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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Homeschooling & Consecration To Saint Joseph

Veronica Moreno · March 17, 2021

EFORE 2020 ENDED, I used a “saint name generator” website to randomly select a saint for me to learn about and ask to intercede for me in the coming year. In full disclosure, I had done this a few years prior but never took it upon myself to do the research of the saint chosen. Needless to say, this time I was determined to follow through. To my surprise, and pleasure, Saint Joseph was the wonderful saint chosen for me. I quickly realized this was no coincidence. Pope Francis had just proclaimed the coming liturgical year to be dedicated to Saint Joseph. Also, I had lately become fascinated with Saint Joseph’s title “Terror of Demons,” (especially after living through 2020), and his ‘quiet’ life was something I longed to live! So I embarked on finding books about him that I could read throughout the year and also decided to complete the Consecration to Saint Joseph. I knew our Lord wanted me to learn more about his earthly Father!

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These past few years have been tumultuous and left many of us with more questions than answers, especially when it comes to the future of our Church and how to counteract those who brazenly attack Her, both physically and spiritually. As a mother of five children, who wishes for nothing more than to shape, guide, protect, and lead my children to their eternal home, how can I not call upon St Joseph—the Zealous Defender of Christ, the Head of the Holy Family, Most Prudent, Most Courageous, Mirror of Patience, Lover of Poverty, Model of Workmen, Glory of Domestic Life, Pillar of Families, Terror of Demons, Protector of the Holy Church—to shape me, guide me, protect me, and lead me, as my spiritual father, to his Son?

Throughout this consecration, I’ve come to meet Saint Joseph much more intimately and to know some ways that I myself can emulate many of his virtues. The life I lead is not glamorous—nor do I feel like I am making a ‘big difference’ most days, as I sweep the floors incessantly, correct my daughter’s dictation, change diapers, sing folk songs, and make peanut butter and jelly sandwiches. It is an ordinary life. It is a life in the shadows. It is an ordinary, humble life. It is a life of silent service.

But how could I ever want more?! It is a life filled with the gift of FIVE souls entrusted to me, just as our Lord, Jesus Christ, was entrusted to Saint Joseph. It is in the quiet recesses of my domestic monastery that I unite myself with Saint Joseph – he who labored without accolades, who taught his son all he knew, who searched for him when he was lost, who molded his character, who simply loved and trusted in God’s will.

Litany to Saint Joseph

“Devotion to Saint Joseph is one of the choicest graces that God can give to a soul, for it is tantamount to revealing the entire treasury of our Lord’s graces. When God wishes to raise a soul to greater heights, he unites it to Saint Joseph by giving it a strong love for the good saint.”—Saint Peter Julian Eymard

March is dedicated to Saint Joseph, thus we’ve been praying the Litany of Saint Joseph daily. It’s a beautiful litany to add to your daily routine and the children enjoy taking turns ‘leading’ it. BONUS: during this Year of Saint Joseph, the litany carries a plenary indulgence if prayed in accordance with the usual conditions of an indulgence—sacramental confession, reception of Holy Communion, prayer for the intentions of the Pope, and a total detachment to all sin, including venial sin.

We feast on a Feast!

The feast of Saint Joseph is especially important to our family because its the ‘name day’ of my husband and oldest son! To prepare for the Feast, which is a wonderful celebration given to us during Lent, we’ve been learning “Te Joseph Celebrent.” Its a beautiful hymn sung during Vespers on March 19 and again on May 1 (Feast of Saint Joseph the Worker). You can download the score from the Liber Hymnarius (Solesmes Abbey, 1983). My colleague, Jeff Ostrowski, has also posted the more common version, which is identical except for a few horizontal episemata. It doesn’t matter which version you choose, as long it’s sung well. The children took a bit longer than usual to learn this melody, but we dissected it, line by line, and now they’ve grasped it!

Here’s is a short recording of the first verse, sung by myself and my two oldest:

Te, Ioseph, celebrent agmina caelitum,
te cuncti resonent Christiadum chori,
qui, clarus meritis, iunctus es inclitae,
casto foedere Virgini.

May the heavenly hosts praise thee;
may all Christian choirs sing to thee, O Joseph;
thou, who renowned for merits wast
united in chaste wedlock with the august Virgin.

Almo cum tumidam germine coniugem
admirans dubio tangeris anxius,
afflatu superi Flaminis, Angelus
conceptum puerum docet.

Astonished at seeing that thy spouse
is about to become a mother,
thou art sorely afflicted with doubt;
an Angel teaches thee that
the conception of this Child
is by the action of the Holy Ghost.

“Saint Joseph is always the choir director who intones the songs, but he sometimes allows a few sour notes.”—Saint Joseph Marello

I love this quote because it demonstrates that while we must do our best at our vocation, perfection is not necessary. What is needed is a heart willing to work, a heart willing to love, a heart willing to risk a few sour notes. As wild as this past year has been, we must not lose hope! May we let Saint Joseph, our spiritual father, guide us just as the child Jesus let himself be guided by this humble carpenter. Ad Jesum per Joseph!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Te Joseph Celebrent Last Updated: March 18, 2021

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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President’s Corner

    PDF Comparison Chart • “Serious Problems with the Lectionary Translation”
    EARS BEFORE truly revolutionary changes were introduced by the post-conciliar reformers, Evelyn Waugh wrote (on 16 August 1964) to John Cardinal Heenan: “I think that a vociferous minority has imposed itself on the hierarchy and made them believe that a popular demand existed where there was in fact not even a preference.” We ask the kind reader— indeed, we beg you—to realize that those of us born in the 1940s and 1950s had no cognizance of Roman activities during the 1960s and 1970s. We were concerned with making sure we had the day’s bus fare, graduating from high school, taking care of our siblings, learning a trade, getting a job, courting a spouse. We questioned neither the nuns nor the Church.1 Do not believe for one instant any of us were following the liturgical machinations of Cardinal Lercaro or Father Bugnini in real time. Setting The Stage • To never question or resist Church authorities is praiseworthy. On the other hand, when a scandalous situation persists for decades, it must be brought into focus. Our series will do precisely that as we discuss the Lectionary Scandal from a variety of angles. We don’t do this to attack the Catholic Church. Our goal is bringing to light what’s been going on, so it can be fixed once and for all. Our subject is extremely knotty and difficult to navigate. Its complexity helps explain why the situation has persisted for such a long time.2 But if we immediately get “into the weeds” we’ll lose our audience. Therefore, it seems better to jump right in. So today, we’ll explore the legality of selling these texts. A Word On Copyright • Suppose Susie modifies a paragraph by Edgar Allan Poe. That doesn’t mean ipso facto she can assert copyright on it. If Susie takes a picture of a Corvette and uses Photoshop to color the tires blue, that doesn’t mean she henceforth “owns” all Corvettes in America. But when it comes to Responsorial Psalm translations, certain parties have been asserting copyright over them, selling them for a profit, and bullying publishers vis-à-vis hymnals and missals. Increasingly, Catholics are asking whether these translations are truly under copyright—because they are identical (or substantially identical) to other translations.3 Example After Example • Our series will provide copious examples supporting our claims. Sometimes we’ll rely on the readership for assistance, because—as we’ve stressed—our subject’s history couldn’t be more convoluted. There are countless manuscripts (in Greek, Hebrew, and Latin) we don’t have access to, so it would be foolish for us to claim that our observations are somehow the ‘final word’ on anything. Nevertheless, we demand accountability. Catholics in the pews are the ones who paid for all this. We demand to know who specifically made these decisions (which impact every English-speaking Catholic) and why specifically certain decisions were made. The Responsorial Psalms used in America are—broadly speaking—stolen from the hard work of others. In particular, they borrowed heavily from Father Cuthbert Lattey’s 1939 PSALTER TRANSLATION:
    *  PDF Download • COMPARISON CHART —We thank the CCW staff for technical assistance with this graph.
    Analysis • Although certain parties have been selling (!!!) that translation for decades, the chart demonstrates it’s not a candidate for copyright since it “borrows” or “steals” or “rearranges” so much material from other translations, especially the 1939 translation by Father Cuthbert Lattey. What this means in layman’s terms is that individuals have been selling a translation under false pretenses, a translation they don’t own (although they claim to). To make RESTITUTION, all that money will have to be returned. A few years ago, the head of ICEL gave a public speech in which he said they give some of “their” profits to the poor. While almsgiving is a good thing, it cannot justify theft. Our Constant Theme • Our series will be held together by one thread, which will be repeated constantly: “Who was responsible?” Since 1970, the conduct of those who made a profit by selling these sacred texts has been repugnant. Favoritism was shown toward certain entities—and we will document that with written proof. It is absolutely essential going forward that the faithful be told who is making these decisions. Moreover, vague justifications can no longer be accepted. If we’re told they are “making the translations better,” we must demand to know what specifically they’re doing and what specific criteria they’re following. Stay Tuned • If you’re wondering whether we’ll address the forthcoming (allegedly) Lectionary and the so-called ABBEY PSALMS AND CANTICLES, have no fear. We’ll have much to say about both. Please stay tuned. We believe this will end up being the longest series of articles ever submitted to Corpus Christi Watershed. To be continued. ROBERT O’NEILL Former associate of Monsignor Francis “Frank” P. Schmitt at Boys Town in Nebraska JAMES ARNOLD Formerly associated w/ King’s College, Cambridge A convert to the Catholic Church, and distant relative of J. H. Arnold MARIA B. Currently serves as a musician in the Roman Catholic Diocese of Charlotte. Those aware of the situation in her diocese won’t be surprised she chose to withhold her last name.
    1 Even if we’d been able to obtain Roman journals such as NOTITIAE, none of them contained English translations. But such an idea would never have occurred to a high school student or a college student growing up in the 1960s. 2 A number of shell corporations claim to own the various biblical translations mandated for Roman Catholics. They’ve made millions of dollars selling (!) these indulgenced texts. If time permits, we hope to enumerate these various shell corporations and explain: which texts they claim to own; how much they bring in each year; who runs them; and so forth. It would also be good to explore the morality of selling these indulgenced texts for a profit. Furthermore, for the last fifty years these organizations have employed several tactics to manipulate and bully others. If time permits, we will expose those tactics (including written examples). Some of us—who have been working on this problem for three decades—have amassed written documentation we’ll be sharing that demonstrates behavior at best “shady” and at worst criminal. 3 Again, we are not yet examining the morality of selling (!) indulgenced texts to Catholics mandated to use those same translations.
    —Guest Author
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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