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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wilbur Wright and the McCarrick Report

Fr. David Friel · November 15, 2020

AST MONTH, I read David McCullough’s fascinating historical book, The Wright Brothers. 1 (Actually, I listened to the CD audio version, read by McCullough, himself.) I have always loved flying and airplanes, and I thought I knew a lot about Wilbur and Orville Wright. This engaging account, however, taught me all kinds of new things about them, their family, and their engineering feat. I was particularly interested to learn more about the Wright family. One of the other children, for example, a sister name Katharine, played quite a significant role in the success of Wilbur and Orville.

The father of the family was Bishop Milton Wright, who was a prominent leader in the United Brethren Church until 1899, when an institutional struggle over the acceptance or rejection of Freemasonry led Bishop Wright to establish a new church, known as the “Old Constitution Church.”

Bishop Wright delivering an invocation at his sons’ 1909 homecoming celebration

In 1901, Bishop Wright discovered that a clergyman in his new church was using church money illicitly to pay his own personal expenses, amounting to some $7,000. The suspected offender was Rev. Millard Keiter. Bishop Wright enlisted the help of his son, Wilbur, to perform another audit of the finances. Wilbur concluded that Keiter had, indeed, mishandled the finances, using church money to pay his insurance premiums, buy clothes, and build a home. Bishop Wright and his son, Wilbur, had a hard time convincing the church’s board of trustees that their charges against Keiter were valid. The discrepancies were chalked up to mere carelessness, not dishonest dealings.

Wilbur was steadfast in encouraging his father to expose the criminal activity of Keiter. For the good of the church, itself, Wilbur felt that it was necessary to let the truth be known. In a letter to Bishop Wright, Wilbur wrote pointedly:

The question of whether officials shall rob the church and trustees deceive the church for fear of injuring collections, must be settled now for all time. In the long run nothing can be gained financially by deceit. To cheat the people by lying reports is more dishonest than Keiter’s stealing, and so far as church interests are concerned, the penalty will be greater. 2

Bishop Wright continued his pursuit to expose the truth about Keiter’s misdealings. As a result, he was much maligned and ostracized. In the end, though, Bishop Wright was proven right, and by 1904 he was exonerated of the counter-charges Keiter had brought against him. The bishop had spoken the truth, suffered greatly as a result, and ultimately won vindication.

The straightforward sense expressed in Wilbur Wright’s letter, quoted above, strikes me as especially pertinent in the wake of the sorrowful McCarrick Report.

This is not the place for an exhaustive assessment of the report, with its various strengths and weaknesses. If one thing emerges clearly from its pages, however, it is the value of truth telling. Saying what one knows to be true—without any shade of deception or massaging or elision—is a simple, but immensely important habit of Christian living. Failing in this habit can have dastardly effects.

May the Church, our Mother, be renewed by bringing the truth to light!

Turn again, O God of hosts!
Look down from heaven and see, and visit this vineyard;
protect the stock which Thy right hand hath planted.
They have burned it with fire; they have cut it down;
may they perish at the rebuke of Thy countenance!

Let Thy hand be upon the man of Thy right hand,
upon the son of man, whom Thou has confirmed for Thyself!
We shall never depart from Thee;
Thou shalt quicken us, and we shall call upon Thy name.
O LORD God of hosts, convert us,
and let Thy face shine, and we shall be saved.
— From Psalm 80 —


NOTES FROM THIS ARTICLE:

1 All the historical information in this post is drawn from David McCullough, The Wright Brothers (New York: Simon & Schuster, 2015), 72-75.

2 McCullough, The Wright Brothers, 73.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“In 1848, Franz Liszt attended a performance of Schumann’s 1st Piano Trio, held in his honor in the Schumanns’ home. Liszt arrived two hours late with Wagner (who hadn’t been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.”

— Janita Hall-Swadley

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