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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

EF Gospel Illustrations

Veronica Brandt · July 4, 2020

There are many resources available for preparing children for Sunday Mass in the Ordinary Form. I’m thinking of Holy Heroes, Catholic Kids Bulletin and Kids Bulletin.

Children attending the Latin Mass could also use these resources, but they won’t always match up with the readings they hear read and preached on at Mass. The coloring calendars I posted about earlier were a wonderful exception and I hope to see more initiatives like that.

The task of preparing new people for the Latin Mass is a much older task. When you consider the hundreds of years of explaining the readings, it will come as no surprise to find a complete illustrated guide to the Life of Christ linked to the Sunday Gospel Readings.

Jerome Nadal was one of the first ten members of St Ignatius’ Society of Jesus. St Ignatius himself asked him to compile an illustrated book of meditations on the Gospels. He duly chose the scenes and commissioned the artist but died in 1580, some years before the work was published in 1593.

The images have been available in low resolution scans from a professor from Fairfield University for many years. Also more information from Catholic Resources. But only recently I found a group called Devoted Friends of God had tidied up some high resolution scans and released a printed copy complete with translations. They also uploaded their tidied scans to the Internet Archive, making them available for free.

It is possible to look up the relevant plate for each Sunday or feast day and print the page for children to examine and color. The illustrations are fascinatingly detailed. Decoding the Latin annotations is fun too.

Jerome Nadal’s book also includes plates on the Assumption of Our Lady into Heaven and her Coronation, so would be suitable for learning the mysteries of the Rosary too!

JoyfulSorrowfulGloriousLuminous
AnnunciationAgony in the GardenResurrectionBaptism (not exact, but close)
VisitationScourgingAscensionWedding at Cana
NativityCrowning with ThornsPentecostProclamation of the Kingdom
PresentationCarrying of the CrossAssumptionTransfiguration
Finding in the TempleCrucifixionCoronationInstitution of the Eucharist

Here are the plates for the next few Sundays:

  1. 5th Sunday after Pentecost – plate 19
  2. 6th Sunday after Pentecost – plates 42 & 43
  3. 7th Sunday after Pentecost – plate 25
  4. 8th Sunday after Pentecost – plate 64
  5. 9th Sunday after Pentecost – plates 86, 87 & 88

The PDF version is very large and is all in Latin with all the quirks of 16th century calligraphy. The printed copy is much more accessible with the literal translations and three different bindings: paperback, hardcover and linen wrap.

Please let me know if you know of any other resources helping kids appreciate the Sunday readings for the Extraordinary Form of the Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Children at Mass, Coloring Pages, Liturgy For Children Last Updated: July 4, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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  • New Bulletin Article • “12 October 2025”

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