• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Let’s Bring Back the Thank-You Note

Keven Smith · November 16, 2020

’M A LITTLE EARLY for Thanksgiving, but I think any church musician will appreciate this story of gratitude. A couple of weeks ago, I came out of church one evening after playing four or five of our parish’s eight Sunday Masses. When I had arrived in the morning, there was brilliant sunshine, and the parking lot was so full that I had to park along the adjacent block. By now, it was twilight, and the street was quiet. I soaked in the calm.

But as I approached my car, I noticed a paper tucked under the wiper blade. “A ticket?” I thought. “Since when is it illegal to park along a neighborhood street?”

When I got closer, I realized it was a collection envelope from our parish. There was no money in it—there was something even better: a note.

“Kevin THANKS, Great playing! God bless you & family”

I stood there, stunned. Someone had recognized my car, realized how much they appreciated having organ music at Mass (we’re still not allowed to sing), and rooted around for the only piece of paper they could find, which happened to be a collection envelope from six months ago. They then took the time to write me a note.

It’s such a simple thing, but it lifted my spirits for days.

The Unmistakable Power of Committing Words to Paper

I think you’ll agree that we church musicians don’t do what we do for the compliments. There are even times when it can feel embarrassing to be praised extravagantly for merely doing what God gave us the talent to do—especially if we’re fortunate enough to be paid for our efforts (as I am).

But this simple, spontaneous note meant so much to me. I took it home and put it on my desk so that I could see it all day as I work on my computer. It’s still there as I write this article.

Why was this note more meaningful than if the anonymous person had said the same thing to my face? It’s not that spoken words are cheap. But like music, they float away and can never be recreated precisely. By contrast, a written note has staying power. We commit to paper (and not just the screen) words that we hope someone will revisit often. A handwritten letter is an enduring, deeply personal gift.

When my longtime Head Chorister went off to college in August, she wrote me a beautiful, heartfelt note that’s still on my desk. I’ve read it at least 20 times. She’s still with me because I have her words right in front of me. And I made sure to send my written gratitude off with her.

This windshield note now reminds me each day that all my struggles as a beginning organist are worth it—not only because the music at Mass glorifies God but also because my fellow parishioners appreciate it.

How Handwritten Notes Can Help You Build a Choir

The legendary church choir director John Bertalot knew the power of the written note. In his delightful book Immediately Practical Tips for Choral Directors, he explains how he sent handwritten letters to recruit new singers and to thank them for auditioning. He knew that writing a note would demonstrate his seriousness of purpose and distinguish him from the many other people vying for singers’ attention. If writing notes set John Bertalot apart 30 years ago, how much can it set us apart today in the electronic age?

Folks, let’s bring back the thank-you note. There’s nothing quite like a handwritten expression of gratitude to build a relationship. Happy Thanksgiving to all.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: gratitude Last Updated: November 24, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.