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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Musical Notation for New EF Prefaces

Fr. David Friel · February 7, 2021

NE of the most commonly cited ways in which the Ordinary Form can “mutually enrich” the Extraordinary Form is through its wealth of prefaces. It was quite natural, therefore, when the Congregation for the Doctrine of the Faith (CDF) published the decree Quo magis almost a year ago, on 25 March 2020, permitting the (optional) use of seven additional prefaces in the Extraordinary Form.

Vere dignum (Sacramentarium Nonantolanum, BnF MS Lat 2292 f7v)

Four of the “new” prefaces are taken from the Ordinary Form, with adaptations to their concluding “eschatols,” so as to make them conform to the pattern of other prefaces in the Missale Romanum 1962. These include the prefaces of the Angels, of John the Baptist, of Martyrs, and of the nuptial Mass.

The other three “new” prefaces already enjoyed regional approval for use in the Extraordinary Form, which has now been extended universally. These are the prefaces of All Saints and Patron Saints, of the Blessed Sacrament, and of the Dedication of a Church.

Along with its decree, the CDF also published the texts of these seven prefaces. No version with musical notation, however, was given, making it practically difficult for many priests to use these prefaces at sung Masses.

This lacuna has largely been remedied through the good work of GregoBase, an excellent online chant resource that provides notated versions of 6 of these 7 “new” prefaces. In order to assist priests in singing these texts, I am providing direct links here to each of the notated prefaces. Also included here are links to a very worthwhile series of articles at New Liturgical Movement, which explains more about the history of each preface.

De Angelis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 1

De Sancto Ioanne Baptista
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 2

De Martyribus
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 3

De Nuptiis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 4

De Omnibus Sanctis et Ss. Patronis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 6

De Dedicatione Ecclesiae
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 7

The only one of these prefaces not yet included on GregoBase is the preface De Ss. Sacramento, used on the feast of Corpus Christi and in votive Masses of Our Lord Jesus Christ, the Eternal High Priest. This preface already appears, however, in many editions of the 1962 missal, both in plain text and with notation. For the NLM article on this preface, see Part 5.

In a plethora of manuscripts, the opening words of the “embolisms” of the prefaces (Vere dignum et iustum est) are indicated by an elaborate monogram. Two such illuminations are pictured in this article. For a fascinating explanation of this monogram, see Jeff Ostrowski’s article.

The prefaces of the Roman Rite are a tremendously rich theological source. May these resources help the Church to sing ever more ardently the thanksgiving owed to Almighty God!

Vere dignum (Sakramentar aus Metz, fol. 6r)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: chant, Extraordinary Form 1962 Missal, Gregorian Chant, Mutual Enrichment Last Updated: February 7, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

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