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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Ordination and the Motu Proprio

Andrea Leal · July 24, 2021

HE MORNING OF JULY 16TH, 2021 dawned with a special feeling of excitement and anticipation for the faithful of Las Vegas. One of our own priests, Monsignor Gregory W. Gordon, was to be ordained as Auxiliary Bishop in just a few hours. My humble little Schola was to sing at the ordination as part of the larger festival choir under the skilled direction of William Freeman. We also had been blessed with the opportunity to sing some chant alone as a Schola – a high profile moment for us. We have long been accustomed to being tucked away unseen in the back of our parish church on Sundays, a perfectly comfortable place to be. But this particular morning we would be up on the altar singing for the Lord in the presence of about 20 bishops, archbishops, cardinals, and even the Papal Nuncio. It was a great honor to have been invited to sing.

As I did a quick scroll through the messages on my phone that morning, I found several concerned messages from our Traditional Latin Mass parishioners and quickly found out that this day was going to be pretty unforgettable for a few reasons. Although I found the Motu Proprio very surprising, I didn’t really have time to sit and ponder. There was somewhere important I had to be.

The ordination Mass went beautifully, and the overarching feeling of the entire Mass was one of absolute joy – it was palpable.  I sat there watching the bishops, archbishops, and cardinals lay their hands on this new Bishop, and I was struck by the absolute seriousness and weight of the Apostolic Succession. This was weighty business, indeed. That moment will stand out in my mind forever. I was so thankful that my 12 year old, Violet, was there up close as part of the choir so that she could witness first hand how serious the Apostolic Succession is.

As the dust began to settle in the days following the ordination, I’ve had some time to reflect on the strange juxtaposition of the Motu Proprio and the ordination. On the one hand, the Holy Father appeared to lock the Traditional Latin Mass down tight. But on the other hand, he had just appointed a new Bishop to Las Vegas – who is a great friend to Tradition.

You see, our new Bishop was, many years ago, my pastor. It was he who had formed the first chant choir I’d ever been in, which he had created to serve the Novus Ordo Latin Mass he celebrated every Sunday. Because of him, I learned to love the Mass in Latin. Because of him, I learned how to sing Gregorian chant. Because of him, our Schola exists today to serve the Traditional Latin Mass. Because of him, I have been able to train the next generation of singers to carry on the tradition of sacred music. And now, he is the Auxiliary Bishop of Las Vegas.

Although I would really like to explain to you why Bishop Gordon is so incredibly well-loved among the faithful, I am coming up short of finding the right words. If you have ever met someone who magnifies the light of Christ like a beacon, or who somehow never fails to spark joy in you even under the most common of circumstances, you might understand who Bishop Gordon is and why it matters so much that the Holy Father has elevated him to the role of Bishop. It does not matter what form of the Mass he celebrates, it matters that he is a faithful keeper of Tradition. It matters that his heart is open and generous to the spiritual needs of his sheep.

Whatever consequences flow from the Motu Proprio, rest assured that they will not happen in a vacuum.

The faithful are the living, breathing mystical body of Christ. The Holy Father is rightfully the head –  but the Bishops are the neck. And as we have already seen, there are more than a few Bishops around the world who have given their permission for the Traditional Latin Mass to continue. Thankfully, this has so far included the Diocese of Las Vegas under Bishop George Leo Thomas and Bishop Gordon. We have been treated with generosity and true charity.

If you’d like to track the responses of the Bishops around the world, you can do so at traditioniscustodes.info. You might be surprised to see that the majority of Dioceses that have been tracked are “green” – the local Bishop is allowing the TLM to continue. There is joy, and there is hope. Let’s cling to that. Deo Gratias!

Bishop Gordon 4
Bishop Gordon 3
Bishop Gordon 1
Bishop Gordon 2
Pope Bishop George Gregory Gordon2
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditionis Custodes Motu Proprio Last Updated: July 26, 2021

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

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