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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Ordination and the Motu Proprio

Andrea Leal · July 24, 2021

HE MORNING OF JULY 16TH, 2021 dawned with a special feeling of excitement and anticipation for the faithful of Las Vegas. One of our own priests, Monsignor Gregory W. Gordon, was to be ordained as Auxiliary Bishop in just a few hours. My humble little Schola was to sing at the ordination as part of the larger festival choir under the skilled direction of William Freeman. We also had been blessed with the opportunity to sing some chant alone as a Schola – a high profile moment for us. We have long been accustomed to being tucked away unseen in the back of our parish church on Sundays, a perfectly comfortable place to be. But this particular morning we would be up on the altar singing for the Lord in the presence of about 20 bishops, archbishops, cardinals, and even the Papal Nuncio. It was a great honor to have been invited to sing.

As I did a quick scroll through the messages on my phone that morning, I found several concerned messages from our Traditional Latin Mass parishioners and quickly found out that this day was going to be pretty unforgettable for a few reasons. Although I found the Motu Proprio very surprising, I didn’t really have time to sit and ponder. There was somewhere important I had to be.

The ordination Mass went beautifully, and the overarching feeling of the entire Mass was one of absolute joy – it was palpable.  I sat there watching the bishops, archbishops, and cardinals lay their hands on this new Bishop, and I was struck by the absolute seriousness and weight of the Apostolic Succession. This was weighty business, indeed. That moment will stand out in my mind forever. I was so thankful that my 12 year old, Violet, was there up close as part of the choir so that she could witness first hand how serious the Apostolic Succession is.

As the dust began to settle in the days following the ordination, I’ve had some time to reflect on the strange juxtaposition of the Motu Proprio and the ordination. On the one hand, the Holy Father appeared to lock the Traditional Latin Mass down tight. But on the other hand, he had just appointed a new Bishop to Las Vegas – who is a great friend to Tradition.

You see, our new Bishop was, many years ago, my pastor. It was he who had formed the first chant choir I’d ever been in, which he had created to serve the Novus Ordo Latin Mass he celebrated every Sunday. Because of him, I learned to love the Mass in Latin. Because of him, I learned how to sing Gregorian chant. Because of him, our Schola exists today to serve the Traditional Latin Mass. Because of him, I have been able to train the next generation of singers to carry on the tradition of sacred music. And now, he is the Auxiliary Bishop of Las Vegas.

Although I would really like to explain to you why Bishop Gordon is so incredibly well-loved among the faithful, I am coming up short of finding the right words. If you have ever met someone who magnifies the light of Christ like a beacon, or who somehow never fails to spark joy in you even under the most common of circumstances, you might understand who Bishop Gordon is and why it matters so much that the Holy Father has elevated him to the role of Bishop. It does not matter what form of the Mass he celebrates, it matters that he is a faithful keeper of Tradition. It matters that his heart is open and generous to the spiritual needs of his sheep.

Whatever consequences flow from the Motu Proprio, rest assured that they will not happen in a vacuum.

The faithful are the living, breathing mystical body of Christ. The Holy Father is rightfully the head –  but the Bishops are the neck. And as we have already seen, there are more than a few Bishops around the world who have given their permission for the Traditional Latin Mass to continue. Thankfully, this has so far included the Diocese of Las Vegas under Bishop George Leo Thomas and Bishop Gordon. We have been treated with generosity and true charity.

If you’d like to track the responses of the Bishops around the world, you can do so at traditioniscustodes.info. You might be surprised to see that the majority of Dioceses that have been tracked are “green” – the local Bishop is allowing the TLM to continue. There is joy, and there is hope. Let’s cling to that. Deo Gratias!

Bishop Gordon 4
Bishop Gordon 3
Bishop Gordon 1
Bishop Gordon 2
Pope Bishop George Gregory Gordon2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio Last Updated: July 26, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

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