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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Here’s How the Mass Will Change

Fr. David Friel · October 4, 2020

UST recently, I struck upon The Catholic News Archive, a valuable and fully searchable online collection of newspapers from various cities and periods. While looking for a particular article in an early issue of the National Catholic Reporter, I stumbled upon something else that caught my eye. The headline that usurped my attention was this: “Here’s How the Mass Will Change.” Curious, I decided to read the brief piece, and I’m glad I did. It offers a fascinating glimpse into a moment when the liturgical reforms of the Second Vatican Council were just beginning to take shape.

To put the article in context, it’s important to know that this was a front-page news story (below the fold) in the very first issue of the Reporter ever published. It appeared in vol. 1, no. 1 on 28 October 1964. The article originated with the news service of the bishops’ conference, so it may also have been published in other outlets.

The purpose of the short article is to describe what the Mass might look like after implementation of the reforms mandated by Sacrosanctum Concilium (SC). At the time the article ran, the Sacred Congregation of Rites had just published Inter Oecumenici (26 September 1964), the first of five instructions on the right application of SC. The other four instructions include:

Tres abhinc annos (4 May 1967)
Liturgicae instaurationes (5 September 1970)
Vicesimus quintus annus (4 December 1988)
Liturgiam authenticam (28 March 2001)

At the time of the article’s publication, the work of the “Consilium ad exsequendam Constitutionem de Sacra Liturgia” was still in its infancy.

The article is available from The Catholic News Archives, and a digital “clipping” of the article is pictured below. Click the thumbnail to expand the image.

NCR, 28 October 1964

Many aspects of what the article describes are interesting. It reflects twentieth-century liturgical reform at a very specific moment in time. Following are some unsystematic observations, following the order of the article:

1. “Four or five hymns” of congregational singing were envisioned at a Sunday low Mass. This is the continuation of an impoverished view of liturgical music, which the Liturgical Movement sought eagerly to remedy.

2. The manner of reciting the Gloria is particularly interesting. According to the article, it would begin as a dialogue between priest and people, then shift to a corporate recitation.

3. The description of the homily is noteworthy because it does not exclusively focus on the biblical readings. It admits, rather, the possibility of focusing on the ordinary or proper of the Mass.

4. The article mentions the Prayer of the Faithful, but it still envisions that this would be an official text (i.e., not something composed freely).

5. I am very intrigued that the editors of the brand new National Catholic Reporter presumed a readership that would have enough familiarity with the Mass and its parts in order to understand the content of this article. Could any Catholic publication presume so much today?

The gap between what was first envisioned and what ultimately was promulgated is wide. Taking a close look at the liturgical reform in media res is worthwhile and instructive.

St. Roch Church, Indianapolis (February 1964)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 31, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

Is this the dumbest statement ever written? “When considering texts for his motets, Gombert obtained his inspiration from Scripture—such as the Psalms—as opposed to the liturgy of the Roman Catholic church.”

— Wikipedia

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