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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

God will not be outdone in generosity.

Richard J. Clark · April 9, 2020

Y DEAREST musicians, colleagues, and friends: And so it begins. The sacred Triduum begins amidst enormous uncertainty and suffering. Previously, I voiced some concerns for all of you. Many concerns are turning into painful reality.

Many grieve and mourn the loss of making music each week with people they love and cherish. I am certain we all know someone who has been laid off, on furlough, or received a pay cut. No one is immune, myself included. Ironically, this comes in the midst of the holiest—and busiest—time of year. I’ve been greatly pained in recent days by such inevitable events and timing.

Some of us are fortunate to live-stream Mass on a regular basis continuing to serve in prayer and song. This fulfills a sacred mission for each community. Every community is suffering and hungers for connection.

Some are actively serving during Holy Week despite diminished income. I know quite well, that preparing only one liturgy under such circumstances is potentially more difficult and time-consuming than several at normal times—especially for a vastly revised Holy Week!

And so also begins some extraordinary pastoral leadership, done so with love and charity, and out of a heightened sense of mission.

Here’s what I’ve seen:

Music ministers seeking out and implementing new ways to stay connected with the faithful they serve. Directors are finding ways to rehearse or keep musicians engaged, trained, and developed. I’ve witnessed every effort made by colleagues to keep their children’s choirs singing—if at home and if apart. This heightened sense of creative service even comes from those with reduced incomes.

If that were not enough, some who have been laid off or have had pay cuts have expressed kind words of charity, hope, and support. This is not expected in such circumstances.

For everyone working and striving under such trying situations, you have my deepest admiration, and gratitude!

People are hungrier than ever for the Gospel. This is a great blessing, and a turning point in our lives and ministries.

I’ve learned much from all of you. Recently I‘ve discovered I am not accustomed to trusting God as much as I should. Doing so makes me exceedingly uncomfortable. Many of you, through your generous and creative service, are teaching me how to trust God more. Thank you for this.

Likewise, a choir member reminds me:
“God will not be outdone in generosity.”

You have modeled God’s generosity in serving and persevering through this difficult trial.

Cardinal O’Malley reminds us that Easter is so important that we celebrate the Lord’s resurrection every Sunday! We are both Good Friday people and Easter Sunday people. Our current Good Friday of uncertain duration will assuredly transform into the boundless joy of Easter Sunday. God’s generosity in granting joy will not be outdone!

Know that I am praying the rosary for each of you every day and for your intentions.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 9, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

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