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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Daniel B. Marshall

Daniel Marshall · October 27, 2020

ANIEL B. MARSHALL studied sacred music at Providence College, where he focused on organ, Latin, and Gregorian chant. He studied chant under Fr. Vincent Farrer Began, O.P., and had the privilege of singing under world-renowned choral conductor T. J. Harper. Daniel completed his undergraduate degree at Southern New Hampshire University during the COVID-19 pandemic. He currently studies composition and improvisation with Dr. Peter Latona, Music Director of the Basilica of the National Shrine of the Immaculate Conception. As the modern phrase goes, Daniel’s “9-5” is working in financial planning, and his “5-9” is serving as Director of Sacred Music and Organist at St. Anthony of Padua Parish in New Bedford, Massachusetts, where he directs an adult choir and SAB Schola Cantorum for English and Spanish Masses. He also coordinates an ongoing concert series to raise funds for the restoration of the church’s 1912 Casavant Frères Pipe Organ (Opus 489). Those interested in performing or learning more about the organ may visit www.gloriadeo.org/1912-casavant-organ.

Previously, Daniel served as Director of Sacred Music and Principal Organist for St. Joseph and St. Michael’s Parishes in Fall River, Massachusetts, where he worked with the pastor towards an ongoing revival of traditional sacred music. At the time of his departure, the parish had established a Sunday High Mass with Latin propers, sung Introit and Communion antiphons, and Mass celebrated ad orientem. Daniel specializes in helping parishes transition from contemporary to traditional music and incorporate other traditional liturgical elements.

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Having entered seminary for a time during college with the intention of becoming a liturgist, Daniel’s deep love of the liturgy extends well beyond music. He maintains a thorough understanding of liturgical rubrics and holds a particular fascination with liturgical vestiture. He is committed to doing everything possible—even from beyond a musical standpoint—to ensure that the liturgy is celebrated reverently and beautifully. An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He is passionate about music engraving as an art form and is committed to ensuring that liturgical music is both beautiful to hear and stunning to behold on the page. He is currently composing a Mass setting that blends traditional and contemporary styles, with the Kyrie available for download at www.gloriadeo.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: October 30, 2025

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About Daniel Marshall

An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He lives in Massachusetts with his wife and two children.—Read full biography (with photographs).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Partly on account of these alterations, and partly because I have been unable to ascertain the authorship of many compositions—which have come to me either in manuscript or through other collections—I have thought it right to publish the volume without appending the names of writers to their works. This, however, I confess to be a defect…”

— Benjamin Hall Kennedy (1863)

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