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Views from the Choir Loft

Spanish Australian Setting of Salve Joseph

Veronica Brandt · April 30, 2021

For those keen to have a new hymn in Latin for this Year of Saint Joseph, here is the sheet music:

* *  Salve Joseph, one page, chorus + 4 two part verses

Salve Joseph, setting from Dom Esteban Moreno

For those of you who like long winded stories, here follows my search for this hymn.


One of our senior parishoners gave me a list of hymns to include in an upcoming hymnbook. An especial favorite was Salve Joseph, which she had as a short hymn with a Latin chorus and English verses. Searching for the English words on the internet yielded just one copy, in the Eucharistic Booklet for a Celebration of the Life of a Josephite sister from Melbourne:

https://www.sosj.org.au/in-loving-memory-of-sr-cathy-dean-20/

The Josephite version was all in English and credited simply “Traditional, Sisters of St Joseph”. The Sisters were founded by Australia’s one and only official Saint and have taught in many schools around the country and even spread to South America. You can probably get a sense of the current vibe of the order from that booklet. I wasn’t sure about contacting them.

The Latin, however, turned out to be part of a much longer hymn, seven stanzas of which appear in The Catholic Youth’s Hymn Book, 1871 and one more in this blog. The music, however, is different in the former and absent in the latter. The latter does however contain an English translation, which I searched for as well and turned up its appearance in a Canadian newspaper (maybe related to the presence of the Oratory of St Joseph there):

From the Canadian Register 1944

Another search for the Latin turned up a recording from an Australian choir – with the same tune that my parishioner remembered:

Schola Cantorum, St Patrick’s Cathedral, Albury, NSW

Contacting the Schola at St Patrick’s came to a dead end, but the notes for their recording credited Esteban Moreno.

But my initial searches for Esteban Moreno proved fruitless. This was because, in Australia, he was more usually known as Dom Stephen Moreno OSB. From Western Australia’s legendary Benedictine Monastery of New Norcia.

My searches stalled for a while, until I happened upon this amazing treasure in a box of Catholic booklets.

So, now I had a similar, but not identical version of the English, plus the music for the hymn.

More searching turned up much more music in the National Library of Australia. As Dom Moreno died in 1953, his music is out of copyright in Australia, unless it was first published after 1 January 1955 – which is hard to ascertain as sheet music from that time seldom carries a date.

Noted composer Dom Stephen Moreno has died in Marseilles. His death was announced yesterday by the Benedictine community, New Norcia. Dom Moreno, who left Fremantle on February 5, was on a holiday visit to Spain, Italy and other European countries. He had been in ill-health for some time before his departure. He died in the Hospital of St. Joseph, Marseilles, and will be buried at the Monastery of St. Benedict at En-Calcat.
Dom Moreno was born in Spain in 1890 and entered the Benedictine order in, 1904.
He was a prolific and internationally-known composer of church music and his works include 21 Masses, 182 Motets, 150 litanies, 84 Offertories and 52 Hymns. Many more of his compositions are still unpublished.
Dom Moreno’s brother Father Henry Moreno OSB, also died while on a visit to Spain some years ago.

Sunday Times, Perth 1953

And here is the result of my investigations, pairing the music from the Saint Benedict Hymnal with the Latin text:

* *  Salve Joseph, one page, chorus + 4 two part verses

New Norcia looks like a lovely place which I hope to visit one day. I also typed up another of Dom Moreno’s pieces, a setting of Adoro Te which splits into 3 parts half way through each verse. His style is very approachable and has a friendly, modern flavor. This could help fledgling choirs gain confidence with singing sacred music in Latin. I look forward to exploring more of his work in the future.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 30, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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