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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Deaf Composer? A Deaf Conductor?

Jeff Ostrowski · November 1, 2021

INGS. We truly live like kings in the year 2021. For example, I can type on my iPhone and within a few minutes anything I desire will (quite literally) be dropped on my front porch—courtesy of DoorDash, Postmates, InstaCart, Amazon-Prime, or some other company. A recent study 1 showed that the poorest Americans today possess more wealth (and modern conveniences) than 90% of Americans who lived in the year 1906. On the other hand, Americans are “poverty-stricken” when it comes to friendships and human interactions. Because most Americans never have to leave their homes, we end up addicted to screens, severely overweight, and lacking in Vitamin D (which comes from sunshine).

Incapable Of Conversing: Because Americans have become addicted to screens, we no longer engage in deep conversations with others. This is why—in my humble opinion—everywhere you go the music is played too loud: in restaurants, at wedding receptions, at parties, and so on. One must shout across the table to be heard. Wherever I go, I carry special ear plugs in my wallet. When I encounter loud music, I protect my hearing with ear plugs (made of wax). Never forget that hearing loss is irreparable!

Personal Experience: When I’m sick with a cold, my hearing becomes clogged and I can’t hear properly—which is a choirmaster’s worst nightmare. Last week, I suffered from a cold. Therefore, I really can’t tell how the following live recording from Sunday actually sounds. Without any rehearsal, we attempted to add harmony at each refrain.

I really hope it sounds okay, but I can’t tell for sure until my ears get back to normal:

—
Rehearsal videos for each individual voice await you at #759.

The Saint Jean de Brébeuf Hymnal has the most spectacular collection of hymns to Christ the King. To learn about several, please click here.

No Radio; No Recordings; No Cars! Earlier, I spoke of how Americans 100 years ago had none of the luxuries we take for granted. I found myself pondering these realities while reading a fascinating diary written by the wife of Josef Hofmann (d. 1957). Mrs. Hofmann’s diary entries contain numerous anecdotes, such as Hofmann’s private interactions with legendary figures like Ignaz Paderewski, Harold Bauer, Mischa Elman, and Sergei Rachmaninoff. It is fascinating to read about the extreme hardships faced by Hofmann and his wife (in spite of their wealth and fame) as they traveled to extremely remote towns throughout Russia to give concerts in bitter cold temperatures. The hotels, the food, and the pianos were frequently atrocious. These were the days before modern conveniences: no cellphones, no cars, no television, no radio, and no World Wide Web! The people in these tiny rural towns would surround and besiege Josef Hofmann, showing their adulation for the world’s greatest pianist. My question is: How did they know how great he was? After all, phonograph recordings had not been invented yet. Were those “peasants” (for lack of a better word) so familiar with Chopin’s Ballades, Liszt’s Rhapsodies, and Schumann’s Symphonic Etudes that they could tell how superior Hofmann’s interpretations were?

Deaf Composers: Even someone as phenomenal as Hofmann began to deteriorate in old age. At the age of sixty, Hofmann was still a million times better than any other pianist—which the greatest pianists freely admit—but when he reached 65, a sharp decline was observable in his playing (especially his live performances on the Bell Telephone Hour). Hofmann’s decline is somewhat comparable to composers who lose their hearing. In the history of music, several very famous composers have gone deaf, such as Gabriel Fauré (d. 1924) and Ludwig van Beethoven (d. 1827). Losing one’s hearing must be a truly horrifying experience for a musician.


NOTES FROM THIS ARTICLE:

1   Of course, some people had great wealth back then. Conductor Leopold Stokowski (who, for the record, began his career as a choirmaster and organist) married an heiress named Gloria Vanderbilt, whose father had once given his son a monetary gift—and the amount of this “gift” was greater than all the money in the USA treasury! FDR was handicapped due to polio, but he didn’t like people to notice this. Therefore, whenever FDR visited a place, the Secret Service would arrive a few weeks in advance and build roads and bridges which allowed FDR to “walk” out of his car without having to go up and down steps. They would literally build a new road for Roosevelt’s 10-second walk—and these two examples demonstrate that wealthy people certainly existed back then!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Harold Bauer, Hymn for Christ the King, Ignaz Paderewski, Josef Hofmann Pianist Extraordinaire, Sergei Rachmaninoff Last Updated: December 30, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

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