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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

God will not be outdone in generosity.

Richard J. Clark · April 9, 2020

Y DEAREST musicians, colleagues, and friends: And so it begins. The sacred Triduum begins amidst enormous uncertainty and suffering. Previously, I voiced some concerns for all of you. Many concerns are turning into painful reality.

Many grieve and mourn the loss of making music each week with people they love and cherish. I am certain we all know someone who has been laid off, on furlough, or received a pay cut. No one is immune, myself included. Ironically, this comes in the midst of the holiest—and busiest—time of year. I’ve been greatly pained in recent days by such inevitable events and timing.

Some of us are fortunate to live-stream Mass on a regular basis continuing to serve in prayer and song. This fulfills a sacred mission for each community. Every community is suffering and hungers for connection.

Some are actively serving during Holy Week despite diminished income. I know quite well, that preparing only one liturgy under such circumstances is potentially more difficult and time-consuming than several at normal times—especially for a vastly revised Holy Week!

And so also begins some extraordinary pastoral leadership, done so with love and charity, and out of a heightened sense of mission.

Here’s what I’ve seen:

Music ministers seeking out and implementing new ways to stay connected with the faithful they serve. Directors are finding ways to rehearse or keep musicians engaged, trained, and developed. I’ve witnessed every effort made by colleagues to keep their children’s choirs singing—if at home and if apart. This heightened sense of creative service even comes from those with reduced incomes.

If that were not enough, some who have been laid off or have had pay cuts have expressed kind words of charity, hope, and support. This is not expected in such circumstances.

For everyone working and striving under such trying situations, you have my deepest admiration, and gratitude!

People are hungrier than ever for the Gospel. This is a great blessing, and a turning point in our lives and ministries.

I’ve learned much from all of you. Recently I‘ve discovered I am not accustomed to trusting God as much as I should. Doing so makes me exceedingly uncomfortable. Many of you, through your generous and creative service, are teaching me how to trust God more. Thank you for this.

Likewise, a choir member reminds me:
“God will not be outdone in generosity.”

You have modeled God’s generosity in serving and persevering through this difficult trial.

Cardinal O’Malley reminds us that Easter is so important that we celebrate the Lord’s resurrection every Sunday! We are both Good Friday people and Easter Sunday people. Our current Good Friday of uncertain duration will assuredly transform into the boundless joy of Easter Sunday. God’s generosity in granting joy will not be outdone!

Know that I am praying the rosary for each of you every day and for your intentions.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 9, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“We must acknowledge that We have been somewhat disturbed and saddened by these requests. One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” [Paul VI responding to requests from monks asking permission to remove Latin from the Divine Office.]

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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