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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Notation for New EF Prefaces

Fr. David Friel · February 7, 2021

NE of the most commonly cited ways in which the Ordinary Form can “mutually enrich” the Extraordinary Form is through its wealth of prefaces. It was quite natural, therefore, when the Congregation for the Doctrine of the Faith (CDF) published the decree Quo magis almost a year ago, on 25 March 2020, permitting the (optional) use of seven additional prefaces in the Extraordinary Form.

Vere dignum (Sacramentarium Nonantolanum, BnF MS Lat 2292 f7v)

Four of the “new” prefaces are taken from the Ordinary Form, with adaptations to their concluding “eschatols,” so as to make them conform to the pattern of other prefaces in the Missale Romanum 1962. These include the prefaces of the Angels, of John the Baptist, of Martyrs, and of the nuptial Mass.

The other three “new” prefaces already enjoyed regional approval for use in the Extraordinary Form, which has now been extended universally. These are the prefaces of All Saints and Patron Saints, of the Blessed Sacrament, and of the Dedication of a Church.

Along with its decree, the CDF also published the texts of these seven prefaces. No version with musical notation, however, was given, making it practically difficult for many priests to use these prefaces at sung Masses.

This lacuna has largely been remedied through the good work of GregoBase, an excellent online chant resource that provides notated versions of 6 of these 7 “new” prefaces. In order to assist priests in singing these texts, I am providing direct links here to each of the notated prefaces. Also included here are links to a very worthwhile series of articles at New Liturgical Movement, which explains more about the history of each preface.

De Angelis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 1

De Sancto Ioanne Baptista
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 2

De Martyribus
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 3

De Nuptiis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 4

De Omnibus Sanctis et Ss. Patronis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 6

De Dedicatione Ecclesiae
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 7

The only one of these prefaces not yet included on GregoBase is the preface De Ss. Sacramento, used on the feast of Corpus Christi and in votive Masses of Our Lord Jesus Christ, the Eternal High Priest. This preface already appears, however, in many editions of the 1962 missal, both in plain text and with notation. For the NLM article on this preface, see Part 5.

In a plethora of manuscripts, the opening words of the “embolisms” of the prefaces (Vere dignum et iustum est) are indicated by an elaborate monogram. Two such illuminations are pictured in this article. For a fascinating explanation of this monogram, see Jeff Ostrowski’s article.

The prefaces of the Roman Rite are a tremendously rich theological source. May these resources help the Church to sing ever more ardently the thanksgiving owed to Almighty God!

Vere dignum (Sakramentar aus Metz, fol. 6r)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: chant, Extraordinary Form 1962 Missal, Gregorian Chant, Mutual Enrichment Last Updated: February 7, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We have baptized about 240 this year … All the labors of a million persons—would they not be worthwhile if they gained one single soul for Jesus Christ?”

— Father Isaac Jogues, writing to his mother

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  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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