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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Book Title • “English As She Is Spoke”

Jeff Ostrowski · December 2, 2020

The following is an excerpt from “Trials Of A Translator” (1949). This little excerpt demonstrates not only Monsignor Ronald A. Knox’s tremendous grasp of languages, but also shows he was quite humorous!

O MUCH FOR sentences; and now, what of phrases? It stands to reason that no two languages have exactly the same idiom; that the English for “Comment vous portez-vous?” is not “How do you carry yourself?” If anybody has come across that extremely rare book, English as she is Spoke, he will know what I mean. The book was a phrase-book compiled by a Portuguese author for the benefit of English travelers in Portugal. And you do not need much critical insight to detect the fact that this well-meaning gentleman knew no English at all. He knew French; so he translated his sentences into French and then did them into English with a dictionary. Consequently, when he wanted to render a Portuguese idiom which meant, “to wait about, to kick one’s heels,” he could do all right for the first part of his process; he knew that the corresponding idiom in French was “croquer le marmot”—I have no notion why. The English, therefore, for kicking one’s heels was “to crunch the marmoset.”

It is an extremely entertaining book; but, if you come to think of it, practically every translation of the Bible you have ever read makes errors which are quite as ludicrous—only we are accustomed to them. Douay was consistent; it translated the Latin word for word, and if you protested that its version sounded rather odd, replied woodenly, “Well, that’s what it says.” In the eleventh psalm, for instance, you get the words “deceitful lips, they have spoken in heart and heart.” Even Challoner saw that that would not do, so he pillaged from the Authorized Version and gave us “with a double heart have they spoken.” I don’t see what a double heart could be except an abnormal anatomical condition, or an obscure kind of convention at bridge; but anyhow it sounds a little more like English. But when the Latin had “renew a right spirit within my bowels,” that was what Challoner put; and when the Latin had “Examine, O Lord, my kidneys,” Challoner put that down, too; only he changed kidneys to the obsolete word “reins,” hoping that his readers would not look it up in the dictionary.

We are sensible of these Hebraisms, and most of us would like to see the last of them. But there are hundreds and hundreds of other Hebraisms which we do not notice, because we have allowed ourselves to grow accustomed to them. We should have thought it odd if we had read in The Times: “General Montgomery’s right hand has smitten Rommel in the hinder parts.” But if we get that sort of thing in the Bible, we take it—unlike Rommel—sitting down. “Mr. Churchill then opened his mouth and spoke”—is that English? No, it is Hebrew idiom clothed in English words.

SOURCE: “Trials Of A Translator” (1949)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Monsignor Ronald Knox Traditional Mass Last Updated: April 12, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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