Meditate on the mysteries of the rosary for fifteen minutes (in addition to the recitation of the five decades)

4. Encourage the recitation of the rosary by and for your musicians.

Even in the 20th century alone, Our Lady has appeared to the faithful many times (such as at Fatima, Akita, and Kibeho), and her most insistent request has always been the recitation of the daily rosary. Consider:

  • Taking up the practice of a daily rosary yourself. Intercede not only for yourself and your family, but also for your parish priest(s), for the members of your choir, and for the edification and sanctification of every person at your parish. If you’re already praying one rosary each day, try four.
  • Lead your choir in praying the rosary before or after Mass, in pilgrimages, on bus trips, etc.
  • Teach your choristers to make rosaries (this is especially fun for children!) and sell them to parishioners as a fundraiser for your music program.

5. Lead your choir members in a Marian consecration.

Along with the 54-day rosary novena, the 33-day preparation for Marian consecration is a veritable treasury of graces. Many texts are available. Consider:

  • The original: True Devotion to Mary: With Preparation for Total Consecration by St. Louis de Montfort.
  • The more modern version: 33 Days to Morning Glory by Fr. Michael Gaitley, MIC, available as an inexpensive booklet for group use.
  • The short version: Marian Consecration with Aquinas: A Nine Day Path for Growing Closer to the Mother of God by Matt Fradd and Fr. Gregory Pine, OP.

How will you and your choir grow closer to Jesus through Mary this year?

Mary, Mother of God and Mother of the Church, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 10, 2022

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

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