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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Repeating Repertoire? • Richard J. Clark

Richard J. Clark · March 28, 2020

N ALL honesty, contemplating repetition within the liturgy is not first and foremost on my mind. But in a new way it is a blatant reality. People are hurting and are in need of pastoral care more than ever. The words of the Mass—or any rote prayer, such as the rosary—bring comfort at a time when words fail us. It signals our universality, our unity of carrying the same cross together. The mere sound of our pastor’s voice is of great comfort. A familiar hymn becomes a soothing balm in times of distress.

That is not to say that only what is familiar is valuable. But it is wise in some cases to consider.

Previously, televised or streaming Masses were merely a supplement, often to minister to the elderly and homebound, we now find ourselves all crowded under the same umbrella: We are all homebound. Televised Mass is necessary. While public attendance of Mass has been suspended, Mass itself has not been canceled! We have opportunities to find new ways to connect and pray with and for each other. On a practical level, many parishes are wisely printing a downloadable worship aid for each Mass. It is a valuable pastoral response. I would highly encourage this practice.

But in reality, it is likely not all viewers are looking at it during Mass, either on another screen large enough or printing out a copy for everyone in their family. While I still highly encourage making downloadable worship aids available some additional considerations may be wise.

IN RECENT DAYS, I have revised my Holy Week plans countless times. Initially planning months ago, I was looking forward to singing some new and different choral settings and mixing the new with the familiar and the necessary. Like everywhere in the world, the landscape has been changing by the day and at times by the hour. However, this time, televising and streaming with no congregation, and limited musical resources, each piece of music has been reevaluated. Assuming few many look at a worship aid while watching a Mass on their computer or phone—extra care may be taken erring on the side of familiarity or repeatability with the Responsorial and the Ordinary. Favoring hymn tunes and texts that are familiar is of importance.

Likewise, there is also opportunity to expose music not often heard. If you do not have limits on time, singing the Introit chant (even as a prelude) may be worthwhile. Something new and transcendent—if very simple and in unison—may be just as valuable as what is easily recognizable. With no congregation, the offertory and communion is likely short. Perhaps sing a simple antiphon for offertory or communion in balance with other familiar responses. It is important to bring forth the new and the old.

I WOULD ENCOURAGE PRIESTS and deacons to sing! Of elevated importance are the dialogues and acclamations, most important things to sing at Mass. These can be repeated with every broadcast and have great spiritual impact on a broadcast that may be limited with normally greater musical resources. Sing the Presidential texts, even if on one note. When in doubt, sing out!

WE HAVE A UNIQUE OPPORTUNITY to discover new ways to be a community—even while apart. We are forced in closer proximity with our families at home. This is a blessing to while we pray together more. There is opportunity to pray the Rosary or the Liturgy of the Hours together at home.

Prayer—repeated or not—just pray.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

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