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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“From a Recent Convert” • Symposium Review

Corpus Christi Watershed · August 1, 2022

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FIRST HEARD about the Sacred Music Symposium in early 2021, at a time when many events were still suspended owing to Covid-19. After stumbling across a testimony from a participant on the Corpus Christi Watershed website, I was immediately intrigued. I made a promise to myself that as soon as Covid-19 relented enough to allow this event to take place, I would attend. In my heart, I knew how beautiful and awesome an experience it would be for me as a musician.

Spontaneous Tears: Even though I “knew” what I was in for, I was nevertheless overwhelmed by the ethereal and transcendent moments. (I was not prepared for the tears that spontaneously began streaming down my face during Vespers one evening.) As a recent convert to the Faith, the Symposium exposed the beauty of the Mass in a new light, and highlighted the importance of authentic church music.

My Father’s Death: The Symposium was a faith-deepening experience. My dad had passed away the previous week, and the Symposium brought me closer to God at a time when I needed it the most. It also united me with fellow Catholics through music and the sacred liturgy.

The Greatest Week: I would recommend this conference without hesitation. It was one of the greatest weeks of my life. I made friends and connections that will last a lifetime, and was moved to tears by the presence of the Holy Ghost among us in that beautiful church. I was inspired by the holy people surrounding me, both clergy and lay. I was blown away by the talent, brilliance, enthusiasm, and intellect of the presenters and directors. From them, I learned an immeasurable amount of information about chant and polyphony, as well as church history in relation to liturgical music.

What More Could One Ask? Truly, what more could one ask for out of a conference this side of heaven? Many thanks to Mr. Ostrowski, Mrs. Leal, the priests of Saint Vitus, and all the presenters and directors. It was truly the experience of a lifetime!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacred Music Symposium 2022 Last Updated: August 1, 2022

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President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

Recent Posts

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  • 2-Voice Arrangement for Lent

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