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Views from the Choir Loft

On the Dedication of Churches

Fr. David Friel · November 18, 2020

EOPLE dedicate all sorts of things. We dedicate plaques, bricks, car windows, songs, dances, books, performances, etc. The Church, too, dedicates many things. Chapels, gardens, vessels, vestments, windows, statues, etc. Today (18 November), we celebrate the dedication of two of the four major basilicas in Rome, the Basilica of Saint Peter and the Basilica of Saint Paul Outside the Walls. These are, without a doubt, two of the most famous, most recognizable churches in the world. But what are we celebrating when we celebrate their dedication?

The Basilica of St. Paul Outside the Walls, Rome

In the Church, every dedication is an invitation. The dedication of a church building is an invitation to God, asking Him to be especially present in that space. Certainly, God is present in every part of creation. After all, “Whither shall I go from Thy Spirit? Or whither shall I flee from Thy presence? If I ascend to heaven, Thou art there! If I make my bed in Sheol, Thou art there!” (Ps 139:7-8, RSV). But God, nevertheless, always appreciates our invitation.

It is a tradition as old as humanity to set aside—that is, to make sacred—certain places. Numerous Scripture passages testify to this practice in the Judeo-Christian tradition. Recall, for example, how Jacob memorialized the place where he dreamt of a ladder stretching from earth to heaven; he took the stone that had served as his pillow that night and set it up as a sacred pillar, anointing it with oil (Gen 28:18). During the ordination of Aaron and his sons, Moses used oil to consecrate a tabernacle (Lev 8:10). After building the first temple, Solomon assembled the whole community of Israel in order to celebrate the dedication of the space (1 Kgs 8). After the defilement of the temple, Judas Maccabeus and his brothers saw fit to rededicate the place (1 Mac 4:36-61).

Whenever a space is made sacred, God is invited to dwell there and to manifest Himself. Even we, ourselves, can be dedicated, simply by inviting the Lord to abide within our own “temple of the Holy Spirit” (1 Cor 6:19).

The dedication of church buildings has been featured several times on Views from the Choir Loft. For example, I used the anniversary of the dedication of the Lateran Basilica one year as an occasion to reflect on why churches should look like heaven (here). We also highlighted new music composed for the 2017 consecration of Montréal’s cathedral, the Basilica of Mary, Queen of the World (here). That same year, Richard Clark drew attention to the dedication of the Shrine of Our Lady of Good Voyage in Boston (here).

Perhaps most profoundly, we reflected on the remarkable homily Pope Benedict XVI gave ten years ago this month at the dedication of the Sagrada Familia basilica in Barcelona (here).

The most sacred place in the world is the place where man encounters God. May every church building be such a place for us!

The Basilica of St. Paul Outside the Walls, Rome
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pope Benedict XVI, Sacred Architecture Last Updated: November 18, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

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  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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