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Views from the Choir Loft

(Installment #8) “Catholic Hymnals” • Cynthia Ostrowski

Cynthia Ostrowski · September 15, 2020

Editor’s Note: Each contributor is reflecting upon Comparison of 15 Traditional Catholic Hymnals. Rather than rehashing Mr. Craig’s article, they were given freedom to “expand upon” this vast subject. Click here to read all the installments that have appeared so far.

UNG ON OUR kitchen wall is the morning prayer we say, written by Rafael Cardinal Merry del Val and translated by Father Robert Skeris. It talks about how the Jesus Christ—the Son of God, Whose power is infinite and Who will be our Judge at the end of the world—lived a life of meekness, poverty, and humiliation. This paradox calls to mind what is believed about Julian the Apostate, the last pagan emperor of Rome. Shortly before dying, he supposedly exclaimed: “Pale Galilean, Thou hast conquered.” The emperor didn’t want to believe that someone Who had died the death of a criminal was also the Son of God.

Bishop Fulton J. Sheen was sensitive to paradox. He wrote that our Holy Catholic Faith began, surprisingly, with total catastrophe:

“Christianity, unlike any other religion in the world, begins with catastrophe and defeat. Sunshine religions and psychological inspirations collapse in calamity and wither in adversity. But the Life of the Founder of Christianity, having begun with the Cross, ends with the empty tomb and victory.”

I am not sure what I can add to Daniel Craig’s article comparing 15 hymnals, so I will share a recording I sang Soprano for. This melody was written by composer Kevin Allen, and it’s #869 in the Brébeuf hymnal:

Rehearsal videos for each individual voice await you at #869.

True Christianity is not related to the “prosperity Gospel” preached by Protestants. They claim that if you believe in Jesus, you will be rewarded in this life: a big house, fine clothing, the best food to eat, the nicest cars, etc. The Catholic Church rejects such a notion; and Bishop Fulton J. Sheen once speculated that people would become Christians for the wrong reasons if the prosperity Gospel were true. The reality is that some of the holiest saints of the Church, such as the Jesuit Martyrs of North America, lived lives of unspeakable hardship and severe poverty.

Earlier, I spoke of paradox. Number 869 in the Brébeuf hymnal (Solemn Hymn to the Son of God, an original hymn text by Father Dominic Popplewell) makes use of paradox. Most of the paradoxes should be fairly easy to understand, especially since the Scripture references were listed at the bottom of the page. For instance, this hymn speaks of Jesus Christ being the True Shepherd, but also the Paschal Lamb. The hymn is under copyright by the Brébeuf hymnal, so I can only provide a few verses:

2. Ever God, in time a man,
Limited, whom none may span,
Knowing all, whose wisdom grew, (Lk 2.52)
Paschal Lamb and Shepherd true:
(Jn 1.29, 36; I Cor 5.7; I Pt 1.19; Jn 10.11, 14; I Pt 2.25)

Who by yielding won the strife,
Who by dying garnered life,
Who departed, but to bide (Mt 28.20)
With the Church, your chosen Bride. (Eph 5.25-27; Ap 21.2, 9)

I would like to speak of the line that says: “Who departed, but to bide | With the Church, your chosen Bride.” Jesus said (John 16:7) that He must go: “And yet I can say truly that it is better for you I should go away; he who is to befriend you will not come to you unless I do go, but if only I make my way there, I will send him to you.” But Jesus said in Matthew 28:20 that He would stay: “Behold I am with you all days, even to the consummation of the world.” Is our Lord Jesus Christ here? Or not? We know that our Savior is present in the Holy Eucharist: Body, Blood, Soul, and Divinity. The bishop of Mopsuestia (Theodore) writing in the 5th Century, said:

When Christ gave the bread,
He did not say,
“This is the symbol of my body,”
but, “This is my body.”
In the same way,
when He gave the cup of His blood
He did not say,
“This is the symbol of my blood,”
but, “This is my blood.”

We can also see Jesus in other ways. We see Jesus in the eyes of the poor. We see Jesus in the eyes of those who are persecuted. We see God in the wonders of Creation, such as mountains, clouds, oceans, and the snowflake. And Matthew 18:20 says: “Where two or three are gathered together in my name, I am there in the midst of them.” Theologians could probably explain more ways Jesus is here with us.

Father Popplewell’s hymn (#869) continues with more verses, making much use of paradox.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditional Catholic Hymnals Last Updated: September 15, 2020

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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