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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Here’s How the Mass Will Change

Fr. David Friel · October 4, 2020

UST recently, I struck upon The Catholic News Archive, a valuable and fully searchable online collection of newspapers from various cities and periods. While looking for a particular article in an early issue of the National Catholic Reporter, I stumbled upon something else that caught my eye. The headline that usurped my attention was this: “Here’s How the Mass Will Change.” Curious, I decided to read the brief piece, and I’m glad I did. It offers a fascinating glimpse into a moment when the liturgical reforms of the Second Vatican Council were just beginning to take shape.

To put the article in context, it’s important to know that this was a front-page news story (below the fold) in the very first issue of the Reporter ever published. It appeared in vol. 1, no. 1 on 28 October 1964. The article originated with the news service of the bishops’ conference, so it may also have been published in other outlets.

The purpose of the short article is to describe what the Mass might look like after implementation of the reforms mandated by Sacrosanctum Concilium (SC). At the time the article ran, the Sacred Congregation of Rites had just published Inter Oecumenici (26 September 1964), the first of five instructions on the right application of SC. The other four instructions include:

Tres abhinc annos (4 May 1967)
Liturgicae instaurationes (5 September 1970)
Vicesimus quintus annus (4 December 1988)
Liturgiam authenticam (28 March 2001)

At the time of the article’s publication, the work of the “Consilium ad exsequendam Constitutionem de Sacra Liturgia” was still in its infancy.

The article is available from The Catholic News Archives, and a digital “clipping” of the article is pictured below. Click the thumbnail to expand the image.

NCR, 28 October 1964

Many aspects of what the article describes are interesting. It reflects twentieth-century liturgical reform at a very specific moment in time. Following are some unsystematic observations, following the order of the article:

1. “Four or five hymns” of congregational singing were envisioned at a Sunday low Mass. This is the continuation of an impoverished view of liturgical music, which the Liturgical Movement sought eagerly to remedy.

2. The manner of reciting the Gloria is particularly interesting. According to the article, it would begin as a dialogue between priest and people, then shift to a corporate recitation.

3. The description of the homily is noteworthy because it does not exclusively focus on the biblical readings. It admits, rather, the possibility of focusing on the ordinary or proper of the Mass.

4. The article mentions the Prayer of the Faithful, but it still envisions that this would be an official text (i.e., not something composed freely).

5. I am very intrigued that the editors of the brand new National Catholic Reporter presumed a readership that would have enough familiarity with the Mass and its parts in order to understand the content of this article. Could any Catholic publication presume so much today?

The gap between what was first envisioned and what ultimately was promulgated is wide. Taking a close look at the liturgical reform in media res is worthwhile and instructive.

St. Roch Church, Indianapolis (February 1964)
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 31, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

In the United States, Archbishop Kenrick had said in his “Moral Theology” that it was acceptable to sing the “Véni Sáncte Spíritus” before the sermon.

— Monsignor Schmitt (1977)

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  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
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