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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Imposing the Classical Style on Public Building Projects?

Fr. David Friel · February 17, 2020

rchitecture in our nation’s capital is a mixed bag. Many of the Smithsonian Museums and other federal buildings are built in classical style. The National Archives, which houses permanent records created by the Congress, Supreme Court, and other agencies, is a good example.

The Eisenhower building, home to many offices of the executive branch of government, is a splendid example of the French Second Empire Style.

The Pension Building, now serving as the National Building Museum, is an attractive example of Renaissance Revival architecture.

My favorite building (and tour) in all the District of Columbia is the Jefferson Building of the Library of Congress, the interior of which could pass for a Romanesque cathedral.

Not all the buildings built here, however, are so distinguished. Many of the more recent Smithsonian buildings, for example, depart drastically from the general tenor of the National Mall.

Among the ugliest buildings in this fair city is the J. Edgar Hoover Building, headquarters of the FBI. A remarkable number of other agencies and departments (e.g., the Department of Education) inhabit equally ghastly spaces.

So far, I have only pointed out public buildings. The disparity, however, is also noticeable in private buildings. Take, for example, this magnificent home on Logan Square.

Now compare it to the scores of new projects that look more or less like these.

It has been reported that the White House is considering an executive order that would establish the classical architectural style as the “preferred and default style” for new and renovated federal buildings. This is an interesting proposal.

I am personally split on the matter. I agree wholeheartedly with the premise that public building projects have been on a poor architectural path for several decades, but I oppose a solution that would pretend that a single style of architecture should be preferred. Thus, while I strongly favor taking action to avoid monstrosities such as the Hoover building, I am not in favor of restricting future projects to the classical style alone. The Eisenhower Building, the Lincoln Memorial, and Union Station, for example, differ substantially from each other, yet each is beautiful. Our nation’s capital would be a poorer, less beautiful place without these dissimilar, yet equally handsome, buildings.

I am interested to see whether this executive order comes to fruition. I am also interested to learn that the President has recently appointed James C. McCrery II, AIA and Duncan G. Stroik, AIA as members of the federal Fine Arts Commission. Both are experts in their field and involved in firms at the forefront of renewal in Catholic church architecture.

Whether this particular executive order comes to pass or not, the matter of public architecture deserves attention. As the recently deceased Sir Roger Scruton argued so passionately, starving ourselves of beauty is not a path forward.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Beauty, Sacred Architecture Last Updated: February 24, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“This chapter hereby extends the prohibition of 13 June 1561 against loaning singers or instrumentalists on any account whatsoever to include even the humblest choirboy.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (10 June 1562)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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