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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • The “1965 Missal” (1,785 pages)

Jeff Ostrowski · July 19, 2021

N 16 JULY 2021, Pope Francis issued a truly perplexing motu proprio called Traditionis Custodes. In the very recent past, Pope Francis has issued documents supporting the traditional rites. For instance, consider the Vatican document issued on 22 february 2020. Traditionis Custodes took effect immediately, which is bizarre. Out of the whole world, Pope Francis picked Cardinal Sarah and asked him to “continue the good liturgical work begun by Pope Benedict XVI.” None of this makes sense—and once we’ve had time to process this letter, we’ll have more commentary.

Mysterious Choice Of Words: In the document, Pope Francis repeatedly references “the Missal antecedent to the reform of 1970.” According to Canon lawyers, laws which restrict “are to be interpreted strictly,” i.e., narrowly. According to the dictionary definition, the word “antecedent” means preceding in time or order:

The 1965 Missal: This perplexing document of Pope Francis, therefore, seems to be making reference to the 1965 Missale Romanum, which was “the Missal antecedent to the reform of 1970.” There might be ways to explain away his bizarre choice of words—and I have no doubt some will attempt to do precisely that. Corpus Christi Watershed scanned the complete 1965 MISSAL back in 2013:

*  PDF Download • 1965 MISSALE ROMANUM (1,785 pages)
Warning! This is a large file: 120MB

What does this mean? Do words matter? I suppose time will tell.

The 1965 Missal • What is it?

The 1965 Missal resembles the 1962 Missal and the 1970 Missal. But it’s identical to neither.

Differences between the 1965 and 1962 editions of the Missal:

(1) The 1965 allows the vernacular for all prayers except the Offertory; the 1962 does not allow the vernacular.

(2) The 1965 has various “Eucharistic Prayers”—added in June 1968, if memory serves—but the 1962 has only the ancient Roman Canon.

(3) Certain ceremonies in the 1965 differ from the 1962: the Nuptial Mass, the feast of the Purification, Ash Wednesday, and so forth.

(4) The 1965 contains certain Prefaces which the 1962 does not contain.

(5) Certain editions of the 1965 Missal allow concelebration, which the 1962 Missal only allows at Ordinations.

(6) The Prayer for the Jews on Good Friday was modified (yet again).

(7) Certain parts of the 1965 Missal can be sung aloud—if memory serves—which cannot be sung in the 1962, such as the Minor Elevation.

(8) Certain parts of the 1966 “Appendix” resemble in no way the 1962 Missal.

(9) The 1965 Missal requires a Subdeacon.

The 1965 Missal • Sample Pages

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: 1965 Missal, Pope Benedict XVI, Pope Francis, Traditionis Custodes Motu Proprio Last Updated: February 8, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ with regard to 1960s switch to vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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