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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Repeating Repertoire? • Richard J. Clark

Richard J. Clark · March 28, 2020

N ALL honesty, contemplating repetition within the liturgy is not first and foremost on my mind. But in a new way it is a blatant reality. People are hurting and are in need of pastoral care more than ever. The words of the Mass—or any rote prayer, such as the rosary—bring comfort at a time when words fail us. It signals our universality, our unity of carrying the same cross together. The mere sound of our pastor’s voice is of great comfort. A familiar hymn becomes a soothing balm in times of distress.

That is not to say that only what is familiar is valuable. But it is wise in some cases to consider.

Previously, televised or streaming Masses were merely a supplement, often to minister to the elderly and homebound, we now find ourselves all crowded under the same umbrella: We are all homebound. Televised Mass is necessary. While public attendance of Mass has been suspended, Mass itself has not been canceled! We have opportunities to find new ways to connect and pray with and for each other. On a practical level, many parishes are wisely printing a downloadable worship aid for each Mass. It is a valuable pastoral response. I would highly encourage this practice.

But in reality, it is likely not all viewers are looking at it during Mass, either on another screen large enough or printing out a copy for everyone in their family. While I still highly encourage making downloadable worship aids available some additional considerations may be wise.

IN RECENT DAYS, I have revised my Holy Week plans countless times. Initially planning months ago, I was looking forward to singing some new and different choral settings and mixing the new with the familiar and the necessary. Like everywhere in the world, the landscape has been changing by the day and at times by the hour. However, this time, televising and streaming with no congregation, and limited musical resources, each piece of music has been reevaluated. Assuming few many look at a worship aid while watching a Mass on their computer or phone—extra care may be taken erring on the side of familiarity or repeatability with the Responsorial and the Ordinary. Favoring hymn tunes and texts that are familiar is of importance.

Likewise, there is also opportunity to expose music not often heard. If you do not have limits on time, singing the Introit chant (even as a prelude) may be worthwhile. Something new and transcendent—if very simple and in unison—may be just as valuable as what is easily recognizable. With no congregation, the offertory and communion is likely short. Perhaps sing a simple antiphon for offertory or communion in balance with other familiar responses. It is important to bring forth the new and the old.

I WOULD ENCOURAGE PRIESTS and deacons to sing! Of elevated importance are the dialogues and acclamations, most important things to sing at Mass. These can be repeated with every broadcast and have great spiritual impact on a broadcast that may be limited with normally greater musical resources. Sing the Presidential texts, even if on one note. When in doubt, sing out!

WE HAVE A UNIQUE OPPORTUNITY to discover new ways to be a community—even while apart. We are forced in closer proximity with our families at home. This is a blessing to while we pray together more. There is opportunity to pray the Rosary or the Liturgy of the Hours together at home.

Prayer—repeated or not—just pray.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was “so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time”

— Re: Abbé Franz Liszt

Recent Posts

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  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)

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