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Views from the Choir Loft

19 October 2020 • Feast of Father Brébeuf

Jeff Ostrowski · October 19, 2020

Today is the feast of Saint Jean de Brébeuf, Saint Isaac Jogues, and Companions (Ss. Ioannis, Isaaci et Soc. Martyrum). Here is a brief excerpt from his martyrdom in March of 1649:

The Iroquois chose Father Brébeuf and some Hurons for the first torments. Leaping upon him as he prayed, they broke the bones of his hands, tore out his fingernails, and munched on his fingers. When they dragged him to one of the posts, he embraced it and kissed it. Quickly they pulled back his arms and fastened his wrists to the post. They were determined to smash his courage and to make him cry for mercy. They put burning sticks about his feet, ran flaming torches up, down, and between his legs, around his neck, and under his armpits. Puzzled that he neither cried out nor winced, they held the firebrands closer till the skin frizzled, then they slashed his flesh with knives.

Father Brébeuf addressed the captive converts in a strong voice: “My sons, my brothers, let us lift up our eyes to Heaven in our affliction. Let us remember that God is the witness of our sufferings, that very soon He will be our exceedingly great reward. Let us die in our Faith. Let us hope from Him the fulfillment of His promises to us. I have more pity for you than I have for myself. Bear up with courage under the few torments remaining. The sufferings will end with our lives. The grandeur which follows them will never have an end.”

Brébeuf’s tormenters hacked him with hatchets and knives and stabbed him with javelin heads. “Jesus, have mercy on us” was the only cry that came from his lips; it was re-echoed by the Christian Hurons.

Incensed by his defiance, the Iroquois cut away his lower lip and thrust a red-hot iron down his throat. As the indomitable priest still stood tall and voiced no sound of pain—no plea for mercy—they tried other means. They brought forth young Lalemant, that Brébeuf might see them torture him. They had fastened strips of bark, smeared with pitch, about Gabriel’s naked body. When the young priest saw the burnt and bleeding body of his superior, aghast and trembling Lalemant spoke the words of St. Paul: “We are made a spectacle to the world, to angels and to men.”

Saint Jean de Brébeuf, pray for us!

Saint Gabriel Lalemant, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 26, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“It would be a grave error to imagine that the principle orientation of the sacrificial action is towards the community. If the priest celebrates «VERSUS POPULUM», which is legitimate and often advisable, his spiritual attitude ought always to be «VERSUS DEUM PER JESUM CHRISTUM», as representative of the entire Church.”

— Official Vatican Statement (25 September 2000)

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