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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Review • A Catholic Book of Hymns

Veronica Brandt · May 24, 2022

Noel Jones has published a rather solid hymnbook at a very competitive price. Drawing on the wealth of freely available public domain hymns, he has assembled a great collection in a compact paperback or hardback pew book with matching editions for choir and organist.

I don’t want to say that the price of the hymnal should be the chief determining factor. Buying the cheapest hymnal can be hazardous, as I’m sure many readers will agree. In my local parish, there is a misconception that the cheaper approved hymnals are more down to earth, practical and accessible. I say this is a misconception as the music contained in these little books is synthetic, mass manufactured imitation pop music which contributes to the absence of reverence for Jesus in the Blessed Sacrament. There are cheap hymnals which contain ideas like termites eating away at any residual Catholic devotion in the hearts of the faithful. However, A Catholic Book of Hymns sticks to tried and true, old hymns which are also clear of copyright restrictions.

But, on a practical level, price is a factor when choosing a hymnbook for your parish.

A Catholic
Book of Hymns
Adoremus
Hymnal
Gather
4th ed
Brebeuf
Hymnal
Pew Book$14.95$18.95$20$29.99
Choir Book$24.95$24.95$32$29.99
Organ Book$24.95$29.95$140$149.99

But even with this comparison, the amazing thing with A Catholic Book of Hymns is that you can buy the PDF and it is cleared for printing to your heart’s content. A $5 PDF could be all you need!

If, on the other hand, your parish prefers more durable, hardback pew books, these are also available ($18.95).

In most respects this is a fairly normal hymnbook. The hymns are arranged alphabetically. There are three indices in the pew book: by first lines, by tune name and by meter. The Choir Director’s edition adds three more indices: liturgical, topical and scriptural. If these were not enough, they have also reproduced the indices online for easy searching. The one index they lack is one by author, translator or composer.

A really interesting feature is the Simple Organ edition, which reduces the usual four parts down to three. Generally this is based on deleting the tenor line with some alterations. Repeated notes are often elided to simplify the rhythm. It has opened up many more tunes for me. Sometimes I have struggled with playing the full SATB tune, turned to the simplified three part version, then returned to the full version. Amazing things happen when you practise.

I’ve mentioned a few of the different editions here. The complete list as of writing this article is:

  • Pew paperback
  • Pew hardback
  • Organ edition
  • Simple organ edition
  • Choral edition
  • Organist and Choir Director
  • Chords (simple organ + chord names above the staff)
  • Prayer Book of Hymns without Music
  • Organ Preludes – Noel Jones’ arrangements

Browsing the Catholic Book of Hymns Webpage, you can find a few different sample PDF documents. Here is a link to the basic one:

** 61 page sample PDF


A couple of years ago Views from the Choir Loft ran a series on “Comparison” • 15 Traditional Catholic Hymnals which criticised some hymnbooks for preferring Protestant hymns and translators.

I’m reminded of certain people who give to the poor items they no longer have any use for: “Here’s something I don’t want, so you can have it.” Can’t we do better than ‘leftovers’ from Protestantism?

The article doesn’t say we should never use Protestant hymns, but rather that a Catholic hymnbook should somehow reorient the reader from the prevailing mindset towards one informed by the older patrimony of hymns from the golden age of Chant. The main drawback with this approach is that the history of English speaking countries has favored Protestants, so as English speaking people we are immersed in references to these famous Protestant hymns. And there are some great tunes there.

If the Adoremus 50 lists were to add in a column for A Catholic Book of Hymns, this is how it would look:

  • Alleluia! Sing to Jesus – Protestant
  • All Glory, Laud, and Honor – Catholic text, Protestant translation
  • All Hail the Power of Jesus’ Name – Protestant
  • All People That on Earth Do Dwell – Protestant
  • All You Who Seek a Comfort Sure – Catholic
  • Angels We Have Heard on High – Catholic
  • As With Gladness Men of Old – Protestant
  • At the Cross Her Station Keeping – Catholic
  • At the Lamb’s High Feast We Sing – Catholic
  • Away in a Manger – Protestant

So, A Catholic Book of Hymns would probably be classed as another Adoremus 50 hymnbook. I would argue that this is not necessarily a bad thing.

The Latin hymns are few and far between, but they are there, including:

  • Panis Angelicus
  • Tantum Ergo (2 tunes)
  • O Salutaris Hostia (2 tunes)
  • O Sanctissima

A parish might look into other books for Gregorian chant resources.

There are some unusual and very Catholic titles in the list:

  • Long live the Pope!
  • O Queen of the Holy Rosary
  • O Godhead Hid, Devoutly I Adore Thee (The Gerard Manley Hopkins translation “Godhead here in hiding” is not included)
  • Michael, Prince of Highest Heaven

Many much-loved Catholic authors are included: Fr Faber, Fr Caswall, Fr Ronald Knox, and Blessed Cardinal Newman.

Right now the current threats to Church music do not come from hymns like All People That On Earth Do Dwell but rather new music like Let Us Break Bread Together on Our Knees, and All Are Welcome. The more robust, triumphal hymns of Westminster Abbey would be a welcome change from the dribble in some hymnbooks.

Some hymnbooks take the liberty of “updating” the texts. This book, however, faithfully sticks to the earliest versions, including in the music.

Many parishes use financial strain as an excuse to invest in substandard music. Noel Jones’ book, especially the PDF availability, undercuts them all. There is no excuse now to fall back on cheap folk music. There’s even a chord edition for the guitarists and autochord keyboardists.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: May 31, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

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