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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Here’s How the Mass Will Change

Fr. David Friel · October 4, 2020

UST recently, I struck upon The Catholic News Archive, a valuable and fully searchable online collection of newspapers from various cities and periods. While looking for a particular article in an early issue of the National Catholic Reporter, I stumbled upon something else that caught my eye. The headline that usurped my attention was this: “Here’s How the Mass Will Change.” Curious, I decided to read the brief piece, and I’m glad I did. It offers a fascinating glimpse into a moment when the liturgical reforms of the Second Vatican Council were just beginning to take shape.

To put the article in context, it’s important to know that this was a front-page news story (below the fold) in the very first issue of the Reporter ever published. It appeared in vol. 1, no. 1 on 28 October 1964. The article originated with the news service of the bishops’ conference, so it may also have been published in other outlets.

The purpose of the short article is to describe what the Mass might look like after implementation of the reforms mandated by Sacrosanctum Concilium (SC). At the time the article ran, the Sacred Congregation of Rites had just published Inter Oecumenici (26 September 1964), the first of five instructions on the right application of SC. The other four instructions include:

Tres abhinc annos (4 May 1967)
Liturgicae instaurationes (5 September 1970)
Vicesimus quintus annus (4 December 1988)
Liturgiam authenticam (28 March 2001)

At the time of the article’s publication, the work of the “Consilium ad exsequendam Constitutionem de Sacra Liturgia” was still in its infancy.

The article is available from The Catholic News Archives, and a digital “clipping” of the article is pictured below. Click the thumbnail to expand the image.

NCR, 28 October 1964

Many aspects of what the article describes are interesting. It reflects twentieth-century liturgical reform at a very specific moment in time. Following are some unsystematic observations, following the order of the article:

1. “Four or five hymns” of congregational singing were envisioned at a Sunday low Mass. This is the continuation of an impoverished view of liturgical music, which the Liturgical Movement sought eagerly to remedy.

2. The manner of reciting the Gloria is particularly interesting. According to the article, it would begin as a dialogue between priest and people, then shift to a corporate recitation.

3. The description of the homily is noteworthy because it does not exclusively focus on the biblical readings. It admits, rather, the possibility of focusing on the ordinary or proper of the Mass.

4. The article mentions the Prayer of the Faithful, but it still envisions that this would be an official text (i.e., not something composed freely).

5. I am very intrigued that the editors of the brand new National Catholic Reporter presumed a readership that would have enough familiarity with the Mass and its parts in order to understand the content of this article. Could any Catholic publication presume so much today?

The gap between what was first envisioned and what ultimately was promulgated is wide. Taking a close look at the liturgical reform in media res is worthwhile and instructive.

St. Roch Church, Indianapolis (February 1964)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 31, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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