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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Review • A Catholic Book of Hymns

Veronica Brandt · May 24, 2022

Noel Jones has published a rather solid hymnbook at a very competitive price. Drawing on the wealth of freely available public domain hymns, he has assembled a great collection in a compact paperback or hardback pew book with matching editions for choir and organist.

I don’t want to say that the price of the hymnal should be the chief determining factor. Buying the cheapest hymnal can be hazardous, as I’m sure many readers will agree. In my local parish, there is a misconception that the cheaper approved hymnals are more down to earth, practical and accessible. I say this is a misconception as the music contained in these little books is synthetic, mass manufactured imitation pop music which contributes to the absence of reverence for Jesus in the Blessed Sacrament. There are cheap hymnals which contain ideas like termites eating away at any residual Catholic devotion in the hearts of the faithful. However, A Catholic Book of Hymns sticks to tried and true, old hymns which are also clear of copyright restrictions.

But, on a practical level, price is a factor when choosing a hymnbook for your parish.

A Catholic
Book of Hymns
Adoremus
Hymnal
Gather
4th ed
Brebeuf
Hymnal
Pew Book$14.95$18.95$20$29.99
Choir Book$24.95$24.95$32$29.99
Organ Book$24.95$29.95$140$149.99

But even with this comparison, the amazing thing with A Catholic Book of Hymns is that you can buy the PDF and it is cleared for printing to your heart’s content. A $5 PDF could be all you need!

If, on the other hand, your parish prefers more durable, hardback pew books, these are also available ($18.95).

In most respects this is a fairly normal hymnbook. The hymns are arranged alphabetically. There are three indices in the pew book: by first lines, by tune name and by meter. The Choir Director’s edition adds three more indices: liturgical, topical and scriptural. If these were not enough, they have also reproduced the indices online for easy searching. The one index they lack is one by author, translator or composer.

A really interesting feature is the Simple Organ edition, which reduces the usual four parts down to three. Generally this is based on deleting the tenor line with some alterations. Repeated notes are often elided to simplify the rhythm. It has opened up many more tunes for me. Sometimes I have struggled with playing the full SATB tune, turned to the simplified three part version, then returned to the full version. Amazing things happen when you practise.

I’ve mentioned a few of the different editions here. The complete list as of writing this article is:

  • Pew paperback
  • Pew hardback
  • Organ edition
  • Simple organ edition
  • Choral edition
  • Organist and Choir Director
  • Chords (simple organ + chord names above the staff)
  • Prayer Book of Hymns without Music
  • Organ Preludes – Noel Jones’ arrangements

Browsing the Catholic Book of Hymns Webpage, you can find a few different sample PDF documents. Here is a link to the basic one:

** 61 page sample PDF


A couple of years ago Views from the Choir Loft ran a series on “Comparison” • 15 Traditional Catholic Hymnals which criticised some hymnbooks for preferring Protestant hymns and translators.

I’m reminded of certain people who give to the poor items they no longer have any use for: “Here’s something I don’t want, so you can have it.” Can’t we do better than ‘leftovers’ from Protestantism?

The article doesn’t say we should never use Protestant hymns, but rather that a Catholic hymnbook should somehow reorient the reader from the prevailing mindset towards one informed by the older patrimony of hymns from the golden age of Chant. The main drawback with this approach is that the history of English speaking countries has favored Protestants, so as English speaking people we are immersed in references to these famous Protestant hymns. And there are some great tunes there.

If the Adoremus 50 lists were to add in a column for A Catholic Book of Hymns, this is how it would look:

  • Alleluia! Sing to Jesus – Protestant
  • All Glory, Laud, and Honor – Catholic text, Protestant translation
  • All Hail the Power of Jesus’ Name – Protestant
  • All People That on Earth Do Dwell – Protestant
  • All You Who Seek a Comfort Sure – Catholic
  • Angels We Have Heard on High – Catholic
  • As With Gladness Men of Old – Protestant
  • At the Cross Her Station Keeping – Catholic
  • At the Lamb’s High Feast We Sing – Catholic
  • Away in a Manger – Protestant

So, A Catholic Book of Hymns would probably be classed as another Adoremus 50 hymnbook. I would argue that this is not necessarily a bad thing.

The Latin hymns are few and far between, but they are there, including:

  • Panis Angelicus
  • Tantum Ergo (2 tunes)
  • O Salutaris Hostia (2 tunes)
  • O Sanctissima

A parish might look into other books for Gregorian chant resources.

There are some unusual and very Catholic titles in the list:

  • Long live the Pope!
  • O Queen of the Holy Rosary
  • O Godhead Hid, Devoutly I Adore Thee (The Gerard Manley Hopkins translation “Godhead here in hiding” is not included)
  • Michael, Prince of Highest Heaven

Many much-loved Catholic authors are included: Fr Faber, Fr Caswall, Fr Ronald Knox, and Blessed Cardinal Newman.

Right now the current threats to Church music do not come from hymns like All People That On Earth Do Dwell but rather new music like Let Us Break Bread Together on Our Knees, and All Are Welcome. The more robust, triumphal hymns of Westminster Abbey would be a welcome change from the dribble in some hymnbooks.

Some hymnbooks take the liberty of “updating” the texts. This book, however, faithfully sticks to the earliest versions, including in the music.

Many parishes use financial strain as an excuse to invest in substandard music. Noel Jones’ book, especially the PDF availability, undercuts them all. There is no excuse now to fall back on cheap folk music. There’s even a chord edition for the guitarists and autochord keyboardists.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: May 31, 2022

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting in 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

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