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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why are you sad, O my soul?

Veronica Brandt · April 18, 2020

When I was making draft hymnbooks, I cut pictures from old calendars to adorn the front covers. This one really struck me at the time.

“Christ in the Desert” by Ivan Kramskoi (1872)

Maybe it’s so stereotypically Russian. Maybe it summed up what I was feeling at the time, arranging compromises on what to include in the books, printing 30 copies of close to 300 page books, cutting into my thumb through the thumbnail with the guillotine, gluing and covering each book, finding typos every other week. Finding out halfway through the design stage that Corpus Christi Watershed were producing the Campion Hymnal which would have served admirably had our budget been ten times bigger. Or had we had a budget.

A handful of the surviving draft hymnbooks

Now I find myself in a very different situation.

At first I was anxious and even may have been depressed. I thought too much about exponential curves and washing my hands. I even looked forward to isolation if it meant less worry.

Now it is over a month since I last attended Mass. Which is a pretty short time in the bigger scheme of things. I am able to sing Compline each night with my family. We say the rosary together. I can watch a livestream of our local FSSP Mass every morning. But I still feel sad.

Mass on the big screen in our cluttered living room.

I usually worry a lot about the Easter ceremonies. The last few years my responsibility has mainly been for the Easter Sunday Mass, which was fairly sparsely attended anyway. Then there was going to be a week of Easter Masses for a homeschool camp. All cancelled.

I guess I am relieved that I don’t bear that responsibility. I am glad to be able to sit with my little children and point out what happens during Mass on a screen in our living room. I am glad my bigger children still feel the importance of attending Mass in some form. But I still feel sad.

Then, in an online talk, our priest pointed out that it is alright to feel sad. The loss of receiving Communion is a real thing. There are tragedies unfolding all over the world. The other alternative would be indifference, and that would be a real tragedy.

At the beginning of Vetus Ordo Mass, the priest recites the psalm that goes: Quare tristis es, anima mea, et quare conturbas me? Why are you sad, O my soul, and why dost thou disquiet me? The next line answers: Spera in Deo Hope in the Lord, I will again be praising thee.

I remember finding it hard to understand what Hope means. It helped me to learn about the two sins against the virtue of Hope: Presumption and Despair. I couldn’t get a grip on what Hope meant without seeing its absence. When we are content with life, then hope seems irrelevant. When we are thrown into a storm, then we feel that defiant struggle to stand upright and keep our eyes on the goal.

This year I had expected to have an easier time. I had three children enrolled in outside education. I was looking forward to calmly homeschooling just two children with time over to play with the pre-schooler. Now I have six children home, including Four Teenage Boys, so maybe it’s just as well I’m not leading any choral endeavours right now!

So, I am still sad, but I see a big challenge and I know that God gives us the grace necessary to serve Him in this life and to obtain eternal life in the next. I won’t be indifferent. I won’t forget God. I’ll put time aside every day to make a Spiritual Communion. I’ll keep finding ways to help my family. It’s not the path I was expecting, but God knows what He’s doing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 18, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

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