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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Imposing the Classical Style on Public Building Projects?

Fr. David Friel · February 17, 2020

rchitecture in our nation’s capital is a mixed bag. Many of the Smithsonian Museums and other federal buildings are built in classical style. The National Archives, which houses permanent records created by the Congress, Supreme Court, and other agencies, is a good example.

The Eisenhower building, home to many offices of the executive branch of government, is a splendid example of the French Second Empire Style.

The Pension Building, now serving as the National Building Museum, is an attractive example of Renaissance Revival architecture.

My favorite building (and tour) in all the District of Columbia is the Jefferson Building of the Library of Congress, the interior of which could pass for a Romanesque cathedral.

Not all the buildings built here, however, are so distinguished. Many of the more recent Smithsonian buildings, for example, depart drastically from the general tenor of the National Mall.

Among the ugliest buildings in this fair city is the J. Edgar Hoover Building, headquarters of the FBI. A remarkable number of other agencies and departments (e.g., the Department of Education) inhabit equally ghastly spaces.

So far, I have only pointed out public buildings. The disparity, however, is also noticeable in private buildings. Take, for example, this magnificent home on Logan Square.

Now compare it to the scores of new projects that look more or less like these.

It has been reported that the White House is considering an executive order that would establish the classical architectural style as the “preferred and default style” for new and renovated federal buildings. This is an interesting proposal.

I am personally split on the matter. I agree wholeheartedly with the premise that public building projects have been on a poor architectural path for several decades, but I oppose a solution that would pretend that a single style of architecture should be preferred. Thus, while I strongly favor taking action to avoid monstrosities such as the Hoover building, I am not in favor of restricting future projects to the classical style alone. The Eisenhower Building, the Lincoln Memorial, and Union Station, for example, differ substantially from each other, yet each is beautiful. Our nation’s capital would be a poorer, less beautiful place without these dissimilar, yet equally handsome, buildings.

I am interested to see whether this executive order comes to fruition. I am also interested to learn that the President has recently appointed James C. McCrery II, AIA and Duncan G. Stroik, AIA as members of the federal Fine Arts Commission. Both are experts in their field and involved in firms at the forefront of renewal in Catholic church architecture.

Whether this particular executive order comes to pass or not, the matter of public architecture deserves attention. As the recently deceased Sir Roger Scruton argued so passionately, starving ourselves of beauty is not a path forward.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Beauty, Sacred Architecture Last Updated: February 24, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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