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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dan Marshall

Daniel Marshall · October 27, 2020

ANIEL B. MARSHALL studied sacred music at Providence College, where he focused on organ, Latin, and Gregorian chant. He studied chant under Fr. Vincent Farrer Began, O.P., and had the privilege of singing under world-renowned choral conductor T. J. Harper. Daniel completed his undergraduate degree at Southern New Hampshire University during the COVID-19 pandemic. He currently studies composition and improvisation with Dr. Peter Latona, Music Director of the Basilica of the National Shrine of the Immaculate Conception. As the modern phrase goes, Daniel’s “9-5” is working in financial planning, and his “5-9” is serving as Director of Sacred Music and Organist at St. Anthony of Padua Parish in New Bedford, Massachusetts, where he directs an adult choir and SAB Schola Cantorum for English and Spanish Masses. He also coordinates an ongoing concert series to raise funds for the restoration of the church’s 1912 Casavant Frères Pipe Organ (Opus 489). Those interested in performing or learning more about the organ may visit www.gloriadeo.org/1912-casavant-organ.

Previously, Daniel served as Director of Sacred Music and Principal Organist for St. Joseph and St. Michael’s Parishes in Fall River, Massachusetts, where he worked with the pastor towards an ongoing revival of traditional sacred music. At the time of his departure, the parish had established a Sunday High Mass with Latin propers, sung Introit and Communion antiphons, and Mass celebrated ad orientem. Daniel specializes in helping parishes transition from contemporary to traditional music and incorporate other traditional liturgical elements.

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Having entered seminary for a time during college with the intention of becoming a liturgist, Daniel’s deep love of the liturgy extends well beyond music. He maintains a thorough understanding of liturgical rubrics and holds a particular fascination with liturgical vestiture. He is committed to doing everything possible—even from beyond a musical standpoint—to ensure that the liturgy is celebrated reverently and beautifully. An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He is passionate about music engraving as an art form and is committed to ensuring that liturgical music is both beautiful to hear and stunning to behold on the page. He is currently composing a Mass setting that blends traditional and contemporary styles, with the Kyrie available for download at www.gloriadeo.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: October 27, 2025

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About Daniel Marshall

An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He lives in Massachusetts with his wife and two children.—Read full biography (with photographs).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

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  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?

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