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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Resurgam and the Month of All Souls

Fr. David Friel · November 22, 2020

ITHIN the Church, we dedicate the whole month of November to the Holy Souls in Purgatory. Naturally, prayer for the Holy Souls is appropriate throughout the year, but it is especially so during this month. In addition to offering Masses and praying novenas for the Holy Souls, members of the Church traditionally make a special effort to visit the graves of their deceased relatives during November. Time has not yet run out this year, if you haven’t yet had the opportunity.

The theme of All Souls has been very present in my mind over the last few weeks. In particular, I have been drawn back to the poems by Emily Dickinson (1830-1886), the reclusive poet from Amherst who wrote an immense number of poems on the theme of death.

I’ve reflected before on several poems by Gerard Manley Hopkins (here and here). I’d like to share two Dickinson poems with you today.

Few of Dickinson’s poems have titles. Among those that do, the titles have very often been applied by editors, not by the author, herself. The first poem I would like to present here has a crisp title that helps to reveal its meaning. This is poem number XXIX in Dickinson’s first series.

Resurgam
At last to be identified!
At last, the lamps upon thy side,
The rest of life to see!
Past midnight, past the morning star!
Past sunrise! Ah! what leagues there are
Between our feet and day! 1

Here we have a description of the moment when glory dawns upon the departed soul. It is at this moment that the soul feels “identified,” as though for the very first time. Now is the time when the soul becomes capable of seeing “the rest of life.” It becomes apparent, as never before, “what leagues there are” between earthly and heavenly existence.

What strikes me most in these verses is the speaker’s sense of hope and ability to describe the utter newness of eternity. One senses that the scope and beauty and freshness of heavenly life is delightful to the speaker, even if its full grandeur lies somewhat beyond the powers of description.

The second poem I share with you today has no title, but it is number XXXI in her first series.

Death is a dialogue between
The spirit and the dust.
“Dissolve,” says Death. The Spirit, “Sir,
I have another trust.”

Death doubts it, argues from the ground.
The Spirit turns away,
Just laying off, for evidence,
An overcoat of clay. 2

This poem is remarkable for its use of contrast and metaphor. Its greatness, however, lies in the grand reversal it conveys. The seeming finality of death is not so firm as the “dust” would have us believe. On the contrary, the “spirit” is stalwart when confronted with the vapid empiricism of death. The spirit testifies that those who have died are not consigned to tragic dissolution. They possess, rather, “another trust.”

We Christians do, indeed, bear “another trust.” As the masterful preface from the Requiem Mass puts it, for the faithful Christian, vita mutatur, non tollitur. Life is changed, not ended.


NOTES FROM THIS ARTICLE:

1   Emily Dickinson, The Complete Poems of Emily Dickinson (Pantianos Classics, 2016), 35.

2   Dickinson, The Complete Poems of Emily Dickinson, 36.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: November 24, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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