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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wilbur Wright and the McCarrick Report

Fr. David Friel · November 15, 2020

AST MONTH, I read David McCullough’s fascinating historical book, The Wright Brothers. 1 (Actually, I listened to the CD audio version, read by McCullough, himself.) I have always loved flying and airplanes, and I thought I knew a lot about Wilbur and Orville Wright. This engaging account, however, taught me all kinds of new things about them, their family, and their engineering feat. I was particularly interested to learn more about the Wright family. One of the other children, for example, a sister name Katharine, played quite a significant role in the success of Wilbur and Orville.

The father of the family was Bishop Milton Wright, who was a prominent leader in the United Brethren Church until 1899, when an institutional struggle over the acceptance or rejection of Freemasonry led Bishop Wright to establish a new church, known as the “Old Constitution Church.”

Bishop Wright delivering an invocation at his sons’ 1909 homecoming celebration

In 1901, Bishop Wright discovered that a clergyman in his new church was using church money illicitly to pay his own personal expenses, amounting to some $7,000. The suspected offender was Rev. Millard Keiter. Bishop Wright enlisted the help of his son, Wilbur, to perform another audit of the finances. Wilbur concluded that Keiter had, indeed, mishandled the finances, using church money to pay his insurance premiums, buy clothes, and build a home. Bishop Wright and his son, Wilbur, had a hard time convincing the church’s board of trustees that their charges against Keiter were valid. The discrepancies were chalked up to mere carelessness, not dishonest dealings.

Wilbur was steadfast in encouraging his father to expose the criminal activity of Keiter. For the good of the church, itself, Wilbur felt that it was necessary to let the truth be known. In a letter to Bishop Wright, Wilbur wrote pointedly:

The question of whether officials shall rob the church and trustees deceive the church for fear of injuring collections, must be settled now for all time. In the long run nothing can be gained financially by deceit. To cheat the people by lying reports is more dishonest than Keiter’s stealing, and so far as church interests are concerned, the penalty will be greater. 2

Bishop Wright continued his pursuit to expose the truth about Keiter’s misdealings. As a result, he was much maligned and ostracized. In the end, though, Bishop Wright was proven right, and by 1904 he was exonerated of the counter-charges Keiter had brought against him. The bishop had spoken the truth, suffered greatly as a result, and ultimately won vindication.

The straightforward sense expressed in Wilbur Wright’s letter, quoted above, strikes me as especially pertinent in the wake of the sorrowful McCarrick Report.

This is not the place for an exhaustive assessment of the report, with its various strengths and weaknesses. If one thing emerges clearly from its pages, however, it is the value of truth telling. Saying what one knows to be true—without any shade of deception or massaging or elision—is a simple, but immensely important habit of Christian living. Failing in this habit can have dastardly effects.

May the Church, our Mother, be renewed by bringing the truth to light!

Turn again, O God of hosts!
Look down from heaven and see, and visit this vineyard;
protect the stock which Thy right hand hath planted.
They have burned it with fire; they have cut it down;
may they perish at the rebuke of Thy countenance!

Let Thy hand be upon the man of Thy right hand,
upon the son of man, whom Thou has confirmed for Thyself!
We shall never depart from Thee;
Thou shalt quicken us, and we shall call upon Thy name.
O LORD God of hosts, convert us,
and let Thy face shine, and we shall be saved.
— From Psalm 80 —


NOTES FROM THIS ARTICLE:

1 All the historical information in this post is drawn from David McCullough, The Wright Brothers (New York: Simon & Schuster, 2015), 72-75.

2 McCullough, The Wright Brothers, 73.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“As late as 1834, British society had many restrictions on any person not adhering to the Anglican church. For example, Roman Catholics could not attend a university, serve on a city council, be a member of Parliament, serve in the armed forces, or even serve on a jury.”

— Regarding the Church of Henry VIII

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
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