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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On the Dedication of Churches

Fr. David Friel · November 18, 2020

EOPLE dedicate all sorts of things. We dedicate plaques, bricks, car windows, songs, dances, books, performances, etc. The Church, too, dedicates many things. Chapels, gardens, vessels, vestments, windows, statues, etc. Today (18 November), we celebrate the dedication of two of the four major basilicas in Rome, the Basilica of Saint Peter and the Basilica of Saint Paul Outside the Walls. These are, without a doubt, two of the most famous, most recognizable churches in the world. But what are we celebrating when we celebrate their dedication?

The Basilica of St. Paul Outside the Walls, Rome

In the Church, every dedication is an invitation. The dedication of a church building is an invitation to God, asking Him to be especially present in that space. Certainly, God is present in every part of creation. After all, “Whither shall I go from Thy Spirit? Or whither shall I flee from Thy presence? If I ascend to heaven, Thou art there! If I make my bed in Sheol, Thou art there!” (Ps 139:7-8, RSV). But God, nevertheless, always appreciates our invitation.

It is a tradition as old as humanity to set aside—that is, to make sacred—certain places. Numerous Scripture passages testify to this practice in the Judeo-Christian tradition. Recall, for example, how Jacob memorialized the place where he dreamt of a ladder stretching from earth to heaven; he took the stone that had served as his pillow that night and set it up as a sacred pillar, anointing it with oil (Gen 28:18). During the ordination of Aaron and his sons, Moses used oil to consecrate a tabernacle (Lev 8:10). After building the first temple, Solomon assembled the whole community of Israel in order to celebrate the dedication of the space (1 Kgs 8). After the defilement of the temple, Judas Maccabeus and his brothers saw fit to rededicate the place (1 Mac 4:36-61).

Whenever a space is made sacred, God is invited to dwell there and to manifest Himself. Even we, ourselves, can be dedicated, simply by inviting the Lord to abide within our own “temple of the Holy Spirit” (1 Cor 6:19).

The dedication of church buildings has been featured several times on Views from the Choir Loft. For example, I used the anniversary of the dedication of the Lateran Basilica one year as an occasion to reflect on why churches should look like heaven (here). We also highlighted new music composed for the 2017 consecration of Montréal’s cathedral, the Basilica of Mary, Queen of the World (here). That same year, Richard Clark drew attention to the dedication of the Shrine of Our Lady of Good Voyage in Boston (here).

Perhaps most profoundly, we reflected on the remarkable homily Pope Benedict XVI gave ten years ago this month at the dedication of the Sagrada Familia basilica in Barcelona (here).

The most sacred place in the world is the place where man encounters God. May every church building be such a place for us!

The Basilica of St. Paul Outside the Walls, Rome
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pope Benedict XVI, Sacred Architecture Last Updated: November 18, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

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