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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Repeating Repertoire? • Richard J. Clark

Richard J. Clark · March 28, 2020

N ALL honesty, contemplating repetition within the liturgy is not first and foremost on my mind. But in a new way it is a blatant reality. People are hurting and are in need of pastoral care more than ever. The words of the Mass—or any rote prayer, such as the rosary—bring comfort at a time when words fail us. It signals our universality, our unity of carrying the same cross together. The mere sound of our pastor’s voice is of great comfort. A familiar hymn becomes a soothing balm in times of distress.

That is not to say that only what is familiar is valuable. But it is wise in some cases to consider.

Previously, televised or streaming Masses were merely a supplement, often to minister to the elderly and homebound, we now find ourselves all crowded under the same umbrella: We are all homebound. Televised Mass is necessary. While public attendance of Mass has been suspended, Mass itself has not been canceled! We have opportunities to find new ways to connect and pray with and for each other. On a practical level, many parishes are wisely printing a downloadable worship aid for each Mass. It is a valuable pastoral response. I would highly encourage this practice.

But in reality, it is likely not all viewers are looking at it during Mass, either on another screen large enough or printing out a copy for everyone in their family. While I still highly encourage making downloadable worship aids available some additional considerations may be wise.

IN RECENT DAYS, I have revised my Holy Week plans countless times. Initially planning months ago, I was looking forward to singing some new and different choral settings and mixing the new with the familiar and the necessary. Like everywhere in the world, the landscape has been changing by the day and at times by the hour. However, this time, televising and streaming with no congregation, and limited musical resources, each piece of music has been reevaluated. Assuming few many look at a worship aid while watching a Mass on their computer or phone—extra care may be taken erring on the side of familiarity or repeatability with the Responsorial and the Ordinary. Favoring hymn tunes and texts that are familiar is of importance.

Likewise, there is also opportunity to expose music not often heard. If you do not have limits on time, singing the Introit chant (even as a prelude) may be worthwhile. Something new and transcendent—if very simple and in unison—may be just as valuable as what is easily recognizable. With no congregation, the offertory and communion is likely short. Perhaps sing a simple antiphon for offertory or communion in balance with other familiar responses. It is important to bring forth the new and the old.

I WOULD ENCOURAGE PRIESTS and deacons to sing! Of elevated importance are the dialogues and acclamations, most important things to sing at Mass. These can be repeated with every broadcast and have great spiritual impact on a broadcast that may be limited with normally greater musical resources. Sing the Presidential texts, even if on one note. When in doubt, sing out!

WE HAVE A UNIQUE OPPORTUNITY to discover new ways to be a community—even while apart. We are forced in closer proximity with our families at home. This is a blessing to while we pray together more. There is opportunity to pray the Rosary or the Liturgy of the Hours together at home.

Prayer—repeated or not—just pray.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski
    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

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