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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Repeating Repertoire? • Richard J. Clark

Richard J. Clark · March 28, 2020

N ALL honesty, contemplating repetition within the liturgy is not first and foremost on my mind. But in a new way it is a blatant reality. People are hurting and are in need of pastoral care more than ever. The words of the Mass—or any rote prayer, such as the rosary—bring comfort at a time when words fail us. It signals our universality, our unity of carrying the same cross together. The mere sound of our pastor’s voice is of great comfort. A familiar hymn becomes a soothing balm in times of distress.

That is not to say that only what is familiar is valuable. But it is wise in some cases to consider.

Previously, televised or streaming Masses were merely a supplement, often to minister to the elderly and homebound, we now find ourselves all crowded under the same umbrella: We are all homebound. Televised Mass is necessary. While public attendance of Mass has been suspended, Mass itself has not been canceled! We have opportunities to find new ways to connect and pray with and for each other. On a practical level, many parishes are wisely printing a downloadable worship aid for each Mass. It is a valuable pastoral response. I would highly encourage this practice.

But in reality, it is likely not all viewers are looking at it during Mass, either on another screen large enough or printing out a copy for everyone in their family. While I still highly encourage making downloadable worship aids available some additional considerations may be wise.

IN RECENT DAYS, I have revised my Holy Week plans countless times. Initially planning months ago, I was looking forward to singing some new and different choral settings and mixing the new with the familiar and the necessary. Like everywhere in the world, the landscape has been changing by the day and at times by the hour. However, this time, televising and streaming with no congregation, and limited musical resources, each piece of music has been reevaluated. Assuming few many look at a worship aid while watching a Mass on their computer or phone—extra care may be taken erring on the side of familiarity or repeatability with the Responsorial and the Ordinary. Favoring hymn tunes and texts that are familiar is of importance.

Likewise, there is also opportunity to expose music not often heard. If you do not have limits on time, singing the Introit chant (even as a prelude) may be worthwhile. Something new and transcendent—if very simple and in unison—may be just as valuable as what is easily recognizable. With no congregation, the offertory and communion is likely short. Perhaps sing a simple antiphon for offertory or communion in balance with other familiar responses. It is important to bring forth the new and the old.

I WOULD ENCOURAGE PRIESTS and deacons to sing! Of elevated importance are the dialogues and acclamations, most important things to sing at Mass. These can be repeated with every broadcast and have great spiritual impact on a broadcast that may be limited with normally greater musical resources. Sing the Presidential texts, even if on one note. When in doubt, sing out!

WE HAVE A UNIQUE OPPORTUNITY to discover new ways to be a community—even while apart. We are forced in closer proximity with our families at home. This is a blessing to while we pray together more. There is opportunity to pray the Rosary or the Liturgy of the Hours together at home.

Prayer—repeated or not—just pray.

Oremus pro invicem
Let us pray for each other.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: March 30, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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