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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Let’s Bring Back the Thank-You Note

Keven Smith · November 16, 2020

’M A LITTLE EARLY for Thanksgiving, but I think any church musician will appreciate this story of gratitude. A couple of weeks ago, I came out of church one evening after playing four or five of our parish’s eight Sunday Masses. When I had arrived in the morning, there was brilliant sunshine, and the parking lot was so full that I had to park along the adjacent block. By now, it was twilight, and the street was quiet. I soaked in the calm.

But as I approached my car, I noticed a paper tucked under the wiper blade. “A ticket?” I thought. “Since when is it illegal to park along a neighborhood street?”

When I got closer, I realized it was a collection envelope from our parish. There was no money in it—there was something even better: a note.

“Kevin THANKS, Great playing! God bless you & family”

I stood there, stunned. Someone had recognized my car, realized how much they appreciated having organ music at Mass (we’re still not allowed to sing), and rooted around for the only piece of paper they could find, which happened to be a collection envelope from six months ago. They then took the time to write me a note.

It’s such a simple thing, but it lifted my spirits for days.

The Unmistakable Power of Committing Words to Paper

I think you’ll agree that we church musicians don’t do what we do for the compliments. There are even times when it can feel embarrassing to be praised extravagantly for merely doing what God gave us the talent to do—especially if we’re fortunate enough to be paid for our efforts (as I am).

But this simple, spontaneous note meant so much to me. I took it home and put it on my desk so that I could see it all day as I work on my computer. It’s still there as I write this article.

Why was this note more meaningful than if the anonymous person had said the same thing to my face? It’s not that spoken words are cheap. But like music, they float away and can never be recreated precisely. By contrast, a written note has staying power. We commit to paper (and not just the screen) words that we hope someone will revisit often. A handwritten letter is an enduring, deeply personal gift.

When my longtime Head Chorister went off to college in August, she wrote me a beautiful, heartfelt note that’s still on my desk. I’ve read it at least 20 times. She’s still with me because I have her words right in front of me. And I made sure to send my written gratitude off with her.

This windshield note now reminds me each day that all my struggles as a beginning organist are worth it—not only because the music at Mass glorifies God but also because my fellow parishioners appreciate it.

How Handwritten Notes Can Help You Build a Choir

The legendary church choir director John Bertalot knew the power of the written note. In his delightful book Immediately Practical Tips for Choral Directors, he explains how he sent handwritten letters to recruit new singers and to thank them for auditioning. He knew that writing a note would demonstrate his seriousness of purpose and distinguish him from the many other people vying for singers’ attention. If writing notes set John Bertalot apart 30 years ago, how much can it set us apart today in the electronic age?

Folks, let’s bring back the thank-you note. There’s nothing quite like a handwritten expression of gratitude to build a relationship. Happy Thanksgiving to all.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: gratitude Last Updated: November 24, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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