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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Deaf Composer? A Deaf Conductor?

Jeff Ostrowski · November 1, 2021

INGS. We truly live like kings in the year 2021. For example, I can type on my iPhone and within a few minutes anything I desire will (quite literally) be dropped on my front porch—courtesy of DoorDash, Postmates, InstaCart, Amazon-Prime, or some other company. A recent study 1 showed that the poorest Americans today possess more wealth (and modern conveniences) than 90% of Americans who lived in the year 1906. On the other hand, Americans are “poverty-stricken” when it comes to friendships and human interactions. Because most Americans never have to leave their homes, we end up addicted to screens, severely overweight, and lacking in Vitamin D (which comes from sunshine).

Incapable Of Conversing: Because Americans have become addicted to screens, we no longer engage in deep conversations with others. This is why—in my humble opinion—everywhere you go the music is played too loud: in restaurants, at wedding receptions, at parties, and so on. One must shout across the table to be heard. Wherever I go, I carry special ear plugs in my wallet. When I encounter loud music, I protect my hearing with ear plugs (made of wax). Never forget that hearing loss is irreparable!

Personal Experience: When I’m sick with a cold, my hearing becomes clogged and I can’t hear properly—which is a choirmaster’s worst nightmare. Last week, I suffered from a cold. Therefore, I really can’t tell how the following live recording from Sunday actually sounds. Without any rehearsal, we attempted to add harmony at each refrain.

I really hope it sounds okay, but I can’t tell for sure until my ears get back to normal:

—
Rehearsal videos for each individual voice await you at #759.

The Saint Jean de Brébeuf Hymnal has the most spectacular collection of hymns to Christ the King. To learn about several, please click here.

No Radio; No Recordings; No Cars! Earlier, I spoke of how Americans 100 years ago had none of the luxuries we take for granted. I found myself pondering these realities while reading a fascinating diary written by the wife of Josef Hofmann (d. 1957). Mrs. Hofmann’s diary entries contain numerous anecdotes, such as Hofmann’s private interactions with legendary figures like Ignaz Paderewski, Harold Bauer, Mischa Elman, and Sergei Rachmaninoff. It is fascinating to read about the extreme hardships faced by Hofmann and his wife (in spite of their wealth and fame) as they traveled to extremely remote towns throughout Russia to give concerts in bitter cold temperatures. The hotels, the food, and the pianos were frequently atrocious. These were the days before modern conveniences: no cellphones, no cars, no television, no radio, and no World Wide Web! The people in these tiny rural towns would surround and besiege Josef Hofmann, showing their adulation for the world’s greatest pianist. My question is: How did they know how great he was? After all, phonograph recordings had not been invented yet. Were those “peasants” (for lack of a better word) so familiar with Chopin’s Ballades, Liszt’s Rhapsodies, and Schumann’s Symphonic Etudes that they could tell how superior Hofmann’s interpretations were?

Deaf Composers: Even someone as phenomenal as Hofmann began to deteriorate in old age. At the age of sixty, Hofmann was still a million times better than any other pianist—which the greatest pianists freely admit—but when he reached 65, a sharp decline was observable in his playing (especially his live performances on the Bell Telephone Hour). Hofmann’s decline is somewhat comparable to composers who lose their hearing. In the history of music, several very famous composers have gone deaf, such as Gabriel Fauré (d. 1924) and Ludwig van Beethoven (d. 1827). Losing one’s hearing must be a truly horrifying experience for a musician.


NOTES FROM THIS ARTICLE:

1   Of course, some people had great wealth back then. Conductor Leopold Stokowski (who, for the record, began his career as a choirmaster and organist) married an heiress named Gloria Vanderbilt, whose father had once given his son a monetary gift—and the amount of this “gift” was greater than all the money in the USA treasury! FDR was handicapped due to polio, but he didn’t like people to notice this. Therefore, whenever FDR visited a place, the Secret Service would arrive a few weeks in advance and build roads and bridges which allowed FDR to “walk” out of his car without having to go up and down steps. They would literally build a new road for Roosevelt’s 10-second walk—and these two examples demonstrate that wealthy people certainly existed back then!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Harold Bauer, Hymn for Christ the King, Ignaz Paderewski, Josef Hofmann Pianist Extraordinaire, Sergei Rachmaninoff Last Updated: December 30, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

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