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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God will not be outdone in generosity.

Richard J. Clark · April 9, 2020

Y DEAREST musicians, colleagues, and friends: And so it begins. The sacred Triduum begins amidst enormous uncertainty and suffering. Previously, I voiced some concerns for all of you. Many concerns are turning into painful reality.

Many grieve and mourn the loss of making music each week with people they love and cherish. I am certain we all know someone who has been laid off, on furlough, or received a pay cut. No one is immune, myself included. Ironically, this comes in the midst of the holiest—and busiest—time of year. I’ve been greatly pained in recent days by such inevitable events and timing.

Some of us are fortunate to live-stream Mass on a regular basis continuing to serve in prayer and song. This fulfills a sacred mission for each community. Every community is suffering and hungers for connection.

Some are actively serving during Holy Week despite diminished income. I know quite well, that preparing only one liturgy under such circumstances is potentially more difficult and time-consuming than several at normal times—especially for a vastly revised Holy Week!

And so also begins some extraordinary pastoral leadership, done so with love and charity, and out of a heightened sense of mission.

Here’s what I’ve seen:

Music ministers seeking out and implementing new ways to stay connected with the faithful they serve. Directors are finding ways to rehearse or keep musicians engaged, trained, and developed. I’ve witnessed every effort made by colleagues to keep their children’s choirs singing—if at home and if apart. This heightened sense of creative service even comes from those with reduced incomes.

If that were not enough, some who have been laid off or have had pay cuts have expressed kind words of charity, hope, and support. This is not expected in such circumstances.

For everyone working and striving under such trying situations, you have my deepest admiration, and gratitude!

People are hungrier than ever for the Gospel. This is a great blessing, and a turning point in our lives and ministries.

I’ve learned much from all of you. Recently I‘ve discovered I am not accustomed to trusting God as much as I should. Doing so makes me exceedingly uncomfortable. Many of you, through your generous and creative service, are teaching me how to trust God more. Thank you for this.

Likewise, a choir member reminds me:
“God will not be outdone in generosity.”

You have modeled God’s generosity in serving and persevering through this difficult trial.

Cardinal O’Malley reminds us that Easter is so important that we celebrate the Lord’s resurrection every Sunday! We are both Good Friday people and Easter Sunday people. Our current Good Friday of uncertain duration will assuredly transform into the boundless joy of Easter Sunday. God’s generosity in granting joy will not be outdone!

Know that I am praying the rosary for each of you every day and for your intentions.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 9, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

After ordering the bishops to appoint in each diocese “special commission of persons who are really competent in the matter, to whom they will entrust the duty of watching over the music performed in the churches in whatever way may seem most advisable,” Pope Pius X continues—“this commission will insist on the music being not only good in itself, but also proportionate to the capacity of the singers, so that it may be always well executed.”

— Dom Alphege Shebbeare (Downside Review)

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