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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On the Dedication of Churches

Fr. David Friel · November 18, 2020

EOPLE dedicate all sorts of things. We dedicate plaques, bricks, car windows, songs, dances, books, performances, etc. The Church, too, dedicates many things. Chapels, gardens, vessels, vestments, windows, statues, etc. Today (18 November), we celebrate the dedication of two of the four major basilicas in Rome, the Basilica of Saint Peter and the Basilica of Saint Paul Outside the Walls. These are, without a doubt, two of the most famous, most recognizable churches in the world. But what are we celebrating when we celebrate their dedication?

The Basilica of St. Paul Outside the Walls, Rome

In the Church, every dedication is an invitation. The dedication of a church building is an invitation to God, asking Him to be especially present in that space. Certainly, God is present in every part of creation. After all, “Whither shall I go from Thy Spirit? Or whither shall I flee from Thy presence? If I ascend to heaven, Thou art there! If I make my bed in Sheol, Thou art there!” (Ps 139:7-8, RSV). But God, nevertheless, always appreciates our invitation.

It is a tradition as old as humanity to set aside—that is, to make sacred—certain places. Numerous Scripture passages testify to this practice in the Judeo-Christian tradition. Recall, for example, how Jacob memorialized the place where he dreamt of a ladder stretching from earth to heaven; he took the stone that had served as his pillow that night and set it up as a sacred pillar, anointing it with oil (Gen 28:18). During the ordination of Aaron and his sons, Moses used oil to consecrate a tabernacle (Lev 8:10). After building the first temple, Solomon assembled the whole community of Israel in order to celebrate the dedication of the space (1 Kgs 8). After the defilement of the temple, Judas Maccabeus and his brothers saw fit to rededicate the place (1 Mac 4:36-61).

Whenever a space is made sacred, God is invited to dwell there and to manifest Himself. Even we, ourselves, can be dedicated, simply by inviting the Lord to abide within our own “temple of the Holy Spirit” (1 Cor 6:19).

The dedication of church buildings has been featured several times on Views from the Choir Loft. For example, I used the anniversary of the dedication of the Lateran Basilica one year as an occasion to reflect on why churches should look like heaven (here). We also highlighted new music composed for the 2017 consecration of Montréal’s cathedral, the Basilica of Mary, Queen of the World (here). That same year, Richard Clark drew attention to the dedication of the Shrine of Our Lady of Good Voyage in Boston (here).

Perhaps most profoundly, we reflected on the remarkable homily Pope Benedict XVI gave ten years ago this month at the dedication of the Sagrada Familia basilica in Barcelona (here).

The most sacred place in the world is the place where man encounters God. May every church building be such a place for us!

The Basilica of St. Paul Outside the Walls, Rome
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pope Benedict XVI, Sacred Architecture Last Updated: November 18, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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