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Views from the Choir Loft

Pain, Trauma, Caution in the Choir World

Richard J. Clark · May 8, 2020

EAREST musicians, colleagues, and friends: In recent days, a bomb has been dropped on the choir world. I can feel the collective trauma — the inexpressible groanings of despair. Musicians are already hurting economically, spiritually, and artistically. These three areas are a struggle in normal times. 

Immeasurable pain is not unwarranted. Resonance with others in voice and in shared humanity is irreplaceable. This hurt is compounded by the recent NATS/ACDA webinar (National Association of Teachers of Singing/American Choral Directors Association): A Conversation: What Do Science and Data Say About the Near Term Future of Singing. The general conclusion that currently there is no safe way for a choir to sing and rehearse together in the same room or church. Cementing the despair is a projected timeline of eighteen to twenty-four month timeline for resuming usual activities. (Keep in mind, is a guess, and there are hopeful efforts to accelerate this timeline.)

This conclusion of regarding safety was not a surprise to those who had opportunity to read this from Dr. Heather Nelson: Singing, the Church, and COVID-19: A Caution for Moving Forward in Our Current Pandemic. A vocologist and a voice teacher with a PhD in Vocal Pedagogy and Voice Science, Dr. Nelson also loves singing in church. She corroborates many of the conclusions of the NATS/ACDA. I recommend reading this.

I watched the entire NATS seminar — all two and a half plus hours of it. I found it to be presented knowledgably and earnestly with the best interest of the people at heart despite its heartbreaking conclusions.

But both of these sources emphasize the following: There is much we don’t yet know. The science has not yet been peer reviewed and as such, we must remain on the side of caution.

Both sources discuss in part the science of aerosols emitted from singers and its potential impact on the transmission of the disease. The difficulty of this is the six-feet apart rule may not be nearly enough space for singers who may be super emitters of aerosols potentially spreading far greater distances. We so not yet know the full impact of transmitting the disease through aerosols. But we must consider it seriously and act cautiously.

Since Holy Week

As such, since Holy Week, I have had only a single cantor for our televised Masses. Yes, we miss singing polyphony and chant with a schola. I miss singing hymns and songs of praise. We all do.

For this coming Sunday I have taken the step of keeping the cantor with me in the choir loft for the entire Mass including the Responsorial Psalm. This is one less person at the ambo (and it takes a pandemic to get me to keep the psalmist away from the ambo!)

I do this more to protect the lector, the deacon, and priests (and Cardinal) from the singer than protecting the singer from them. Overprotective? Perhaps. I’m not apologizing for it. As it is, we are already sanitizing the ambo and its microphone in between each reading. That doesn’t account for the air anyone is breathing at the ambo.

I also recommend you make use of your choir lofts if you can for added social distancing. I know my singers feel safer.

Sanitizing keyboards, microphones (avoid relying on microphones if possible), music stands, doorknobs, etc. is another difficult daily necessity. I prop as many doors open as possible to allow me and my cantor to move about without touching doors. Yes, we are in a place of micromanaging most every aspect of daily movement.

Germany’s recent ban of congregational singing was greeted with alarm in recent days. This decision sounds less unreasonable with current information. In the United States where a few dioceses are opening under limited parameters, congregational singing is encouraged in some places and discouraged in others. With so little data and experience to be had, extreme caution is warranted. 

Hope for the Timeline?

Regarding the despair of the projected eighteen to twenty-four month timeline for resuming usual activities. One must understand that this is a guess, if perhaps a realistic expectation at this time.

However, I am an optimist in this case. The motivation worldwide to produce a vaccine or a treatment with perhaps 95% efficacy is higher than we can imagine — for reasons both altruistic and otherwise. Even in the NATS webinar, Otolaryngologist Dr. Lucinda Halstead expresses this heightened motivation by the brightest in the world.

For example, the New York Times reports human trials of a possible vaccine have begun, describing the race to find something faster than eighteen months. We Shall see. There are also hopeful efforts at Oxford University among others all around the world. The race for a vaccine and treatment is on. This should give us hope.

Keeping your sanity

Consumption of news and information can impact your mental health: Please guard your own mindset and do not get sucked into the void or endless news and updates—as I too know how easy this is to do. Especially now, when we are home more.

I am reminded of a golden piece of information I received about thirty years ago — the “keys to the kingdom” in keeping such things in perspective:

I was attending the “New Music Seminar” in Manhattan around 1990. Many songwriters were complaining about the quality of the music so often heard on the radio.

A radio executive, who was sitting on one of the panels parted to us this piece of eternal enlightenment. He said:

“I need to remind you that in radio, we are not in the music business. We are in the business of selling advertising.”

Let that sink in.

That was not news then and it is not now. When you surf the web, or social media, keep in mind that all news outlets (regardless of political leanings) are not entirely in the business of selling news—if at all. They are very much in the business of selling advertising. They need clicks to drive traffic to their website in order to attract clients to advertise on their site. (I won’t get started on webbots and the mining of your data to create algorithms designed to manipulate your engagement.) To varying extents, all news is colored by this reality.

Furthermore, keep in mind that it is an age-old newspaper practice that the author of an article (save this one) does not write the headline. The editors reserve that right and do so to attract more readers. Hence the term “click bait.”

Just keep all this in mind when consuming information. Own your mind and heart, reserve judgment, and decide for yourself in due time.

The Wounded Healer

Finally, I’m reminded of Henri Nouwen’s classic, The Wounded Healer – Ministry in Contemporary Society.

Nouwen’s book recounts a story from the Talmud, summarizing:

“The Messiah, the story tells us, is sitting among the poor, binding his wounds, one at a time, waiting for the moment when he will be needed. So too it is with the minister…he is called to be the wounded healer, the one who must look after his own wounds but at the same time be prepared to heal the wounds of others.

”Jesus has given this story a new fullness by making his own broken body the way to health, to liberation and new life. Thus like Jesus, he who proclaims liberation is called not only to care for his own wounds and the wounds of others, but also to make his wounds into a major source of his healing power.” (The Wounded Healer, pg. 84, Doubleday and Co.)

So, the general premise of Nouwen’s books is that through our wounds, through our brokenness, pain, hurt, and perhaps even human imperfection, we are capable of helping others heal. 

I greatly suspect that in time, our ministry and service to each other will provide greater healing than ever. You are all called to be healers—despite and because of your wounds you suffer now.

Oremus pro invicem
Let us pray for each other

 

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: May 8, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

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