• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Why are you sad, O my soul?

Veronica Brandt · April 18, 2020

When I was making draft hymnbooks, I cut pictures from old calendars to adorn the front covers. This one really struck me at the time.

“Christ in the Desert” by Ivan Kramskoi (1872)

Maybe it’s so stereotypically Russian. Maybe it summed up what I was feeling at the time, arranging compromises on what to include in the books, printing 30 copies of close to 300 page books, cutting into my thumb through the thumbnail with the guillotine, gluing and covering each book, finding typos every other week. Finding out halfway through the design stage that Corpus Christi Watershed were producing the Campion Hymnal which would have served admirably had our budget been ten times bigger. Or had we had a budget.

A handful of the surviving draft hymnbooks

Now I find myself in a very different situation.

At first I was anxious and even may have been depressed. I thought too much about exponential curves and washing my hands. I even looked forward to isolation if it meant less worry.

Now it is over a month since I last attended Mass. Which is a pretty short time in the bigger scheme of things. I am able to sing Compline each night with my family. We say the rosary together. I can watch a livestream of our local FSSP Mass every morning. But I still feel sad.

Mass on the big screen in our cluttered living room.

I usually worry a lot about the Easter ceremonies. The last few years my responsibility has mainly been for the Easter Sunday Mass, which was fairly sparsely attended anyway. Then there was going to be a week of Easter Masses for a homeschool camp. All cancelled.

I guess I am relieved that I don’t bear that responsibility. I am glad to be able to sit with my little children and point out what happens during Mass on a screen in our living room. I am glad my bigger children still feel the importance of attending Mass in some form. But I still feel sad.

Then, in an online talk, our priest pointed out that it is alright to feel sad. The loss of receiving Communion is a real thing. There are tragedies unfolding all over the world. The other alternative would be indifference, and that would be a real tragedy.

At the beginning of Vetus Ordo Mass, the priest recites the psalm that goes: Quare tristis es, anima mea, et quare conturbas me? Why are you sad, O my soul, and why dost thou disquiet me? The next line answers: Spera in Deo Hope in the Lord, I will again be praising thee.

I remember finding it hard to understand what Hope means. It helped me to learn about the two sins against the virtue of Hope: Presumption and Despair. I couldn’t get a grip on what Hope meant without seeing its absence. When we are content with life, then hope seems irrelevant. When we are thrown into a storm, then we feel that defiant struggle to stand upright and keep our eyes on the goal.

This year I had expected to have an easier time. I had three children enrolled in outside education. I was looking forward to calmly homeschooling just two children with time over to play with the pre-schooler. Now I have six children home, including Four Teenage Boys, so maybe it’s just as well I’m not leading any choral endeavours right now!

So, I am still sad, but I see a big challenge and I know that God gives us the grace necessary to serve Him in this life and to obtain eternal life in the next. I won’t be indifferent. I won’t forget God. I’ll put time aside every day to make a Spiritual Communion. I’ll keep finding ways to help my family. It’s not the path I was expecting, but God knows what He’s doing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 18, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

Recent Posts

  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin
  • “Equal Voices” Choir Pieces
  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.