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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God will not be outdone in generosity.

Richard J. Clark · April 9, 2020

Y DEAREST musicians, colleagues, and friends: And so it begins. The sacred Triduum begins amidst enormous uncertainty and suffering. Previously, I voiced some concerns for all of you. Many concerns are turning into painful reality.

Many grieve and mourn the loss of making music each week with people they love and cherish. I am certain we all know someone who has been laid off, on furlough, or received a pay cut. No one is immune, myself included. Ironically, this comes in the midst of the holiest—and busiest—time of year. I’ve been greatly pained in recent days by such inevitable events and timing.

Some of us are fortunate to live-stream Mass on a regular basis continuing to serve in prayer and song. This fulfills a sacred mission for each community. Every community is suffering and hungers for connection.

Some are actively serving during Holy Week despite diminished income. I know quite well, that preparing only one liturgy under such circumstances is potentially more difficult and time-consuming than several at normal times—especially for a vastly revised Holy Week!

And so also begins some extraordinary pastoral leadership, done so with love and charity, and out of a heightened sense of mission.

Here’s what I’ve seen:

Music ministers seeking out and implementing new ways to stay connected with the faithful they serve. Directors are finding ways to rehearse or keep musicians engaged, trained, and developed. I’ve witnessed every effort made by colleagues to keep their children’s choirs singing—if at home and if apart. This heightened sense of creative service even comes from those with reduced incomes.

If that were not enough, some who have been laid off or have had pay cuts have expressed kind words of charity, hope, and support. This is not expected in such circumstances.

For everyone working and striving under such trying situations, you have my deepest admiration, and gratitude!

People are hungrier than ever for the Gospel. This is a great blessing, and a turning point in our lives and ministries.

I’ve learned much from all of you. Recently I‘ve discovered I am not accustomed to trusting God as much as I should. Doing so makes me exceedingly uncomfortable. Many of you, through your generous and creative service, are teaching me how to trust God more. Thank you for this.

Likewise, a choir member reminds me:
“God will not be outdone in generosity.”

You have modeled God’s generosity in serving and persevering through this difficult trial.

Cardinal O’Malley reminds us that Easter is so important that we celebrate the Lord’s resurrection every Sunday! We are both Good Friday people and Easter Sunday people. Our current Good Friday of uncertain duration will assuredly transform into the boundless joy of Easter Sunday. God’s generosity in granting joy will not be outdone!

Know that I am praying the rosary for each of you every day and for your intentions.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 9, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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  • “Dies Irae” • A Monstrous Translation

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