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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why are you sad, O my soul?

Veronica Brandt · April 18, 2020

When I was making draft hymnbooks, I cut pictures from old calendars to adorn the front covers. This one really struck me at the time.

“Christ in the Desert” by Ivan Kramskoi (1872)

Maybe it’s so stereotypically Russian. Maybe it summed up what I was feeling at the time, arranging compromises on what to include in the books, printing 30 copies of close to 300 page books, cutting into my thumb through the thumbnail with the guillotine, gluing and covering each book, finding typos every other week. Finding out halfway through the design stage that Corpus Christi Watershed were producing the Campion Hymnal which would have served admirably had our budget been ten times bigger. Or had we had a budget.

A handful of the surviving draft hymnbooks

Now I find myself in a very different situation.

At first I was anxious and even may have been depressed. I thought too much about exponential curves and washing my hands. I even looked forward to isolation if it meant less worry.

Now it is over a month since I last attended Mass. Which is a pretty short time in the bigger scheme of things. I am able to sing Compline each night with my family. We say the rosary together. I can watch a livestream of our local FSSP Mass every morning. But I still feel sad.

Mass on the big screen in our cluttered living room.

I usually worry a lot about the Easter ceremonies. The last few years my responsibility has mainly been for the Easter Sunday Mass, which was fairly sparsely attended anyway. Then there was going to be a week of Easter Masses for a homeschool camp. All cancelled.

I guess I am relieved that I don’t bear that responsibility. I am glad to be able to sit with my little children and point out what happens during Mass on a screen in our living room. I am glad my bigger children still feel the importance of attending Mass in some form. But I still feel sad.

Then, in an online talk, our priest pointed out that it is alright to feel sad. The loss of receiving Communion is a real thing. There are tragedies unfolding all over the world. The other alternative would be indifference, and that would be a real tragedy.

At the beginning of Vetus Ordo Mass, the priest recites the psalm that goes: Quare tristis es, anima mea, et quare conturbas me? Why are you sad, O my soul, and why dost thou disquiet me? The next line answers: Spera in Deo Hope in the Lord, I will again be praising thee.

I remember finding it hard to understand what Hope means. It helped me to learn about the two sins against the virtue of Hope: Presumption and Despair. I couldn’t get a grip on what Hope meant without seeing its absence. When we are content with life, then hope seems irrelevant. When we are thrown into a storm, then we feel that defiant struggle to stand upright and keep our eyes on the goal.

This year I had expected to have an easier time. I had three children enrolled in outside education. I was looking forward to calmly homeschooling just two children with time over to play with the pre-schooler. Now I have six children home, including Four Teenage Boys, so maybe it’s just as well I’m not leading any choral endeavours right now!

So, I am still sad, but I see a big challenge and I know that God gives us the grace necessary to serve Him in this life and to obtain eternal life in the next. I won’t be indifferent. I won’t forget God. I’ll put time aside every day to make a Spiritual Communion. I’ll keep finding ways to help my family. It’s not the path I was expecting, but God knows what He’s doing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 18, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

10 February 1588: “All incompetent singers in the cathedral are warned that they must immediately begin to improve themselves or be fined. Regularly scheduled practice hours shall be announced, and all incompetents must attend. No one shall henceforth sing anything by way of a solo except those whose names the dean communicates to Guerrero.”

— From the “Life of Father Francisco Guerrero”

Recent Posts

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  • Season’s End Repertoire
  • PDF Download • “Funeral Procession”
  • Re: The “Correct” Way To Sing Gregorian Chant
  • PDF Download • Ascension “Entrance Chant”

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