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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God will not be outdone in generosity.

Richard J. Clark · April 9, 2020

Y DEAREST musicians, colleagues, and friends: And so it begins. The sacred Triduum begins amidst enormous uncertainty and suffering. Previously, I voiced some concerns for all of you. Many concerns are turning into painful reality.

Many grieve and mourn the loss of making music each week with people they love and cherish. I am certain we all know someone who has been laid off, on furlough, or received a pay cut. No one is immune, myself included. Ironically, this comes in the midst of the holiest—and busiest—time of year. I’ve been greatly pained in recent days by such inevitable events and timing.

Some of us are fortunate to live-stream Mass on a regular basis continuing to serve in prayer and song. This fulfills a sacred mission for each community. Every community is suffering and hungers for connection.

Some are actively serving during Holy Week despite diminished income. I know quite well, that preparing only one liturgy under such circumstances is potentially more difficult and time-consuming than several at normal times—especially for a vastly revised Holy Week!

And so also begins some extraordinary pastoral leadership, done so with love and charity, and out of a heightened sense of mission.

Here’s what I’ve seen:

Music ministers seeking out and implementing new ways to stay connected with the faithful they serve. Directors are finding ways to rehearse or keep musicians engaged, trained, and developed. I’ve witnessed every effort made by colleagues to keep their children’s choirs singing—if at home and if apart. This heightened sense of creative service even comes from those with reduced incomes.

If that were not enough, some who have been laid off or have had pay cuts have expressed kind words of charity, hope, and support. This is not expected in such circumstances.

For everyone working and striving under such trying situations, you have my deepest admiration, and gratitude!

People are hungrier than ever for the Gospel. This is a great blessing, and a turning point in our lives and ministries.

I’ve learned much from all of you. Recently I‘ve discovered I am not accustomed to trusting God as much as I should. Doing so makes me exceedingly uncomfortable. Many of you, through your generous and creative service, are teaching me how to trust God more. Thank you for this.

Likewise, a choir member reminds me:
“God will not be outdone in generosity.”

You have modeled God’s generosity in serving and persevering through this difficult trial.

Cardinal O’Malley reminds us that Easter is so important that we celebrate the Lord’s resurrection every Sunday! We are both Good Friday people and Easter Sunday people. Our current Good Friday of uncertain duration will assuredly transform into the boundless joy of Easter Sunday. God’s generosity in granting joy will not be outdone!

Know that I am praying the rosary for each of you every day and for your intentions.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 9, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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