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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Book Title • “English As She Is Spoke”

Jeff Ostrowski · December 2, 2020

The following is an excerpt from “Trials Of A Translator” (1949). This little excerpt demonstrates not only Monsignor Ronald A. Knox’s tremendous grasp of languages, but also shows he was quite humorous!

O MUCH FOR sentences; and now, what of phrases? It stands to reason that no two languages have exactly the same idiom; that the English for “Comment vous portez-vous?” is not “How do you carry yourself?” If anybody has come across that extremely rare book, English as she is Spoke, he will know what I mean. The book was a phrase-book compiled by a Portuguese author for the benefit of English travelers in Portugal. And you do not need much critical insight to detect the fact that this well-meaning gentleman knew no English at all. He knew French; so he translated his sentences into French and then did them into English with a dictionary. Consequently, when he wanted to render a Portuguese idiom which meant, “to wait about, to kick one’s heels,” he could do all right for the first part of his process; he knew that the corresponding idiom in French was “croquer le marmot”—I have no notion why. The English, therefore, for kicking one’s heels was “to crunch the marmoset.”

It is an extremely entertaining book; but, if you come to think of it, practically every translation of the Bible you have ever read makes errors which are quite as ludicrous—only we are accustomed to them. Douay was consistent; it translated the Latin word for word, and if you protested that its version sounded rather odd, replied woodenly, “Well, that’s what it says.” In the eleventh psalm, for instance, you get the words “deceitful lips, they have spoken in heart and heart.” Even Challoner saw that that would not do, so he pillaged from the Authorized Version and gave us “with a double heart have they spoken.” I don’t see what a double heart could be except an abnormal anatomical condition, or an obscure kind of convention at bridge; but anyhow it sounds a little more like English. But when the Latin had “renew a right spirit within my bowels,” that was what Challoner put; and when the Latin had “Examine, O Lord, my kidneys,” Challoner put that down, too; only he changed kidneys to the obsolete word “reins,” hoping that his readers would not look it up in the dictionary.

We are sensible of these Hebraisms, and most of us would like to see the last of them. But there are hundreds and hundreds of other Hebraisms which we do not notice, because we have allowed ourselves to grow accustomed to them. We should have thought it odd if we had read in The Times: “General Montgomery’s right hand has smitten Rommel in the hinder parts.” But if we get that sort of thing in the Bible, we take it—unlike Rommel—sitting down. “Mr. Churchill then opened his mouth and spoke”—is that English? No, it is Hebrew idiom clothed in English words.

SOURCE: “Trials Of A Translator” (1949)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Monsignor Ronald Knox Traditional Mass Last Updated: April 12, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

«In the same quarter where he was crucified there was a garden.» (John 19:41) — The word “garden” hinted at Eden and the fall of man, as it also suggested through its flowers in the springtime the Resurrection from the dead.

— Fulton J. Sheen

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