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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

(Installment #8) “Catholic Hymnals” • Cynthia Ostrowski

Cynthia Ostrowski · September 15, 2020

Editor’s Note: Each contributor is reflecting upon Comparison of 15 Traditional Catholic Hymnals. Rather than rehashing Mr. Craig’s article, they were given freedom to “expand upon” this vast subject. Click here to read all the installments that have appeared so far.

UNG ON OUR kitchen wall is the morning prayer we say, written by Rafael Cardinal Merry del Val and translated by Father Robert Skeris. It talks about how the Jesus Christ—the Son of God, Whose power is infinite and Who will be our Judge at the end of the world—lived a life of meekness, poverty, and humiliation. This paradox calls to mind what is believed about Julian the Apostate, the last pagan emperor of Rome. Shortly before dying, he supposedly exclaimed: “Pale Galilean, Thou hast conquered.” The emperor didn’t want to believe that someone Who had died the death of a criminal was also the Son of God.

Bishop Fulton J. Sheen was sensitive to paradox. He wrote that our Holy Catholic Faith began, surprisingly, with total catastrophe:

“Christianity, unlike any other religion in the world, begins with catastrophe and defeat. Sunshine religions and psychological inspirations collapse in calamity and wither in adversity. But the Life of the Founder of Christianity, having begun with the Cross, ends with the empty tomb and victory.”

I am not sure what I can add to Daniel Craig’s article comparing 15 hymnals, so I will share a recording I sang Soprano for. This melody was written by composer Kevin Allen, and it’s #869 in the Brébeuf hymnal:

Rehearsal videos for each individual voice await you at #869.

True Christianity is not related to the “prosperity Gospel” preached by Protestants. They claim that if you believe in Jesus, you will be rewarded in this life: a big house, fine clothing, the best food to eat, the nicest cars, etc. The Catholic Church rejects such a notion; and Bishop Fulton J. Sheen once speculated that people would become Christians for the wrong reasons if the prosperity Gospel were true. The reality is that some of the holiest saints of the Church, such as the Jesuit Martyrs of North America, lived lives of unspeakable hardship and severe poverty.

Earlier, I spoke of paradox. Number 869 in the Brébeuf hymnal (Solemn Hymn to the Son of God, an original hymn text by Father Dominic Popplewell) makes use of paradox. Most of the paradoxes should be fairly easy to understand, especially since the Scripture references were listed at the bottom of the page. For instance, this hymn speaks of Jesus Christ being the True Shepherd, but also the Paschal Lamb. The hymn is under copyright by the Brébeuf hymnal, so I can only provide a few verses:

2. Ever God, in time a man,
Limited, whom none may span,
Knowing all, whose wisdom grew, (Lk 2.52)
Paschal Lamb and Shepherd true:
(Jn 1.29, 36; I Cor 5.7; I Pt 1.19; Jn 10.11, 14; I Pt 2.25)

Who by yielding won the strife,
Who by dying garnered life,
Who departed, but to bide (Mt 28.20)
With the Church, your chosen Bride. (Eph 5.25-27; Ap 21.2, 9)

I would like to speak of the line that says: “Who departed, but to bide | With the Church, your chosen Bride.” Jesus said (John 16:7) that He must go: “And yet I can say truly that it is better for you I should go away; he who is to befriend you will not come to you unless I do go, but if only I make my way there, I will send him to you.” But Jesus said in Matthew 28:20 that He would stay: “Behold I am with you all days, even to the consummation of the world.” Is our Lord Jesus Christ here? Or not? We know that our Savior is present in the Holy Eucharist: Body, Blood, Soul, and Divinity. The bishop of Mopsuestia (Theodore) writing in the 5th Century, said:

When Christ gave the bread,
He did not say,
“This is the symbol of my body,”
but, “This is my body.”
In the same way,
when He gave the cup of His blood
He did not say,
“This is the symbol of my blood,”
but, “This is my blood.”

We can also see Jesus in other ways. We see Jesus in the eyes of the poor. We see Jesus in the eyes of those who are persecuted. We see God in the wonders of Creation, such as mountains, clouds, oceans, and the snowflake. And Matthew 18:20 says: “Where two or three are gathered together in my name, I am there in the midst of them.” Theologians could probably explain more ways Jesus is here with us.

Father Popplewell’s hymn (#869) continues with more verses, making much use of paradox.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Traditional Catholic Hymnals Last Updated: September 15, 2020

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About Cynthia Ostrowski

Cynthia Ostrowski holds a bachelor's degree (2005) in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi.—(Read full biography).

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President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fibre seemed to vibrate with elemental musical power.”

— Daniel Barenboim (1960)

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