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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Notation for New EF Prefaces

Fr. David Friel · February 7, 2021

NE of the most commonly cited ways in which the Ordinary Form can “mutually enrich” the Extraordinary Form is through its wealth of prefaces. It was quite natural, therefore, when the Congregation for the Doctrine of the Faith (CDF) published the decree Quo magis almost a year ago, on 25 March 2020, permitting the (optional) use of seven additional prefaces in the Extraordinary Form.

Vere dignum (Sacramentarium Nonantolanum, BnF MS Lat 2292 f7v)

Four of the “new” prefaces are taken from the Ordinary Form, with adaptations to their concluding “eschatols,” so as to make them conform to the pattern of other prefaces in the Missale Romanum 1962. These include the prefaces of the Angels, of John the Baptist, of Martyrs, and of the nuptial Mass.

The other three “new” prefaces already enjoyed regional approval for use in the Extraordinary Form, which has now been extended universally. These are the prefaces of All Saints and Patron Saints, of the Blessed Sacrament, and of the Dedication of a Church.

Along with its decree, the CDF also published the texts of these seven prefaces. No version with musical notation, however, was given, making it practically difficult for many priests to use these prefaces at sung Masses.

This lacuna has largely been remedied through the good work of GregoBase, an excellent online chant resource that provides notated versions of 6 of these 7 “new” prefaces. In order to assist priests in singing these texts, I am providing direct links here to each of the notated prefaces. Also included here are links to a very worthwhile series of articles at New Liturgical Movement, which explains more about the history of each preface.

De Angelis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 1

De Sancto Ioanne Baptista
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 2

De Martyribus
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 3

De Nuptiis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 4

De Omnibus Sanctis et Ss. Patronis
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 6

De Dedicatione Ecclesiae
Praefatio ferialis | Praefatio solemnis | Praefatio solemnior
NLM article, Part 7

The only one of these prefaces not yet included on GregoBase is the preface De Ss. Sacramento, used on the feast of Corpus Christi and in votive Masses of Our Lord Jesus Christ, the Eternal High Priest. This preface already appears, however, in many editions of the 1962 missal, both in plain text and with notation. For the NLM article on this preface, see Part 5.

In a plethora of manuscripts, the opening words of the “embolisms” of the prefaces (Vere dignum et iustum est) are indicated by an elaborate monogram. Two such illuminations are pictured in this article. For a fascinating explanation of this monogram, see Jeff Ostrowski’s article.

The prefaces of the Roman Rite are a tremendously rich theological source. May these resources help the Church to sing ever more ardently the thanksgiving owed to Almighty God!

Vere dignum (Sakramentar aus Metz, fol. 6r)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: chant, Extraordinary Form 1962 Missal, Gregorian Chant, Mutual Enrichment Last Updated: February 7, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

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