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Views from the Choir Loft

The Little Office of the Immaculate Conception

Veronica Brandt · July 22, 2022

I came across the Little Office of the Immaculate Conception while researching Chasing the Little Office of the Blessed Virgin Mary. They have a lot in common. They’re both medieval developments – BVM being the older. They both serve as shorter, more manageable versions of the Divine Office. They both follow the Canonical Hours, though the Immaculate Conception misses Lauds, but that’s kinda part of Matins anyway.

The Little Office of the Blessed Virgin Mary is much like the Office for Saturdays of Our Lady from the Divine Office. It is not very much shorter, but it is simpler in that it changes much less from day to day.

However, the Little Office of the Immaculate Conception is drastically shorter. There are no Psalms. Each hour has a hymn, which may have made up one long hymn as they all share a similar meter. Being so simple, it seemed tantalisingly close to be able to sing this, but I couldn’t find a hymn meter to fit.

Turns out, the wonderful Brebeuf Hymnal contains 5 tunes for this hymn! They are all good settings, but none of them is a chant tune. Then I found two recordings of a sung Little Office of the Immaculate Conception on the internet with strikingly similar tunes. So I transcribed them. I go into more meandering details on my own blog, but you can get the highlights in this video:

So, now I had all the pieces. I settled on one tune and spent half an hour singing through the seven hours with my son. We were both pleasantly surprised by how quick the whole thing was. The collect is really the most tricky part, being a rather long prayer compared to other collects.

Many people approach the Divine Office with no idea of what to expect. They can be overwhelmed by the time it takes and the complexity of finding the right part for the day. In this age of mobile devices, we often turn to computer aided navigation, but these open up more possibilities for distraction. Maybe even in our modern world, there is a place for devotions like the Little Office of the Immaculate Conception which can be printed as a 12 page booklet.

Of course, the Rosary, the Divine Mercy Chaplet, the Angelus are all even simpler and accessible. And there are of saints who could spend a whole night in meditation on a single phrase of the Our Father. It is good to keep these in mind too. But if you are interested in discovering the Divine Office, this Little Office could be a gentle introduction.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 22, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It is clear the Church is facing a grave crisis. Under the name of “the new Church” and “the post-conciliar Church,” a different Church from that of Jesus Christ is now trying to establish itself: an anthropocentric society threatened with imminent apostasy which is allowing itself to be swept along in a movement of general abdication under the pretext of renewal, ecumenicism, or adaptation.

— Cardinal Henri de Lubac (29 August 1967)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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