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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

PDF Download • “Palm Sunday Hymn”

Jeff Ostrowski · April 10, 2022

During the procession on Palm Sunday, the 1962 rubrics allow alius cantus in honorem Christi Regis—“a hymn or song in honor of Christ the King.” A simple yet beautiful Gregorian hymn you might consider is Te Sæculorum Principem, which was composed for the feast of Christ the King by Father Vittorio Genovesi (d. 1967). The English translation is by Walter Hayward Francis Shewring (d. 1990).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Quick Thoughts Tagged With: Te Saeculorum Principem Last Updated: April 10, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion rail. It’s so difficult to play and keep checking the mirror. Your arrangement is absolutely genius. One can skip and choose which variations to use. The chord names are handy so that when my eyes are off the music, I always know where I am at. A thousand times thank you for sharing this arrangement!”

—Jeff Ostrowski
19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski

Random Quote

At papal Masses, the regulations against tardiness were more stringent than at Masses celebrated by cardinals or bishops. Giovanni Maria Nanino records that any singer who is not in his place—and in his vestments—by the end of the repetition of the “Introit” will be fined eight vinti. At papal Vespers, the singer who is not present at the “Gloria Patri” of the first psalm pays a fine of fifty balocchi.

— Giovanni M. Nanino (d. 1607), Papal “Maestro di Cappella”

Recent Posts

  • Review • A Catholic Book of Hymns
  • 23 May 2022 • FEEDBACK
  • PDF Download • “A Canon Choirs Love!”
  • On Mistakes (Part I of II)
  • 19 May 2022 • “Trochee Trouble”

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