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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

On the Dedication of Churches

Fr. David Friel · November 18, 2020

EOPLE dedicate all sorts of things. We dedicate plaques, bricks, car windows, songs, dances, books, performances, etc. The Church, too, dedicates many things. Chapels, gardens, vessels, vestments, windows, statues, etc. Today (18 November), we celebrate the dedication of two of the four major basilicas in Rome, the Basilica of Saint Peter and the Basilica of Saint Paul Outside the Walls. These are, without a doubt, two of the most famous, most recognizable churches in the world. But what are we celebrating when we celebrate their dedication?

The Basilica of St. Paul Outside the Walls, Rome

In the Church, every dedication is an invitation. The dedication of a church building is an invitation to God, asking Him to be especially present in that space. Certainly, God is present in every part of creation. After all, “Whither shall I go from Thy Spirit? Or whither shall I flee from Thy presence? If I ascend to heaven, Thou art there! If I make my bed in Sheol, Thou art there!” (Ps 139:7-8, RSV). But God, nevertheless, always appreciates our invitation.

It is a tradition as old as humanity to set aside—that is, to make sacred—certain places. Numerous Scripture passages testify to this practice in the Judeo-Christian tradition. Recall, for example, how Jacob memorialized the place where he dreamt of a ladder stretching from earth to heaven; he took the stone that had served as his pillow that night and set it up as a sacred pillar, anointing it with oil (Gen 28:18). During the ordination of Aaron and his sons, Moses used oil to consecrate a tabernacle (Lev 8:10). After building the first temple, Solomon assembled the whole community of Israel in order to celebrate the dedication of the space (1 Kgs 8). After the defilement of the temple, Judas Maccabeus and his brothers saw fit to rededicate the place (1 Mac 4:36-61).

Whenever a space is made sacred, God is invited to dwell there and to manifest Himself. Even we, ourselves, can be dedicated, simply by inviting the Lord to abide within our own “temple of the Holy Spirit” (1 Cor 6:19).

The dedication of church buildings has been featured several times on Views from the Choir Loft. For example, I used the anniversary of the dedication of the Lateran Basilica one year as an occasion to reflect on why churches should look like heaven (here). We also highlighted new music composed for the 2017 consecration of Montréal’s cathedral, the Basilica of Mary, Queen of the World (here). That same year, Richard Clark drew attention to the dedication of the Shrine of Our Lady of Good Voyage in Boston (here).

Perhaps most profoundly, we reflected on the remarkable homily Pope Benedict XVI gave ten years ago this month at the dedication of the Sagrada Familia basilica in Barcelona (here).

The most sacred place in the world is the place where man encounters God. May every church building be such a place for us!

The Basilica of St. Paul Outside the Walls, Rome
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Pope Benedict XVI, Sacred Architecture Last Updated: November 18, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

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