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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Here’s How the Mass Will Change

Fr. David Friel · October 4, 2020

UST recently, I struck upon The Catholic News Archive, a valuable and fully searchable online collection of newspapers from various cities and periods. While looking for a particular article in an early issue of the National Catholic Reporter, I stumbled upon something else that caught my eye. The headline that usurped my attention was this: “Here’s How the Mass Will Change.” Curious, I decided to read the brief piece, and I’m glad I did. It offers a fascinating glimpse into a moment when the liturgical reforms of the Second Vatican Council were just beginning to take shape.

To put the article in context, it’s important to know that this was a front-page news story (below the fold) in the very first issue of the Reporter ever published. It appeared in vol. 1, no. 1 on 28 October 1964. The article originated with the news service of the bishops’ conference, so it may also have been published in other outlets.

The purpose of the short article is to describe what the Mass might look like after implementation of the reforms mandated by Sacrosanctum Concilium (SC). At the time the article ran, the Sacred Congregation of Rites had just published Inter Oecumenici (26 September 1964), the first of five instructions on the right application of SC. The other four instructions include:

Tres abhinc annos (4 May 1967)
Liturgicae instaurationes (5 September 1970)
Vicesimus quintus annus (4 December 1988)
Liturgiam authenticam (28 March 2001)

At the time of the article’s publication, the work of the “Consilium ad exsequendam Constitutionem de Sacra Liturgia” was still in its infancy.

The article is available from The Catholic News Archives, and a digital “clipping” of the article is pictured below. Click the thumbnail to expand the image.

NCR, 28 October 1964

Many aspects of what the article describes are interesting. It reflects twentieth-century liturgical reform at a very specific moment in time. Following are some unsystematic observations, following the order of the article:

1. “Four or five hymns” of congregational singing were envisioned at a Sunday low Mass. This is the continuation of an impoverished view of liturgical music, which the Liturgical Movement sought eagerly to remedy.

2. The manner of reciting the Gloria is particularly interesting. According to the article, it would begin as a dialogue between priest and people, then shift to a corporate recitation.

3. The description of the homily is noteworthy because it does not exclusively focus on the biblical readings. It admits, rather, the possibility of focusing on the ordinary or proper of the Mass.

4. The article mentions the Prayer of the Faithful, but it still envisions that this would be an official text (i.e., not something composed freely).

5. I am very intrigued that the editors of the brand new National Catholic Reporter presumed a readership that would have enough familiarity with the Mass and its parts in order to understand the content of this article. Could any Catholic publication presume so much today?

The gap between what was first envisioned and what ultimately was promulgated is wide. Taking a close look at the liturgical reform in media res is worthwhile and instructive.

St. Roch Church, Indianapolis (February 1964)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 31, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

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— Oliver Wendell Holmes

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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