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Views from the Choir Loft

Why are you sad, O my soul?

Veronica Brandt · April 18, 2020

When I was making draft hymnbooks, I cut pictures from old calendars to adorn the front covers. This one really struck me at the time.

“Christ in the Desert” by Ivan Kramskoi (1872)

Maybe it’s so stereotypically Russian. Maybe it summed up what I was feeling at the time, arranging compromises on what to include in the books, printing 30 copies of close to 300 page books, cutting into my thumb through the thumbnail with the guillotine, gluing and covering each book, finding typos every other week. Finding out halfway through the design stage that Corpus Christi Watershed were producing the Campion Hymnal which would have served admirably had our budget been ten times bigger. Or had we had a budget.

A handful of the surviving draft hymnbooks

Now I find myself in a very different situation.

At first I was anxious and even may have been depressed. I thought too much about exponential curves and washing my hands. I even looked forward to isolation if it meant less worry.

Now it is over a month since I last attended Mass. Which is a pretty short time in the bigger scheme of things. I am able to sing Compline each night with my family. We say the rosary together. I can watch a livestream of our local FSSP Mass every morning. But I still feel sad.

Mass on the big screen in our cluttered living room.

I usually worry a lot about the Easter ceremonies. The last few years my responsibility has mainly been for the Easter Sunday Mass, which was fairly sparsely attended anyway. Then there was going to be a week of Easter Masses for a homeschool camp. All cancelled.

I guess I am relieved that I don’t bear that responsibility. I am glad to be able to sit with my little children and point out what happens during Mass on a screen in our living room. I am glad my bigger children still feel the importance of attending Mass in some form. But I still feel sad.

Then, in an online talk, our priest pointed out that it is alright to feel sad. The loss of receiving Communion is a real thing. There are tragedies unfolding all over the world. The other alternative would be indifference, and that would be a real tragedy.

At the beginning of Vetus Ordo Mass, the priest recites the psalm that goes: Quare tristis es, anima mea, et quare conturbas me? Why are you sad, O my soul, and why dost thou disquiet me? The next line answers: Spera in Deo Hope in the Lord, I will again be praising thee.

I remember finding it hard to understand what Hope means. It helped me to learn about the two sins against the virtue of Hope: Presumption and Despair. I couldn’t get a grip on what Hope meant without seeing its absence. When we are content with life, then hope seems irrelevant. When we are thrown into a storm, then we feel that defiant struggle to stand upright and keep our eyes on the goal.

This year I had expected to have an easier time. I had three children enrolled in outside education. I was looking forward to calmly homeschooling just two children with time over to play with the pre-schooler. Now I have six children home, including Four Teenage Boys, so maybe it’s just as well I’m not leading any choral endeavours right now!

So, I am still sad, but I see a big challenge and I know that God gives us the grace necessary to serve Him in this life and to obtain eternal life in the next. I won’t be indifferent. I won’t forget God. I’ll put time aside every day to make a Spiritual Communion. I’ll keep finding ways to help my family. It’s not the path I was expecting, but God knows what He’s doing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 18, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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