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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Little Office of the Immaculate Conception

Veronica Brandt · July 22, 2022

I came across the Little Office of the Immaculate Conception while researching Chasing the Little Office of the Blessed Virgin Mary. They have a lot in common. They’re both medieval developments – BVM being the older. They both serve as shorter, more manageable versions of the Divine Office. They both follow the Canonical Hours, though the Immaculate Conception misses Lauds, but that’s kinda part of Matins anyway.

The Little Office of the Blessed Virgin Mary is much like the Office for Saturdays of Our Lady from the Divine Office. It is not very much shorter, but it is simpler in that it changes much less from day to day.

However, the Little Office of the Immaculate Conception is drastically shorter. There are no Psalms. Each hour has a hymn, which may have made up one long hymn as they all share a similar meter. Being so simple, it seemed tantalisingly close to be able to sing this, but I couldn’t find a hymn meter to fit.

Turns out, the wonderful Brebeuf Hymnal contains 5 tunes for this hymn! They are all good settings, but none of them is a chant tune. Then I found two recordings of a sung Little Office of the Immaculate Conception on the internet with strikingly similar tunes. So I transcribed them. I go into more meandering details on my own blog, but you can get the highlights in this video:

So, now I had all the pieces. I settled on one tune and spent half an hour singing through the seven hours with my son. We were both pleasantly surprised by how quick the whole thing was. The collect is really the most tricky part, being a rather long prayer compared to other collects.

Many people approach the Divine Office with no idea of what to expect. They can be overwhelmed by the time it takes and the complexity of finding the right part for the day. In this age of mobile devices, we often turn to computer aided navigation, but these open up more possibilities for distraction. Maybe even in our modern world, there is a place for devotions like the Little Office of the Immaculate Conception which can be printed as a 12 page booklet.

Of course, the Rosary, the Divine Mercy Chaplet, the Angelus are all even simpler and accessible. And there are of saints who could spend a whole night in meditation on a single phrase of the Our Father. It is good to keep these in mind too. But if you are interested in discovering the Divine Office, this Little Office could be a gentle introduction.

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: July 22, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Pope is not an absolute monarch whose thoughts and desires are law. On the contrary: the Pope’s ministry is a guarantee of obedience to Christ and to his Word. He must not proclaim his own ideas, but rather constantly bind himself and the Church to obedience to God’s Word, in the face of every attempt to adapt it or water it down, and every form of opportunism.”

— ‘His Holiness, Pope Benedict XVI (11 May 2005)’

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