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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Ordination and the Motu Proprio

Andrea Leal · July 24, 2021

HE MORNING OF JULY 16TH, 2021 dawned with a special feeling of excitement and anticipation for the faithful of Las Vegas. One of our own priests, Monsignor Gregory W. Gordon, was to be ordained as Auxiliary Bishop in just a few hours. My humble little Schola was to sing at the ordination as part of the larger festival choir under the skilled direction of William Freeman. We also had been blessed with the opportunity to sing some chant alone as a Schola – a high profile moment for us. We have long been accustomed to being tucked away unseen in the back of our parish church on Sundays, a perfectly comfortable place to be. But this particular morning we would be up on the altar singing for the Lord in the presence of about 20 bishops, archbishops, cardinals, and even the Papal Nuncio. It was a great honor to have been invited to sing.

As I did a quick scroll through the messages on my phone that morning, I found several concerned messages from our Traditional Latin Mass parishioners and quickly found out that this day was going to be pretty unforgettable for a few reasons. Although I found the Motu Proprio very surprising, I didn’t really have time to sit and ponder. There was somewhere important I had to be.

The ordination Mass went beautifully, and the overarching feeling of the entire Mass was one of absolute joy – it was palpable.  I sat there watching the bishops, archbishops, and cardinals lay their hands on this new Bishop, and I was struck by the absolute seriousness and weight of the Apostolic Succession. This was weighty business, indeed. That moment will stand out in my mind forever. I was so thankful that my 12 year old, Violet, was there up close as part of the choir so that she could witness first hand how serious the Apostolic Succession is.

As the dust began to settle in the days following the ordination, I’ve had some time to reflect on the strange juxtaposition of the Motu Proprio and the ordination. On the one hand, the Holy Father appeared to lock the Traditional Latin Mass down tight. But on the other hand, he had just appointed a new Bishop to Las Vegas – who is a great friend to Tradition.

You see, our new Bishop was, many years ago, my pastor. It was he who had formed the first chant choir I’d ever been in, which he had created to serve the Novus Ordo Latin Mass he celebrated every Sunday. Because of him, I learned to love the Mass in Latin. Because of him, I learned how to sing Gregorian chant. Because of him, our Schola exists today to serve the Traditional Latin Mass. Because of him, I have been able to train the next generation of singers to carry on the tradition of sacred music. And now, he is the Auxiliary Bishop of Las Vegas.

Although I would really like to explain to you why Bishop Gordon is so incredibly well-loved among the faithful, I am coming up short of finding the right words. If you have ever met someone who magnifies the light of Christ like a beacon, or who somehow never fails to spark joy in you even under the most common of circumstances, you might understand who Bishop Gordon is and why it matters so much that the Holy Father has elevated him to the role of Bishop. It does not matter what form of the Mass he celebrates, it matters that he is a faithful keeper of Tradition. It matters that his heart is open and generous to the spiritual needs of his sheep.

Whatever consequences flow from the Motu Proprio, rest assured that they will not happen in a vacuum.

The faithful are the living, breathing mystical body of Christ. The Holy Father is rightfully the head –  but the Bishops are the neck. And as we have already seen, there are more than a few Bishops around the world who have given their permission for the Traditional Latin Mass to continue. Thankfully, this has so far included the Diocese of Las Vegas under Bishop George Leo Thomas and Bishop Gordon. We have been treated with generosity and true charity.

If you’d like to track the responses of the Bishops around the world, you can do so at traditioniscustodes.info. You might be surprised to see that the majority of Dioceses that have been tracked are “green” – the local Bishop is allowing the TLM to continue. There is joy, and there is hope. Let’s cling to that. Deo Gratias!

Bishop Gordon 4
Bishop Gordon 3
Bishop Gordon 1
Bishop Gordon 2
Pope Bishop George Gregory Gordon2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio Last Updated: July 26, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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