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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Deaf Composer? A Deaf Conductor?

Jeff Ostrowski · November 1, 2021

INGS. We truly live like kings in the year 2021. For example, I can type on my iPhone and within a few minutes anything I desire will (quite literally) be dropped on my front porch—courtesy of DoorDash, Postmates, InstaCart, Amazon-Prime, or some other company. A recent study 1 showed that the poorest Americans today possess more wealth (and modern conveniences) than 90% of Americans who lived in the year 1906. On the other hand, Americans are “poverty-stricken” when it comes to friendships and human interactions. Because most Americans never have to leave their homes, we end up addicted to screens, severely overweight, and lacking in Vitamin D (which comes from sunshine).

Incapable Of Conversing: Because Americans have become addicted to screens, we no longer engage in deep conversations with others. This is why—in my humble opinion—everywhere you go the music is played too loud: in restaurants, at wedding receptions, at parties, and so on. One must shout across the table to be heard. Wherever I go, I carry special ear plugs in my wallet. When I encounter loud music, I protect my hearing with ear plugs (made of wax). Never forget that hearing loss is irreparable!

Personal Experience: When I’m sick with a cold, my hearing becomes clogged and I can’t hear properly—which is a choirmaster’s worst nightmare. Last week, I suffered from a cold. Therefore, I really can’t tell how the following live recording from Sunday actually sounds. Without any rehearsal, we attempted to add harmony at each refrain.

I really hope it sounds okay, but I can’t tell for sure until my ears get back to normal:

—
Rehearsal videos for each individual voice await you at #759.

The Saint Jean de Brébeuf Hymnal has the most spectacular collection of hymns to Christ the King. To learn about several, please click here.

No Radio; No Recordings; No Cars! Earlier, I spoke of how Americans 100 years ago had none of the luxuries we take for granted. I found myself pondering these realities while reading a fascinating diary written by the wife of Josef Hofmann (d. 1957). Mrs. Hofmann’s diary entries contain numerous anecdotes, such as Hofmann’s private interactions with legendary figures like Ignaz Paderewski, Harold Bauer, Mischa Elman, and Sergei Rachmaninoff. It is fascinating to read about the extreme hardships faced by Hofmann and his wife (in spite of their wealth and fame) as they traveled to extremely remote towns throughout Russia to give concerts in bitter cold temperatures. The hotels, the food, and the pianos were frequently atrocious. These were the days before modern conveniences: no cellphones, no cars, no television, no radio, and no World Wide Web! The people in these tiny rural towns would surround and besiege Josef Hofmann, showing their adulation for the world’s greatest pianist. My question is: How did they know how great he was? After all, phonograph recordings had not been invented yet. Were those “peasants” (for lack of a better word) so familiar with Chopin’s Ballades, Liszt’s Rhapsodies, and Schumann’s Symphonic Etudes that they could tell how superior Hofmann’s interpretations were?

Deaf Composers: Even someone as phenomenal as Hofmann began to deteriorate in old age. At the age of sixty, Hofmann was still a million times better than any other pianist—which the greatest pianists freely admit—but when he reached 65, a sharp decline was observable in his playing (especially his live performances on the Bell Telephone Hour). Hofmann’s decline is somewhat comparable to composers who lose their hearing. In the history of music, several very famous composers have gone deaf, such as Gabriel Fauré (d. 1924) and Ludwig van Beethoven (d. 1827). Losing one’s hearing must be a truly horrifying experience for a musician.


NOTES FROM THIS ARTICLE:

1   Of course, some people had great wealth back then. Conductor Leopold Stokowski (who, for the record, began his career as a choirmaster and organist) married an heiress named Gloria Vanderbilt, whose father had once given his son a monetary gift—and the amount of this “gift” was greater than all the money in the USA treasury! FDR was handicapped due to polio, but he didn’t like people to notice this. Therefore, whenever FDR visited a place, the Secret Service would arrive a few weeks in advance and build roads and bridges which allowed FDR to “walk” out of his car without having to go up and down steps. They would literally build a new road for Roosevelt’s 10-second walk—and these two examples demonstrate that wealthy people certainly existed back then!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Harold Bauer, Hymn for Christ the King, Ignaz Paderewski, Josef Hofmann Pianist Extraordinaire, Sergei Rachmaninoff Last Updated: December 30, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

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