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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

19 October 2020 • Feast of Father Brébeuf

Jeff Ostrowski · October 19, 2020

Today is the feast of Saint Jean de Brébeuf, Saint Isaac Jogues, and Companions (Ss. Ioannis, Isaaci et Soc. Martyrum). Here is a brief excerpt from his martyrdom in March of 1649:

The Iroquois chose Father Brébeuf and some Hurons for the first torments. Leaping upon him as he prayed, they broke the bones of his hands, tore out his fingernails, and munched on his fingers. When they dragged him to one of the posts, he embraced it and kissed it. Quickly they pulled back his arms and fastened his wrists to the post. They were determined to smash his courage and to make him cry for mercy. They put burning sticks about his feet, ran flaming torches up, down, and between his legs, around his neck, and under his armpits. Puzzled that he neither cried out nor winced, they held the firebrands closer till the skin frizzled, then they slashed his flesh with knives.

Father Brébeuf addressed the captive converts in a strong voice: “My sons, my brothers, let us lift up our eyes to Heaven in our affliction. Let us remember that God is the witness of our sufferings, that very soon He will be our exceedingly great reward. Let us die in our Faith. Let us hope from Him the fulfillment of His promises to us. I have more pity for you than I have for myself. Bear up with courage under the few torments remaining. The sufferings will end with our lives. The grandeur which follows them will never have an end.”

Brébeuf’s tormenters hacked him with hatchets and knives and stabbed him with javelin heads. “Jesus, have mercy on us” was the only cry that came from his lips; it was re-echoed by the Christian Hurons.

Incensed by his defiance, the Iroquois cut away his lower lip and thrust a red-hot iron down his throat. As the indomitable priest still stood tall and voiced no sound of pain—no plea for mercy—they tried other means. They brought forth young Lalemant, that Brébeuf might see them torture him. They had fastened strips of bark, smeared with pitch, about Gabriel’s naked body. When the young priest saw the burnt and bleeding body of his superior, aghast and trembling Lalemant spoke the words of St. Paul: “We are made a spectacle to the world, to angels and to men.”

Saint Jean de Brébeuf, pray for us!

Saint Gabriel Lalemant, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 26, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“I never cared a tinker’s cuss what the Congregation may have decided about the order in which the acolyte should put out the candles after Vespers.”

— Dr. Adrian Fortescue (24 Nov. 1919)

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