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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On the Dedication of Churches

Fr. David Friel · November 18, 2020

EOPLE dedicate all sorts of things. We dedicate plaques, bricks, car windows, songs, dances, books, performances, etc. The Church, too, dedicates many things. Chapels, gardens, vessels, vestments, windows, statues, etc. Today (18 November), we celebrate the dedication of two of the four major basilicas in Rome, the Basilica of Saint Peter and the Basilica of Saint Paul Outside the Walls. These are, without a doubt, two of the most famous, most recognizable churches in the world. But what are we celebrating when we celebrate their dedication?

The Basilica of St. Paul Outside the Walls, Rome

In the Church, every dedication is an invitation. The dedication of a church building is an invitation to God, asking Him to be especially present in that space. Certainly, God is present in every part of creation. After all, “Whither shall I go from Thy Spirit? Or whither shall I flee from Thy presence? If I ascend to heaven, Thou art there! If I make my bed in Sheol, Thou art there!” (Ps 139:7-8, RSV). But God, nevertheless, always appreciates our invitation.

It is a tradition as old as humanity to set aside—that is, to make sacred—certain places. Numerous Scripture passages testify to this practice in the Judeo-Christian tradition. Recall, for example, how Jacob memorialized the place where he dreamt of a ladder stretching from earth to heaven; he took the stone that had served as his pillow that night and set it up as a sacred pillar, anointing it with oil (Gen 28:18). During the ordination of Aaron and his sons, Moses used oil to consecrate a tabernacle (Lev 8:10). After building the first temple, Solomon assembled the whole community of Israel in order to celebrate the dedication of the space (1 Kgs 8). After the defilement of the temple, Judas Maccabeus and his brothers saw fit to rededicate the place (1 Mac 4:36-61).

Whenever a space is made sacred, God is invited to dwell there and to manifest Himself. Even we, ourselves, can be dedicated, simply by inviting the Lord to abide within our own “temple of the Holy Spirit” (1 Cor 6:19).

The dedication of church buildings has been featured several times on Views from the Choir Loft. For example, I used the anniversary of the dedication of the Lateran Basilica one year as an occasion to reflect on why churches should look like heaven (here). We also highlighted new music composed for the 2017 consecration of Montréal’s cathedral, the Basilica of Mary, Queen of the World (here). That same year, Richard Clark drew attention to the dedication of the Shrine of Our Lady of Good Voyage in Boston (here).

Perhaps most profoundly, we reflected on the remarkable homily Pope Benedict XVI gave ten years ago this month at the dedication of the Sagrada Familia basilica in Barcelona (here).

The most sacred place in the world is the place where man encounters God. May every church building be such a place for us!

The Basilica of St. Paul Outside the Walls, Rome
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pope Benedict XVI, Sacred Architecture Last Updated: November 18, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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