• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Resurgam and the Month of All Souls

Fr. David Friel · November 22, 2020

ITHIN the Church, we dedicate the whole month of November to the Holy Souls in Purgatory. Naturally, prayer for the Holy Souls is appropriate throughout the year, but it is especially so during this month. In addition to offering Masses and praying novenas for the Holy Souls, members of the Church traditionally make a special effort to visit the graves of their deceased relatives during November. Time has not yet run out this year, if you haven’t yet had the opportunity.

The theme of All Souls has been very present in my mind over the last few weeks. In particular, I have been drawn back to the poems by Emily Dickinson (1830-1886), the reclusive poet from Amherst who wrote an immense number of poems on the theme of death.

I’ve reflected before on several poems by Gerard Manley Hopkins (here and here). I’d like to share two Dickinson poems with you today.

Few of Dickinson’s poems have titles. Among those that do, the titles have very often been applied by editors, not by the author, herself. The first poem I would like to present here has a crisp title that helps to reveal its meaning. This is poem number XXIX in Dickinson’s first series.

Resurgam
At last to be identified!
At last, the lamps upon thy side,
The rest of life to see!
Past midnight, past the morning star!
Past sunrise! Ah! what leagues there are
Between our feet and day! 1

Here we have a description of the moment when glory dawns upon the departed soul. It is at this moment that the soul feels “identified,” as though for the very first time. Now is the time when the soul becomes capable of seeing “the rest of life.” It becomes apparent, as never before, “what leagues there are” between earthly and heavenly existence.

What strikes me most in these verses is the speaker’s sense of hope and ability to describe the utter newness of eternity. One senses that the scope and beauty and freshness of heavenly life is delightful to the speaker, even if its full grandeur lies somewhat beyond the powers of description.

The second poem I share with you today has no title, but it is number XXXI in her first series.

Death is a dialogue between
The spirit and the dust.
“Dissolve,” says Death. The Spirit, “Sir,
I have another trust.”

Death doubts it, argues from the ground.
The Spirit turns away,
Just laying off, for evidence,
An overcoat of clay. 2

This poem is remarkable for its use of contrast and metaphor. Its greatness, however, lies in the grand reversal it conveys. The seeming finality of death is not so firm as the “dust” would have us believe. On the contrary, the “spirit” is stalwart when confronted with the vapid empiricism of death. The spirit testifies that those who have died are not consigned to tragic dissolution. They possess, rather, “another trust.”

We Christians do, indeed, bear “another trust.” As the masterful preface from the Requiem Mass puts it, for the faithful Christian, vita mutatur, non tollitur. Life is changed, not ended.


NOTES FROM THIS ARTICLE:

1   Emily Dickinson, The Complete Poems of Emily Dickinson (Pantianos Classics, 2016), 35.

2   Dickinson, The Complete Poems of Emily Dickinson, 36.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Last Updated: November 24, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Comm. Fauxbourdon • “What does it sound like?”
  • “Ad Te Levavi” • Variant
  • Spectacular Communion Setting!
  • Now That You’re Shunning Bad Hymns … Stop Announcing Them!

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.