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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Here’s How the Mass Will Change

Fr. David Friel · October 4, 2020

UST recently, I struck upon The Catholic News Archive, a valuable and fully searchable online collection of newspapers from various cities and periods. While looking for a particular article in an early issue of the National Catholic Reporter, I stumbled upon something else that caught my eye. The headline that usurped my attention was this: “Here’s How the Mass Will Change.” Curious, I decided to read the brief piece, and I’m glad I did. It offers a fascinating glimpse into a moment when the liturgical reforms of the Second Vatican Council were just beginning to take shape.

To put the article in context, it’s important to know that this was a front-page news story (below the fold) in the very first issue of the Reporter ever published. It appeared in vol. 1, no. 1 on 28 October 1964. The article originated with the news service of the bishops’ conference, so it may also have been published in other outlets.

The purpose of the short article is to describe what the Mass might look like after implementation of the reforms mandated by Sacrosanctum Concilium (SC). At the time the article ran, the Sacred Congregation of Rites had just published Inter Oecumenici (26 September 1964), the first of five instructions on the right application of SC. The other four instructions include:

Tres abhinc annos (4 May 1967)
Liturgicae instaurationes (5 September 1970)
Vicesimus quintus annus (4 December 1988)
Liturgiam authenticam (28 March 2001)

At the time of the article’s publication, the work of the “Consilium ad exsequendam Constitutionem de Sacra Liturgia” was still in its infancy.

The article is available from The Catholic News Archives, and a digital “clipping” of the article is pictured below. Click the thumbnail to expand the image.

NCR, 28 October 1964

Many aspects of what the article describes are interesting. It reflects twentieth-century liturgical reform at a very specific moment in time. Following are some unsystematic observations, following the order of the article:

1. “Four or five hymns” of congregational singing were envisioned at a Sunday low Mass. This is the continuation of an impoverished view of liturgical music, which the Liturgical Movement sought eagerly to remedy.

2. The manner of reciting the Gloria is particularly interesting. According to the article, it would begin as a dialogue between priest and people, then shift to a corporate recitation.

3. The description of the homily is noteworthy because it does not exclusively focus on the biblical readings. It admits, rather, the possibility of focusing on the ordinary or proper of the Mass.

4. The article mentions the Prayer of the Faithful, but it still envisions that this would be an official text (i.e., not something composed freely).

5. I am very intrigued that the editors of the brand new National Catholic Reporter presumed a readership that would have enough familiarity with the Mass and its parts in order to understand the content of this article. Could any Catholic publication presume so much today?

The gap between what was first envisioned and what ultimately was promulgated is wide. Taking a close look at the liturgical reform in media res is worthwhile and instructive.

St. Roch Church, Indianapolis (February 1964)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 31, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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