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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Daniel B. Marshall

Daniel Marshall · October 27, 2020

ANIEL B. MARSHALL studied sacred music at Providence College, where he focused on organ, Latin, and Gregorian chant. He studied chant under Fr. Vincent Farrer Began, O.P., and had the privilege of singing under world-renowned choral conductor T. J. Harper. Daniel completed his undergraduate degree at Southern New Hampshire University during the COVID-19 pandemic. He currently studies composition and improvisation with Dr. Peter Latona, Music Director of the Basilica of the National Shrine of the Immaculate Conception. As the modern phrase goes, Daniel’s “9-5” is working in financial planning, and his “5-9” is serving as Director of Sacred Music and Organist at St. Anthony of Padua Parish in New Bedford, Massachusetts, where he directs an adult choir and SAB Schola Cantorum for English and Spanish Masses. He also coordinates an ongoing concert series to raise funds for the restoration of the church’s 1912 Casavant Frères Pipe Organ (Opus 489). Those interested in performing or learning more about the organ may visit www.gloriadeo.org/1912-casavant-organ.

Previously, Daniel served as Director of Sacred Music and Principal Organist for St. Joseph and St. Michael’s Parishes in Fall River, Massachusetts, where he worked with the pastor towards an ongoing revival of traditional sacred music. At the time of his departure, the parish had established a Sunday High Mass with Latin propers, sung Introit and Communion antiphons, and Mass celebrated ad orientem. Daniel specializes in helping parishes transition from contemporary to traditional music and incorporate other traditional liturgical elements.

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Having entered seminary for a time during college with the intention of becoming a liturgist, Daniel’s deep love of the liturgy extends well beyond music. He maintains a thorough understanding of liturgical rubrics and holds a particular fascination with liturgical vestiture. He is committed to doing everything possible—even from beyond a musical standpoint—to ensure that the liturgy is celebrated reverently and beautifully. Daniel has composed liturgical works in English, Spanish, Latin, and Portuguese. He is passionate about music engraving as an art form and is committed to ensuring that liturgical music is both beautiful to hear and stunning to behold on the page. He is currently composing a Mass setting that blends traditional and contemporary styles, with the Kyrie available for download at www.gloriadeo.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: February 18, 2026

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About Daniel Marshall

An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He lives in Massachusetts with his wife and two children.—Read full biography (with photographs).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

Recent Posts

  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)
  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?

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