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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Wilbur Wright and the McCarrick Report

Fr. David Friel · November 15, 2020

AST MONTH, I read David McCullough’s fascinating historical book, The Wright Brothers. 1 (Actually, I listened to the CD audio version, read by McCullough, himself.) I have always loved flying and airplanes, and I thought I knew a lot about Wilbur and Orville Wright. This engaging account, however, taught me all kinds of new things about them, their family, and their engineering feat. I was particularly interested to learn more about the Wright family. One of the other children, for example, a sister name Katharine, played quite a significant role in the success of Wilbur and Orville.

The father of the family was Bishop Milton Wright, who was a prominent leader in the United Brethren Church until 1899, when an institutional struggle over the acceptance or rejection of Freemasonry led Bishop Wright to establish a new church, known as the “Old Constitution Church.”

Bishop Wright delivering an invocation at his sons’ 1909 homecoming celebration

In 1901, Bishop Wright discovered that a clergyman in his new church was using church money illicitly to pay his own personal expenses, amounting to some $7,000. The suspected offender was Rev. Millard Keiter. Bishop Wright enlisted the help of his son, Wilbur, to perform another audit of the finances. Wilbur concluded that Keiter had, indeed, mishandled the finances, using church money to pay his insurance premiums, buy clothes, and build a home. Bishop Wright and his son, Wilbur, had a hard time convincing the church’s board of trustees that their charges against Keiter were valid. The discrepancies were chalked up to mere carelessness, not dishonest dealings.

Wilbur was steadfast in encouraging his father to expose the criminal activity of Keiter. For the good of the church, itself, Wilbur felt that it was necessary to let the truth be known. In a letter to Bishop Wright, Wilbur wrote pointedly:

The question of whether officials shall rob the church and trustees deceive the church for fear of injuring collections, must be settled now for all time. In the long run nothing can be gained financially by deceit. To cheat the people by lying reports is more dishonest than Keiter’s stealing, and so far as church interests are concerned, the penalty will be greater. 2

Bishop Wright continued his pursuit to expose the truth about Keiter’s misdealings. As a result, he was much maligned and ostracized. In the end, though, Bishop Wright was proven right, and by 1904 he was exonerated of the counter-charges Keiter had brought against him. The bishop had spoken the truth, suffered greatly as a result, and ultimately won vindication.

The straightforward sense expressed in Wilbur Wright’s letter, quoted above, strikes me as especially pertinent in the wake of the sorrowful McCarrick Report.

This is not the place for an exhaustive assessment of the report, with its various strengths and weaknesses. If one thing emerges clearly from its pages, however, it is the value of truth telling. Saying what one knows to be true—without any shade of deception or massaging or elision—is a simple, but immensely important habit of Christian living. Failing in this habit can have dastardly effects.

May the Church, our Mother, be renewed by bringing the truth to light!

Turn again, O God of hosts!
Look down from heaven and see, and visit this vineyard;
protect the stock which Thy right hand hath planted.
They have burned it with fire; they have cut it down;
may they perish at the rebuke of Thy countenance!

Let Thy hand be upon the man of Thy right hand,
upon the son of man, whom Thou has confirmed for Thyself!
We shall never depart from Thee;
Thou shalt quicken us, and we shall call upon Thy name.
O LORD God of hosts, convert us,
and let Thy face shine, and we shall be saved.
— From Psalm 80 —


NOTES FROM THIS ARTICLE:

1 All the historical information in this post is drawn from David McCullough, The Wright Brothers (New York: Simon & Schuster, 2015), 72-75.

2 McCullough, The Wright Brothers, 73.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

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  • PDF Download • “Eb Organ Postlude”
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