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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bishop Sheen on Sanctifying the Moment

Fr. David Friel · August 30, 2020

N GOD’S great goodness, I first received the faith from my dear parents. With the help of many devoted priests, friends, neighbors, and Catholic school teachers, my faith deepened. It was through listening to Bishop Sheen’s 35-cassette “Ye Shall Know the Truth” catechism series, however, that I caught my first glimpse of the breadth and length and height and depth of the tremendous richness on which our Catholic faith is set. Reading Sheen’s Calvary and the Mass later, though still as a high school student, fundamentally changed my life.

From time to time, I still listen to his catechism series—yes, in cassette format—because it continues to nourish me. (Although the “Ye Shall Know the Truth” collection seems to be unavailable, lots of very similar content from Sheen is available here and here.) I encourage anyone who has not already encountered the writings or videos of Bishop Sheen to seek them out, because he still has much to teach.

ODAY, I would like to allow Bishop Sheen to speak to us again, at some length. The passage below is taken from his book Lift Up Your Heart, first published in 1950. These excerpts strike me as especially pertinent to our present ecclesial moment.

In chapter 16, Sheen writes this:

Millions of men and women today lead what has been called “lives of quiet desperation.” They are panicky, worried, neurotic, fearful, and, above all, frustrated souls.

[…]

The present moment includes some things over which we have control, but it also carries with it difficulties we cannot avoid—such things as a business failure, a bad cold, rain on picnic days, an unwelcome visitor, a fallen cake, a buzzer that doesn’t work, a fly in the milk, and a boil on the nose the night of the dance. We do not always know why such things as sickness and setbacks happen to us, for our minds are far too puny to grasp God’s plan. Man is a little like a mouse in a piano, which cannot understand why it must be disturbed by someone playing Chopin and forcing it to move off the piano wires. When Job suffered, he posed questions to God: why was he born, and why was he suffering? God appeared to him, but instead of answering Job’s questions, He began to ask Job to answer some of the larger questions about the universe. When the Creator had finished pouring queries into the head of the creature, Job realized that the questions of God were wiser than the answers of men. Because God’s ways are not our ways—because the salvation of a soul is more important than all material values—because Divine Wisdom can draw good out of evil—the human mind must develop acceptance of the Now, no matter how hard it may be for us to understand its freight of pain. We do not walk out of a theater because the hero is shot in the first act; we give the dramatist credit for having a plot in his mind; so the soul does not walk out on the first act of God’s drama of salvation—it is the last act that is to crown the play. The things that happen to us are not always susceptible to our minds’ comprehension or wills’ conquering; but they are always within the capacity of our Faith to accept and of our wills’ submission.

One question is never asked by Love, and that is “Why?” That word is used only by the three D’s of Doubt, Deceit, and the Devil. The happiness of the Garden of Paradise, founded on trusting love, cracked under the Satanic query: “Why has God commanded you?” To true love, each wish of the beloved is a dread command—the lover even wishes that the requests were multiplied, that there might be more frequent opportunities of service. Those who love God do not protest, whatever He may ask of them, nor doubt His kindness when He sends them difficult hours. A sick man takes medicine without asking the physician to justify its bitter taste, because he trusts the doctor’s knowledge; so the soul which has sufficient faith accepts all the events of life as gifts from God, in the serene assurance that He knows best.

Every moment brings us more treasures than we can gather. The great value of the Now, spiritually viewed, is that it carries a message God has directed personally to us. Books, sermons, and broadcasts on a religious theme have the appearance of being circular letters, meant for everyone. Sometimes, when such general appeals do appear to have a personal application, the soul gets angry and writes vicious letters to allay its uneasy conscience: excuses can always be found for ignoring the Divine Law. But though moral and spiritual appeals carry God’s identical message to all who listen, this is not true of the Now-moment; no one else but I am in exactly these circumstances; no one else has to carry the same burden, whether it be sickness, the death of a loved one, or some other adversity. Nothing is more individually tailored to our spiritual needs than the Now-moment; for that reason it is an occasion of knowledge which can come to no one else. This moment is my school, my textbook, my lesson. Not even Our Lord disdained to learn from His specific Now; being God, He knew all, but there was still one kind of knowledge He could experience as a man. St. Paul describes it: “Son of God though He was, He learned obedience in the school of suffering.” (Heb. 5:8)

The University of the Moment has been built uniquely for each of us, and in comparison with the revelation God gives each in it, all other methods of learning are shallow and slow. This wisdom is distilled from intimate experience, is never forgotten; it becomes part of our character, our merit, our eternity. Those who sanctify the moment and offer it up in union with God’s will never become frustrated—never grumble or complain. They overcome all obstacles by making them occasions of prayer and channels of merit. What were constrictions are thus made opportunities for growth. It is the modern pagan who is the victim of circumstance, and not its master. Such a man, having no practical knowledge of God, no trust in His Providence, no assurance of His Love, lacks the shock absorber of Faith and Hope and Love when difficult days come to him. His mind is caught within the pincers of a past he regrets or resents and a future he is afraid he cannot control. Being thus squeezed, his nature is in pain.

The one who accepts God’s will in all things escapes such frustration by piercing the disguise of outward events to penetrate to their real character as messengers of the God he loves. 1

Bishop Sheen has so much to offer to our Church today, from homily pointers to a more refined theology of the priesthood of the baptized.

If you would like to learn more about Sheen’s cause for canonization, check out the Archbishop Sheen Foundation.


NOTES FROM THIS ARTICLE:

1   Fulton J. Sheen, Lift Up Your Heart (New York: McGraw-Hill, 1950), 228 and 231-233.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Bishop Fulton J Sheen Last Updated: August 30, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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