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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Spanish Australian Setting of Salve Joseph

Veronica Brandt · April 30, 2021

For those keen to have a new hymn in Latin for this Year of Saint Joseph, here is the sheet music:

* *  Salve Joseph, one page, chorus + 4 two part verses

Salve Joseph, setting from Dom Esteban Moreno

For those of you who like long winded stories, here follows my search for this hymn.


One of our senior parishoners gave me a list of hymns to include in an upcoming hymnbook. An especial favorite was Salve Joseph, which she had as a short hymn with a Latin chorus and English verses. Searching for the English words on the internet yielded just one copy, in the Eucharistic Booklet for a Celebration of the Life of a Josephite sister from Melbourne:

https://www.sosj.org.au/in-loving-memory-of-sr-cathy-dean-20/

The Josephite version was all in English and credited simply “Traditional, Sisters of St Joseph”. The Sisters were founded by Australia’s one and only official Saint and have taught in many schools around the country and even spread to South America. You can probably get a sense of the current vibe of the order from that booklet. I wasn’t sure about contacting them.

The Latin, however, turned out to be part of a much longer hymn, seven stanzas of which appear in The Catholic Youth’s Hymn Book, 1871 and one more in this blog. The music, however, is different in the former and absent in the latter. The latter does however contain an English translation, which I searched for as well and turned up its appearance in a Canadian newspaper (maybe related to the presence of the Oratory of St Joseph there):

From the Canadian Register 1944

Another search for the Latin turned up a recording from an Australian choir – with the same tune that my parishioner remembered:

Schola Cantorum, St Patrick’s Cathedral, Albury, NSW

Contacting the Schola at St Patrick’s came to a dead end, but the notes for their recording credited Esteban Moreno.

But my initial searches for Esteban Moreno proved fruitless. This was because, in Australia, he was more usually known as Dom Stephen Moreno OSB. From Western Australia’s legendary Benedictine Monastery of New Norcia.

My searches stalled for a while, until I happened upon this amazing treasure in a box of Catholic booklets.

So, now I had a similar, but not identical version of the English, plus the music for the hymn.

More searching turned up much more music in the National Library of Australia. As Dom Moreno died in 1953, his music is out of copyright in Australia, unless it was first published after 1 January 1955 – which is hard to ascertain as sheet music from that time seldom carries a date.

Noted composer Dom Stephen Moreno has died in Marseilles. His death was announced yesterday by the Benedictine community, New Norcia. Dom Moreno, who left Fremantle on February 5, was on a holiday visit to Spain, Italy and other European countries. He had been in ill-health for some time before his departure. He died in the Hospital of St. Joseph, Marseilles, and will be buried at the Monastery of St. Benedict at En-Calcat.
Dom Moreno was born in Spain in 1890 and entered the Benedictine order in, 1904.
He was a prolific and internationally-known composer of church music and his works include 21 Masses, 182 Motets, 150 litanies, 84 Offertories and 52 Hymns. Many more of his compositions are still unpublished.
Dom Moreno’s brother Father Henry Moreno OSB, also died while on a visit to Spain some years ago.

Sunday Times, Perth 1953

And here is the result of my investigations, pairing the music from the Saint Benedict Hymnal with the Latin text:

* *  Salve Joseph, one page, chorus + 4 two part verses

New Norcia looks like a lovely place which I hope to visit one day. I also typed up another of Dom Moreno’s pieces, a setting of Adoro Te which splits into 3 parts half way through each verse. His style is very approachable and has a friendly, modern flavor. This could help fledgling choirs gain confidence with singing sacred music in Latin. I look forward to exploring more of his work in the future.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 30, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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