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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Ordination and the Motu Proprio

Andrea Leal · July 24, 2021

HE MORNING OF JULY 16TH, 2021 dawned with a special feeling of excitement and anticipation for the faithful of Las Vegas. One of our own priests, Monsignor Gregory W. Gordon, was to be ordained as Auxiliary Bishop in just a few hours. My humble little Schola was to sing at the ordination as part of the larger festival choir under the skilled direction of William Freeman. We also had been blessed with the opportunity to sing some chant alone as a Schola – a high profile moment for us. We have long been accustomed to being tucked away unseen in the back of our parish church on Sundays, a perfectly comfortable place to be. But this particular morning we would be up on the altar singing for the Lord in the presence of about 20 bishops, archbishops, cardinals, and even the Papal Nuncio. It was a great honor to have been invited to sing.

As I did a quick scroll through the messages on my phone that morning, I found several concerned messages from our Traditional Latin Mass parishioners and quickly found out that this day was going to be pretty unforgettable for a few reasons. Although I found the Motu Proprio very surprising, I didn’t really have time to sit and ponder. There was somewhere important I had to be.

The ordination Mass went beautifully, and the overarching feeling of the entire Mass was one of absolute joy – it was palpable.  I sat there watching the bishops, archbishops, and cardinals lay their hands on this new Bishop, and I was struck by the absolute seriousness and weight of the Apostolic Succession. This was weighty business, indeed. That moment will stand out in my mind forever. I was so thankful that my 12 year old, Violet, was there up close as part of the choir so that she could witness first hand how serious the Apostolic Succession is.

As the dust began to settle in the days following the ordination, I’ve had some time to reflect on the strange juxtaposition of the Motu Proprio and the ordination. On the one hand, the Holy Father appeared to lock the Traditional Latin Mass down tight. But on the other hand, he had just appointed a new Bishop to Las Vegas – who is a great friend to Tradition.

You see, our new Bishop was, many years ago, my pastor. It was he who had formed the first chant choir I’d ever been in, which he had created to serve the Novus Ordo Latin Mass he celebrated every Sunday. Because of him, I learned to love the Mass in Latin. Because of him, I learned how to sing Gregorian chant. Because of him, our Schola exists today to serve the Traditional Latin Mass. Because of him, I have been able to train the next generation of singers to carry on the tradition of sacred music. And now, he is the Auxiliary Bishop of Las Vegas.

Although I would really like to explain to you why Bishop Gordon is so incredibly well-loved among the faithful, I am coming up short of finding the right words. If you have ever met someone who magnifies the light of Christ like a beacon, or who somehow never fails to spark joy in you even under the most common of circumstances, you might understand who Bishop Gordon is and why it matters so much that the Holy Father has elevated him to the role of Bishop. It does not matter what form of the Mass he celebrates, it matters that he is a faithful keeper of Tradition. It matters that his heart is open and generous to the spiritual needs of his sheep.

Whatever consequences flow from the Motu Proprio, rest assured that they will not happen in a vacuum.

The faithful are the living, breathing mystical body of Christ. The Holy Father is rightfully the head –  but the Bishops are the neck. And as we have already seen, there are more than a few Bishops around the world who have given their permission for the Traditional Latin Mass to continue. Thankfully, this has so far included the Diocese of Las Vegas under Bishop George Leo Thomas and Bishop Gordon. We have been treated with generosity and true charity.

If you’d like to track the responses of the Bishops around the world, you can do so at traditioniscustodes.info. You might be surprised to see that the majority of Dioceses that have been tracked are “green” – the local Bishop is allowing the TLM to continue. There is joy, and there is hope. Let’s cling to that. Deo Gratias!

Bishop Gordon 4
Bishop Gordon 3
Bishop Gordon 1
Bishop Gordon 2
Pope Bishop George Gregory Gordon2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio Last Updated: July 26, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Just before he left Letchworth, as he well knew to meet his death, he turned and bade good-bye to his little church, and silently kissed the altar-stone on which he had so frequently offered Mass.”

— From the life of Father Adrian Fortescue

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”

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