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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

5 Ways to Make Your Music Program More Marian

Daniel Tucker · August 9, 2022

Detail of a window at Notre Dame de Bon Secour, Montreal.
HE CHURCH RIGHTLY PROMOTES Marian devotion in a special way during the months of May and October, but the accompanying flurry of articles on Marian devotion usually comes too late to be implemented in time for these special months. Rather than wait for an especially Marian month, I wanted to share these five tips for making your parish music program more Marian now, during early August, when music directors are busily planning and preparing to kick off a new year of choral and/or school music programming after the summer recess.

St. Louis de Montfort notes that entrusting ourselves and all of our actions to Mary is “the surest, the easiest, the shortest and the most perfect means of going to Jesus Christ” (True Devotion to Mary I.3.2), who Himself deigned to be born of the Blessed Virgin Mary for the sake of our salvation. With that end in mind, here are five ways to start incorporating (think about that word – one could just as easily say incarnating!) more Marian devotion into the life or your parish or school choir.

1. Open or close your rehearsals with a Marian prayer.

More than anything else, prayer has to be the lifeblood of our work as church musicians. We ought to be praying for and with the members of our ensembles, both corporately and individually. And we can foster this culture of prayer particularly by utilizing the treasury of Marian prayers offered to us by the Church. Consider:

  • Opening your rehearsal with a few moments to share prayer requests and a collective Hail Mary for those intentions.
  • Leading your choir in the ancient prayer Sub tuum praesidium (“We fly to thy protection, O Holy Mother of God…”) as an act of intercession for those members who are absent due to travel or illness.
  • Closing your rehearsal with a Memorare (“Remember, O most gracious Virgin Mary…”) for the various intentions expressed earlier, for the health and safety of the members of your choir and their families, for the fruitfulness of your work as liturgical musicians, etc.

2. Teach your choir to sing the seasonal Marian antiphons.

Push for the singing of the Marian antiphons at Mass (perhaps they would make a good substitute for a recessional hymn), but teach them to your choristers whether you will sing them at Mass or not. The investment of a few precious minutes of rehearsal time will be well worth your choristers’ knowing these melodies by heart for the rest of their lives (especially if they are children).

  • Alma Redemptoris Mater (used from Advent I to Candlemas)
  • Ave Regina Caelorum (used from Candlemas until the Easter Vigil)
  • Regina Caeli (used from the Easter Vigil until Pentecost)
  • Salve Regina (used from Pentecost until Advent I)

BONUS • Jeff Ostrowsky, president of Corpus Christi Watershed, recently published this huge article on the Salve Regina.

3. Promote the Five First Saturdays devotion.

Our Lady of Fatima promised to assist at the hour of death with the graces necessary for salvation all those who devoutly undertake the following practices on the first Saturdays of five consecutive months:

  • Make a sacramental Confession (within a week before or after, if not on the first Saturday itself)
  • Receive Holy Communion in a state of grace (preferably, but not necessarily, within the context of a Mass)
  • Recite five decades of the Most Holy Rosary
  • Meditate on the mysteries of the rosary for fifteen minutes (in addition to the recitation of the five decades)

4. Encourage the recitation of the rosary by and for your musicians.

Even in the 20th century alone, Our Lady has appeared to the faithful many times (such as at Fatima, Akita, and Kibeho), and her most insistent request has always been the recitation of the daily rosary. Consider:

  • Taking up the practice of a daily rosary yourself. Intercede not only for yourself and your family, but also for your parish priest(s), for the members of your choir, and for the edification and sanctification of every person at your parish. If you’re already praying one rosary each day, try four.
  • Lead your choir in praying the rosary before or after Mass, in pilgrimages, on bus trips, etc.
  • Teach your choristers to make rosaries (this is especially fun for children!) and sell them to parishioners as a fundraiser for your music program.

5. Lead your choir members in a Marian consecration.

Along with the 54-day rosary novena, the 33-day preparation for Marian consecration is a veritable treasury of graces. Many texts are available. Consider:

  • The original: True Devotion to Mary: With Preparation for Total Consecration by St. Louis de Montfort.
  • The more modern version: 33 Days to Morning Glory by Fr. Michael Gaitley, MIC, available as an inexpensive booklet for group use.
  • The short version: Marian Consecration with Aquinas: A Nine Day Path for Growing Closer to the Mother of God by Matt Fradd and Fr. Gregory Pine, OP.

How will you and your choir grow closer to Jesus through Mary this year?

Mary, Mother of God and Mother of the Church, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 10, 2022

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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