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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Spanish Australian Setting of Salve Joseph

Veronica Brandt · April 30, 2021

For those keen to have a new hymn in Latin for this Year of Saint Joseph, here is the sheet music:

* *  Salve Joseph, one page, chorus + 4 two part verses

Salve Joseph, setting from Dom Esteban Moreno

For those of you who like long winded stories, here follows my search for this hymn.


One of our senior parishoners gave me a list of hymns to include in an upcoming hymnbook. An especial favorite was Salve Joseph, which she had as a short hymn with a Latin chorus and English verses. Searching for the English words on the internet yielded just one copy, in the Eucharistic Booklet for a Celebration of the Life of a Josephite sister from Melbourne:

https://www.sosj.org.au/in-loving-memory-of-sr-cathy-dean-20/

The Josephite version was all in English and credited simply “Traditional, Sisters of St Joseph”. The Sisters were founded by Australia’s one and only official Saint and have taught in many schools around the country and even spread to South America. You can probably get a sense of the current vibe of the order from that booklet. I wasn’t sure about contacting them.

The Latin, however, turned out to be part of a much longer hymn, seven stanzas of which appear in The Catholic Youth’s Hymn Book, 1871 and one more in this blog. The music, however, is different in the former and absent in the latter. The latter does however contain an English translation, which I searched for as well and turned up its appearance in a Canadian newspaper (maybe related to the presence of the Oratory of St Joseph there):

From the Canadian Register 1944

Another search for the Latin turned up a recording from an Australian choir – with the same tune that my parishioner remembered:

Schola Cantorum, St Patrick’s Cathedral, Albury, NSW

Contacting the Schola at St Patrick’s came to a dead end, but the notes for their recording credited Esteban Moreno.

But my initial searches for Esteban Moreno proved fruitless. This was because, in Australia, he was more usually known as Dom Stephen Moreno OSB. From Western Australia’s legendary Benedictine Monastery of New Norcia.

My searches stalled for a while, until I happened upon this amazing treasure in a box of Catholic booklets.

So, now I had a similar, but not identical version of the English, plus the music for the hymn.

More searching turned up much more music in the National Library of Australia. As Dom Moreno died in 1953, his music is out of copyright in Australia, unless it was first published after 1 January 1955 – which is hard to ascertain as sheet music from that time seldom carries a date.

Noted composer Dom Stephen Moreno has died in Marseilles. His death was announced yesterday by the Benedictine community, New Norcia. Dom Moreno, who left Fremantle on February 5, was on a holiday visit to Spain, Italy and other European countries. He had been in ill-health for some time before his departure. He died in the Hospital of St. Joseph, Marseilles, and will be buried at the Monastery of St. Benedict at En-Calcat.
Dom Moreno was born in Spain in 1890 and entered the Benedictine order in, 1904.
He was a prolific and internationally-known composer of church music and his works include 21 Masses, 182 Motets, 150 litanies, 84 Offertories and 52 Hymns. Many more of his compositions are still unpublished.
Dom Moreno’s brother Father Henry Moreno OSB, also died while on a visit to Spain some years ago.

Sunday Times, Perth 1953

And here is the result of my investigations, pairing the music from the Saint Benedict Hymnal with the Latin text:

* *  Salve Joseph, one page, chorus + 4 two part verses

New Norcia looks like a lovely place which I hope to visit one day. I also typed up another of Dom Moreno’s pieces, a setting of Adoro Te which splits into 3 parts half way through each verse. His style is very approachable and has a friendly, modern flavor. This could help fledgling choirs gain confidence with singing sacred music in Latin. I look forward to exploring more of his work in the future.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: April 30, 2021

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Worse, composers are now setting the introits of the missal [instead of the Graduale] to music, even to chant, though these texts were explicitly for spoken recitation only.”

— ‘Dr. William Mahrt (Fall, 2015)’

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