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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why are you sad, O my soul?

Veronica Brandt · April 18, 2020

When I was making draft hymnbooks, I cut pictures from old calendars to adorn the front covers. This one really struck me at the time.

“Christ in the Desert” by Ivan Kramskoi (1872)

Maybe it’s so stereotypically Russian. Maybe it summed up what I was feeling at the time, arranging compromises on what to include in the books, printing 30 copies of close to 300 page books, cutting into my thumb through the thumbnail with the guillotine, gluing and covering each book, finding typos every other week. Finding out halfway through the design stage that Corpus Christi Watershed were producing the Campion Hymnal which would have served admirably had our budget been ten times bigger. Or had we had a budget.

A handful of the surviving draft hymnbooks

Now I find myself in a very different situation.

At first I was anxious and even may have been depressed. I thought too much about exponential curves and washing my hands. I even looked forward to isolation if it meant less worry.

Now it is over a month since I last attended Mass. Which is a pretty short time in the bigger scheme of things. I am able to sing Compline each night with my family. We say the rosary together. I can watch a livestream of our local FSSP Mass every morning. But I still feel sad.

Mass on the big screen in our cluttered living room.

I usually worry a lot about the Easter ceremonies. The last few years my responsibility has mainly been for the Easter Sunday Mass, which was fairly sparsely attended anyway. Then there was going to be a week of Easter Masses for a homeschool camp. All cancelled.

I guess I am relieved that I don’t bear that responsibility. I am glad to be able to sit with my little children and point out what happens during Mass on a screen in our living room. I am glad my bigger children still feel the importance of attending Mass in some form. But I still feel sad.

Then, in an online talk, our priest pointed out that it is alright to feel sad. The loss of receiving Communion is a real thing. There are tragedies unfolding all over the world. The other alternative would be indifference, and that would be a real tragedy.

At the beginning of Vetus Ordo Mass, the priest recites the psalm that goes: Quare tristis es, anima mea, et quare conturbas me? Why are you sad, O my soul, and why dost thou disquiet me? The next line answers: Spera in Deo Hope in the Lord, I will again be praising thee.

I remember finding it hard to understand what Hope means. It helped me to learn about the two sins against the virtue of Hope: Presumption and Despair. I couldn’t get a grip on what Hope meant without seeing its absence. When we are content with life, then hope seems irrelevant. When we are thrown into a storm, then we feel that defiant struggle to stand upright and keep our eyes on the goal.

This year I had expected to have an easier time. I had three children enrolled in outside education. I was looking forward to calmly homeschooling just two children with time over to play with the pre-schooler. Now I have six children home, including Four Teenage Boys, so maybe it’s just as well I’m not leading any choral endeavours right now!

So, I am still sad, but I see a big challenge and I know that God gives us the grace necessary to serve Him in this life and to obtain eternal life in the next. I won’t be indifferent. I won’t forget God. I’ll put time aside every day to make a Spiritual Communion. I’ll keep finding ways to help my family. It’s not the path I was expecting, but God knows what He’s doing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 18, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Chants closely related to the readings should, of course, be appropriately transferred for use with these readings. For pastoral reasons also there is an option regarding the chants for the Proper of Seasons: namely, as circumstances suggest, to replace the text proper to a day with another text belonging to the same season.”

— Ordo Cantus Missae (1971)

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