• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

The Ordination and the Motu Proprio

Andrea Leal · July 24, 2021

HE MORNING OF JULY 16TH, 2021 dawned with a special feeling of excitement and anticipation for the faithful of Las Vegas. One of our own priests, Monsignor Gregory W. Gordon, was to be ordained as Auxiliary Bishop in just a few hours. My humble little Schola was to sing at the ordination as part of the larger festival choir under the skilled direction of William Freeman. We also had been blessed with the opportunity to sing some chant alone as a Schola – a high profile moment for us. We have long been accustomed to being tucked away unseen in the back of our parish church on Sundays, a perfectly comfortable place to be. But this particular morning we would be up on the altar singing for the Lord in the presence of about 20 bishops, archbishops, cardinals, and even the Papal Nuncio. It was a great honor to have been invited to sing.

As I did a quick scroll through the messages on my phone that morning, I found several concerned messages from our Traditional Latin Mass parishioners and quickly found out that this day was going to be pretty unforgettable for a few reasons. Although I found the Motu Proprio very surprising, I didn’t really have time to sit and ponder. There was somewhere important I had to be.

The ordination Mass went beautifully, and the overarching feeling of the entire Mass was one of absolute joy – it was palpable.  I sat there watching the bishops, archbishops, and cardinals lay their hands on this new Bishop, and I was struck by the absolute seriousness and weight of the Apostolic Succession. This was weighty business, indeed. That moment will stand out in my mind forever. I was so thankful that my 12 year old, Violet, was there up close as part of the choir so that she could witness first hand how serious the Apostolic Succession is.

As the dust began to settle in the days following the ordination, I’ve had some time to reflect on the strange juxtaposition of the Motu Proprio and the ordination. On the one hand, the Holy Father appeared to lock the Traditional Latin Mass down tight. But on the other hand, he had just appointed a new Bishop to Las Vegas – who is a great friend to Tradition.

You see, our new Bishop was, many years ago, my pastor. It was he who had formed the first chant choir I’d ever been in, which he had created to serve the Novus Ordo Latin Mass he celebrated every Sunday. Because of him, I learned to love the Mass in Latin. Because of him, I learned how to sing Gregorian chant. Because of him, our Schola exists today to serve the Traditional Latin Mass. Because of him, I have been able to train the next generation of singers to carry on the tradition of sacred music. And now, he is the Auxiliary Bishop of Las Vegas.

Although I would really like to explain to you why Bishop Gordon is so incredibly well-loved among the faithful, I am coming up short of finding the right words. If you have ever met someone who magnifies the light of Christ like a beacon, or who somehow never fails to spark joy in you even under the most common of circumstances, you might understand who Bishop Gordon is and why it matters so much that the Holy Father has elevated him to the role of Bishop. It does not matter what form of the Mass he celebrates, it matters that he is a faithful keeper of Tradition. It matters that his heart is open and generous to the spiritual needs of his sheep.

Whatever consequences flow from the Motu Proprio, rest assured that they will not happen in a vacuum.

The faithful are the living, breathing mystical body of Christ. The Holy Father is rightfully the head –  but the Bishops are the neck. And as we have already seen, there are more than a few Bishops around the world who have given their permission for the Traditional Latin Mass to continue. Thankfully, this has so far included the Diocese of Las Vegas under Bishop George Leo Thomas and Bishop Gordon. We have been treated with generosity and true charity.

If you’d like to track the responses of the Bishops around the world, you can do so at traditioniscustodes.info. You might be surprised to see that the majority of Dioceses that have been tracked are “green” – the local Bishop is allowing the TLM to continue. There is joy, and there is hope. Let’s cling to that. Deo Gratias!

Bishop Gordon 4
Bishop Gordon 3
Bishop Gordon 1
Bishop Gordon 2
Pope Bishop George Gregory Gordon2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio Last Updated: July 26, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
  • Like! Like! Like!
  • Which Mass?

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.