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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Homily for the 18th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Jeff Ostrowski · September 30, 2020

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

18th Sunday after Pentecost

*  PDF Download • READINGS IN ENGLISH
—(1962 Missal) Extraordinary Form of the Roman Rite.

ODAY’S GOSPEL incident is one of my favorites because it quite obviously shows that Jesus knew He was divine. Now I hate to talk nonsense in a homily, but the truth of the matter was—and in some cases still is—that some ‘modern’ Catholics say: “Oh, Jesus is divine, but He didn’t know it, and He only gradually became aware of it.” Now I don’t know if I should just call this kind of talk ‘gobbledygook’ or try to refute it. Already in the early Church there was the heresy of Arianism, promoted by a priest named Arius. This heresy denied the Divinity of Christ. Unfortunately much of the Catholic world fell for this false teaching. Saint Athanasius (d. 373) bravely fought against this until finally this heresy was laid to rest.

Today’s Gospel: The incident in today’s Gospel is a rather convincing demonstration that Jesus was aware of the fact that He was divine. And surprisingly enough, He even had the backing (although it was not intended) of His enemies. Being God—or just being a good psychologist—He knew what His enemies, the Pharisees, were thinking. They were thinking, and rightly so: “Only God can forgive sin.” Truer words were never spoken. Sin is an offense against God. Therefore, only God can forgive sin. To preclude any objections that some might bring up about priests, the only reason why priests can forgive sins is because God gave that power to certain men when they receive a certain Sacrament which we know as the “Sacrament of Holy Orders.”

Jesus & Sin: So Jesus, being God, knew He had the power to take away sin. For this reason, He told the poor paralyzed man: “Your sins are forgiven you.” Jesus knew what the reaction of the Pharisees was going to be. Jesus also knew that eventually it would be the fact of His claiming to be divine that would cost Him His life.

Modern ideas: For the life of me, I have always wondered where some of the moderns have come up with their modern new ideas, like the one I mentioned about “Jesus being God, but he did not know it.” I’m not here to bring up all the crazy ideas I’ve heard in the last fifty years. Believe it or not, they even have new ideas and theories about my own beloved Saint Francis, ideas we never heard before the Second Vatican Council. We are told these ideas are the fruits of “great modern scholarship.” If you ask me, I think a lot of it is pretty ‘fruity.’ I just heard a few weeks ago that Saint Francis did not really receive the Stigmata. Those marks on his hands, feet, and side were supposedly caused by his contracting leprosy. (Earlier in life, Saint Francis had worked with people afflicted with that disease.) It took almost eight hundred years for the great scholars to discover that theory—and wasn’t it strange that the leprosy affected only five certain parts of his body?

Forgiving sin: Jesus had the power to forgive sin because He was God—and He knew He had the power to do so. Because of that power, He was able to work many other miracles. The INTROIT for today asks God to give peace “to those who patiently await Thee.” One of the greatest gifts that Christ gave us is that Sacrament of Penance (“Confession”) in which we are assured of God’s forgiveness in the event that we failed and did something wrong. Hearing those words of absolution, Ego te absolvo a peccatis tuis (“I absolve you from your sins”) has brought a peace of mind to many people down through the ages which no money, no psychiatrist, and no counselor can provide. If people don’t use it, they are only cheating and depriving themselves.

The Introit: The Introit verse for today is the same that is used in votive Masses offered for peace. It reads: “Give peace, O Lord to them who patiently wait for Thee; hear the prayers of your people and deliver us.” I know that many faithful Catholics have been praying hard for the present difficulties in the Church to come to an end soon. It will happen, but only God knows when. In the meanwhile, let us do what God puts in front of us. Let us be thankful for all that God is giving us right here and now. Let me end by repeating the wise advice of Saint Teresa of Calcutta: “God doesn’t expect us to be successful, but he does expect us to be faithful.” +

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Valentine Young SERMON Last Updated: September 30, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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