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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Little Office of the Immaculate Conception

Veronica Brandt · July 22, 2022

I came across the Little Office of the Immaculate Conception while researching Chasing the Little Office of the Blessed Virgin Mary. They have a lot in common. They’re both medieval developments – BVM being the older. They both serve as shorter, more manageable versions of the Divine Office. They both follow the Canonical Hours, though the Immaculate Conception misses Lauds, but that’s kinda part of Matins anyway.

The Little Office of the Blessed Virgin Mary is much like the Office for Saturdays of Our Lady from the Divine Office. It is not very much shorter, but it is simpler in that it changes much less from day to day.

However, the Little Office of the Immaculate Conception is drastically shorter. There are no Psalms. Each hour has a hymn, which may have made up one long hymn as they all share a similar meter. Being so simple, it seemed tantalisingly close to be able to sing this, but I couldn’t find a hymn meter to fit.

Turns out, the wonderful Brebeuf Hymnal contains 5 tunes for this hymn! They are all good settings, but none of them is a chant tune. Then I found two recordings of a sung Little Office of the Immaculate Conception on the internet with strikingly similar tunes. So I transcribed them. I go into more meandering details on my own blog, but you can get the highlights in this video:

So, now I had all the pieces. I settled on one tune and spent half an hour singing through the seven hours with my son. We were both pleasantly surprised by how quick the whole thing was. The collect is really the most tricky part, being a rather long prayer compared to other collects.

Many people approach the Divine Office with no idea of what to expect. They can be overwhelmed by the time it takes and the complexity of finding the right part for the day. In this age of mobile devices, we often turn to computer aided navigation, but these open up more possibilities for distraction. Maybe even in our modern world, there is a place for devotions like the Little Office of the Immaculate Conception which can be printed as a 12 page booklet.

Of course, the Rosary, the Divine Mercy Chaplet, the Angelus are all even simpler and accessible. And there are of saints who could spend a whole night in meditation on a single phrase of the Our Father. It is good to keep these in mind too. But if you are interested in discovering the Divine Office, this Little Office could be a gentle introduction.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 22, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

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  • Latin Liturgy Association
  • Important Quote by a Church Musician

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