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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

If you are having a bad day, this is what it means

Richard J. Clark · April 24, 2020

F YOU are having a bad day—if you are having a bad week…no—revise that—if you are having a rough year, here is what it means: It means you are human. It means you have a heart. It means you feel deeply. It means you are connected with your loved ones and fellow human beings. It means you are mourning and in grief. It means you are quite normal.

If you struggle now, you love deeply. In turn, know you are loved deeply. I hope you know and feel this. More importantly, God wants you to know this.

This is not to discount nor minimize serious suffering, much that is chronic, much that was ongoing. Cancer treatments continue. The loss of loved ones continue. Challenges great and small go on as before. The current pandemic “piles on” to a life that with certainty delivers challenge and pain, but also joy and love.

TODAY I SAW what I took as a reminder that of hope. Just outside the front steps of our house was a blooming yellow flower. But this flower was growing out in the cracks between rock and concrete. Yet it blooms.

If nothing else, it made me smile, reminding me that in placing our trust in God we will blossom even harsh conditions.

MEANWHILE, IT HAS NOT felt much like the Easter Season, nor like Spring bringing new life. No congregation, so choir, no ordinations of several new priests in a few weeks, and a canceled choir tour. I caught myself looking for a purple tie for a televised Mass. It still feels like Lent.

But instead of counting loss, a sense of gratitude is heightened. I am ever more grateful for work, simple opportunities, health, friends, family, and abundance of love. Eyes are opened to ongoing blessings and gifts from God. This is not loss but awakening to renewed life!

TODAY, WE CARRY A COMMON CROSS. This is in addition to many other heavy crosses you likely are already carrying. As Simon helped Jesus, we help each other. God knows your troubles as he has searched you, and he knows you.

I often find Psalm 139 a great source of comfort and reassurance. Here is a recording from the Cathedral of the Holy Cross with Richard Kelley, trumpet performing a meditation on Psalm 139: 1 “Lord, you have searched me, you know me.” There is grief. There is joy.

GRIEF AND SUFFERING often have one searching for meaning. From the Office of Readings from the Proslogion by Saint Anselm, bishop:

My soul, have you found what you are looking for? You were looking for God, and you have discovered that he is the supreme being, and that you could not possibly imagine anything more perfect. You have discovered that this supreme being is life itself, light, wisdom, goodness, eternal blessedness and blessed eternity. He is everywhere, and he is timeless.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 24, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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